THE ONE FOR YOU GH4 G7 / G6 GX8 / GX7 GM5 / GM1 GF7 LUMIX G BROCHURE AUTUMN 2015 Page 2 IMAGE SENSOR Total pixels / Effective pixels Body Image Stabiliser Dust reduction system RECORDING SYSTEM Recording file format Aspect ratio Colour space Still image size Motion image size MOV AVCHD EXPOSURE CONTROL Light metering mode Exposure mode ISO sensitivity Exposure compensation AE lock AE bracket WHITE BALANCE White balance settings White balance adjustment Creative modes SHUTTER Shutter Speed Remote Control BURST SHOOTING Burst speed Number of recordable images 4K Photo mode FLASH Flash type Flash mode Synchronisation speed Flash output adjustment Hot shoe OPERATION Rear monitor Viewfinder Wi-Fi Dust- / Splashproof / Magnesium alloy DSLM TECHNOLOGY OSD language INTERFACE Recording media USB HDMI BEST PICTURES DSLM MODELS Battery Grip / Remote Input / Flash Sync. Built-in Mic / Built-in Speaker / Audio Jack POWER LENS Battery TECHNOLOGY Battery life (CIPA standard)** Dimensions (W x H x D) LENSES Weight STANDARD ACCESSORIES ACCESSORIES Software PagePage 03 57 Intro TECHNICAL SPECIFICATIONS LUMIX DMC-GH4 LUMIX DMC-G7 LUMIX DMC-G6 LUMIX DMC-GX8 LUMIX DMC-GX7 LUMIX DMC-GM5 / GM1 LUMIX DMC-GF7 17.20 / 16.05 Megapixels – Supersonic wave filter 16.84 / 16.00 Megapixels – Supersonic wave filter 18.31 / 16.05 Megapixels – Supersonic wave filter 21.77 / 20.30 Megapixels • (4-axis), DUAL I.S. Supersonic wave filter 16.84 / 16.0 Megapixels • (2-axis) Supersonic wave filter 16.84 / 16.00 Megapixels – Supersonic wave filter 16.84 / 16.00 Megapixels – Supersonic wave filter Still Image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion picture: MOV (Audio format LPCM), MP4 (Audio format AAC 2ch), AVCHD (Audio format: Dolby Digital 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4608 × 3456 (L) / 3264 × 2448 (M) / 2336 × 1752 (S) / 1824 × 136811 [3:2] 4608 × 3072 (L) / 3264 × 2176 (M) / 2336 × 1560 (S) / 1824 × 121611 [16:9] 4608 × 2592 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 102411 [1:1] 3456 × 3456 (L) / 2448 × 2448 (M) / 1744 ×1744 (S) / 1712 × 171211 e. g. [4K] 3840 × 2160, 29.97p, 100Mbps (IPB) (LPCM) [Full HD] 1920 × 1080, 59.94p, 200Mbps (ALL-Intra) (LPCM) / 100Mbps (IPB) (LPCM) e. g. [Full HD] 1920 × 1080, 59.94p, 28Mbps (IPB) (Dolby) [Full HD] 1920 × 1080 50.00p, 28Mbps (IPB) (Dolby) Still Image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch, MP4 (Audio format: AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 136811 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 121611 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 102411 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 171211 – Still Image: JPEG(DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4608 × 3456 (L) / 3264 × 2448 (M) / 2336 × 1752 (S) / 1824 × 13681 [3:2] 4608 × 3072 (L) / 3264 × 2176 (M) / 2336 × 1560 (S) / 1824 × 12161 [16:9] 4608 × 2592 (L) / 3264 × 1840 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3456 × 3456 (L) / 2448 × 2448 (M) / 1744 × 1744 (S) / 1712 × 17121 – Still Image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format: AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 5184 × 3888 (L) / 3712 × 2784 (M) / 2624 × 1968 (S) / 1824 × 13681 [3:2] 5184 × 3456 (L) / 3712 × 2480 (M) / 2624 × 1752 (S) / 1824 × 12161 [16:9] 5184 × 2920 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3888 × 3888 (L) / 2784 × 2784 (M) / 1968 × 1968 (S) / 1712 × 17121 – Still Image: JPEG (DCF, Exif 2.3), RAW, MPO Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format: AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 – Still Image: JPEG(DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2 ch), MP4 (Audio format AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 GM5: [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 – JPEG (DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 – [Full HD] 1920x1080 FHD/50p: 28Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/25p: 24Mbps [Full HD] 1920x1080 FHD/25p: 24Mbps [Full HD] 1920×1080 FHD/50p: 28Mbps [Full HD]1920x1080 FHD/25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [HD] 1280 x 720 HD/50p: 17Mbps [Full HD] 1920x1080 FHD/50p: 28Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/25p: 24Mbps [Full HD] 1920×1080 FHD/50p: 28Mbps [Full HD]1920x1080 FHD/25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [4K] 3840 × 2160, 4K/25p: 100Mbps, 4K/24p: 100Mbps [Full HD] 1920 × 1080, FHD/50p: 28Mbps, FHD/25p: 20Mbps [HD] 1280 × 720, HD/25p: 10Mbps [VGA] 640 ×480, VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/50i: 24Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [HD] 1280 x 720, HD/50p: 17Mbps [Full HD] 1920×1080 FHD/50p: 28Mbps [Full HD]1920x1080 FHD/25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50p: 28Mbps (GM5) [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/50i: 24Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [Full HD] 1920×1080 FHD/ 50p: 28Mbps (GM5) [Full HD] 1920×1080 FHD/ 25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50p: 28Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/50i: 24Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [Full HD] 1920×1080, FHD/50p: 28Mbps [Full HD] 1920×1080, FHD/25p: 20Mbps [HD] 1280×720, HD/25p: 10Mbps [VGA] 640x480, VGA/25p: 4Mbps Contrast AF system (DFD) AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) Contrast AF system (DFD) AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) Contrast AF system AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint Contrast AF system (DFD) AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Intelligent Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) 1/3 EV step ±5EV (±3EV for motion picture) Yes (AF/AE LOCK button) 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) 1/3 EV step ±5EV (±3EV for motion picture) Yes (AF/AE LOCK button) 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst Auto / Intelligent ISO / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600(Extended) (Changeable to 1/3 EV step) Yes (AF/AE LOCK button) 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst Set the Fn button in custom menu to AE lock 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV Set the Fn button in custom menu to AE (GM1: AF) lock 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV Set the Fn button in custom menu to AE lock 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1,2,3,4 Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Mechanical shutter: AFS: H: 8 frames/sec, M: 5.5 frames/sec , L: 2 frames/sec, AFC: H: 6 frames/sec, M: 6 frames/sec, L: 2 frames/sec; (all with Liveview) Electronic shutter: AFS: H: 10 frames/sec, M: 6 frames/sec, L: 2 frames/sec AFC: H: 6 frames/sec, M: 6 frames/sec, L: 2 frames/sec; (all with Liveview) More than 30 images (when there are RAW files with the particular speed) More than 100 images (when there are no RAW files) (depending on memory card type, aspect, picture size and compression) Mechanical Shutter - H: 5.0 frames/sec(with AFS), 4.3 frames/sec(with AFC, In 1-area-focusing AF mode), M: 4.0 frames/sec, L: 2.0 frames/sec; (all with Liveview); Electronic Shutter - SH: 40.0 frames/sec, H: 10.0 frames/sec, M: 4.0 frames/sec, L: 2.0 frames/sec; (all with Liveview) 9 images (when there are RAW files with the particular speed) Unlimited consecutive shooting (when there are no RAW files) (depending on aspect ratio, memory card size, picture size, and the setting for the quality) GM5: Mechanical shutter: H: 5.8 frames/sec (with AFS), 5 frames/sec (with AFC, in 1-area-focusing AF mode), M: 4 frames/sec, L: 2 frames/sec (all with Liveview); Electronic shutter: SH: 40 frames/sec, H: 10 frames/sec, M: 4 frames/sec, L: 2 frames/sec (all with Liveview) GM5: 7 images (When there are RAW files with the particular speed) ; Unlimited consecutive shooting (Except for the SH mode. When there are no RAW files. Depending on the capacity of the memory card.) ; 39 images (SH mode. When there are no RAW files.); (depending on memory card size, battery power, picture size, and compression) – Mechanical shutter: H: 5.8 frames/sec (with AFS), 5 frames/sec (with AFC, in 1-area-focusing AF mode), M: 4 frames/sec, L: 2 frames/sec (all with Liveview) Electronic shutter: SH: 40 frames/sec, H: 10 frames/sec, M: 4 frames/sec, L: 2 frames/sec (all with Liveview) 7 images (When there are RAW files with the particular speed.); Unlimited consecutive shooting (Except for the SH mode. When there are no RAW files. Depending on the capacity of the memory card.); 39 images (SH mode. When there are no RAW files.) (depending on memory card size, battery power, picture size, and compression) – GM5: TTL external flash (Bundled), GN10.0 equivalent (ISO 200·m) , GN7.0 equivalent (ISO 100·m) GM1: TTL Built-in-Flash, GN5.6 equivalent (ISO 200·m) , GN4.0 equivalent (ISO 100·m), Built-in Pop-up Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. Less than 1/50 second GM5: 1/3EV step ±3EV / GM1: – •/– TTL Built-in-Flash, GN5.6 equivalent (ISO 200·m), GN4.0 equivalent (ISO 100·m), Built-in Pop-up MP4 / e. g. [4K] 3840 × 2160, 29.97p, 100Mbps (IPB) (LPCM) / 100Mbps (IPB) (AAC) MOTION-JPEG [Full HD] 1920 × 1080, 23,98p, 200Mbps (ALL-Intra) (LPCM) / 100Mbps (IPB) (LPCM) / 50Mbps (IPB) (LPCM); [HD] 1280 × 720, 29.97p, 10Mbps (IPB) (AAC) [VGA] 640 × 480, 29.97p, 4Mbps (IPB) (AAC) FOCUS Type Focus Mode AF Mode INTRO EVERYTHING YOU NEED – AND NOTHING YOU DON’T NEED. 1/3EV step ±5EV Set the Fn button in custom menu to AE lock 3,5,7 frame, in 1/3 or 2/3 or 1EV Step, Max.±3 EV Still image: Bulb (Max. 60 minutes), 1/8,000 ~ 60 ; Motion picture: 59.94Hz: 1/16,000 ~ Still image: Bulb (Max. 2 minutes), 1/4,000 ~ 60 ; Motion picture: 1/16,000 ~ 1/25 1/30, 50.00Hz: 1/16,000 ~ 1/25, 23.98Hz: 1/16,000 ~ 1/24 (When using Synchro Scan) Electronic shutter: 1/16,000 ~ 1 Remote control with Bulb function by DMW-RSL1 (Optional) Remote control with Bulb function by DMW-RSL1 (Optional) Still Images: Bulb (Max.120), 1/4000 ~ 60 Motion image: 1/16000 ~ 1/30 (NTSC), 1/16000 ~ 1/25 (PAL) – Mechanical shutter: H: 12 frames/sec (with AFS), 7 frames/sec (with AFC), M: 7 frames/ Mechanical shutter: H: 8 frames/sec (with AFS), 6 frames/sec (with AFC), M: 6 frames/ sec, (with Liveview) L: 2 frames/sec (with Liveview); Electronic shutter: SH: 40 frames/ sec (with Liveview), L: 2 frames/sec (with Liveview) sec, H: 12 frames/sec (with Liveview), M: 7 frames/sec, L: 2 frames/sec (with Liveview) Electronic shutter: SH: 40 frames/sec, H: 10 frames/sec, M: 6 frames/sec (with Liveview), L: 2 frames/sec (with Liveview) Approx. 40 images (when there are RAW files with the particular speed) More than 13 images (when there are RAW files with the particular speed) Approx. 100 images (when there are no RAW files) More than 100 images (when there are no RAW files) Approx. 120 images (when using electronic shutter) (depending on memory card type, aspect, picture size and compression) (depending on memory card size, battery power, picture size, and compression) SH : 40.0 frames/sec, H: 7.0 frames/sec(with AFS), 5.0 frames/sec (with AFC, In 1-areafocusing AF mode), M: 4.0 frames/sec (with Liveview), L: 2.0 frames/sec (with Liveview) 4K Burst (S/S): 30 frames/sec, max. 29 minutes 59 seconds DSLM MAKES THE DIFFERENCE 9 images (when there are RAW files with the particular speed) Unlimited consecutive shooting (when there are no RAW files) (depending on memory card size, battery power, picture size, and compression) You could say that’s what makes LUMIX G cameras so successful. These mirrorless interchangeable-lens models system AF system AF system (DSLMs) have dispelledContrast theAFmyth that only complicated singleContrast lens reflex systems (DSLRs) can offerContrast perfect picture AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face detection / AF Tracking / 23-area-focusing / GM5: Face/Eye Detection / Tracking / 23-Area / 1-Area / Pinpoint Face/Eye Detection / Tracking / 23-Area / 1-Area / Pinpoint quality, as well as the 1-area-focusing idea that/ Pinpoint only chunky bodies guarantee(Fulltop performance. area touch is available) (Full area touch is available) Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Aperture Priority AE, Shutter Priority AE, Manual That’s because, in actual fact, eliminating the bulky single lens reflex Viewfinder is a plus. It makesProgram wayAE, for what’s really Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / Auto / Intelligent ISO / 100 (Extended) (GM1: 125) / 200 / 400 / 800 / 1600 / Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / more picture6400quality, more handiness. a/ future technology for(Changeable a constantly 6400 / 12800 / 25600 (Changeableimportant: to 1/3 EV step) / 12800 / 25600more (Changeableprecision, to 1/3 EV step) 3200 / 6400It’s / 12800 25600 (Changeable to 1/3 EV step) that’s perfect 12800 / 25600 to 1/3 EV step) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) (Up to ISO3200 in motion picture recording) 1/3 EV step ±5EV (±3EV for motionevolving picture) 1/3 EV step ±5EV 1/3EV Step ±5EV 1/3 EV step ±5EV (±3EV for motion picture) society. The LUMIX G system offers the right camera for everyone’s needs. Even photo and video enthusiasts who are looking for a model “for their jacket pocket” can look forward to professional quality.StillThat’s because Still image: Bulb (Max. 30 minutes), 1/8,000 ~ 60 Still Images: Bulb (Max. 2min), 1/8000 ~ 60 Still image: Time (Max. 60 second), 1/16,000 ~ 60 image: Time (Max. 60 second), 1/16,000 ~ 60 Motion picture: 1/16,000 ~ 1/25, Electronic shutter: 1/16,000 ~ 1 Motion image: 1/16000 ~ 1/25 (NTSC area/PAL area) Motion picture: 1/16,000 ~ 1/25 Motion picture: 1/16,000 ~ 1/25 LUMIX G technology–delivers compact performance. – Remote control with Bulb function by DMW-RSL1 (Optional) – 4K Pre-Burst: 30 frames/sec, approx. 2 seconds 4K Burst: 30 frames/sec, max. 29 minutes 59 seconds 4K Burst (S/S): 30 frames/sec, max. 29 minutes 59 seconds – 4K Pre-Burst: 30 frames/sec, approx. 2 seconds 4K Burst: 30 frames/sec, max. 29 minutes 59 seconds 4K Burst (S/S): 30 frames/sec, max. 29 minutes 59 seconds – TTL Built-in-Flash, GN12 equivalent (ISO100·m) / GN17 equivalent (ISO200·m), Built-in Pop-up (Reference), Lighting angle: 24mm (35mm camera equivalent) TTL Built-in-Flash, GN9.3 equivalent (ISO200·m) / GN6.6 equivalent (ISO100·m), Built-in Pop-up (Reference) TTL Built-in-Flash, GN10.5 equivalent (ISO 160·m), GN8.3 equivalent (ISO 100·m), Built-in Pop-up TTL External Flash (Optional) TTL Built-in Flash, GN7.0 equivalent (ISO 200 ·m), GN5.0 equivalent (ISO 100 ·m), Built-in Pop-up Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. Less than 1/250 second 1/3EV step ±3EV • Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only Less than 1/160 second 1/3EV step ±3EV • Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Less than 1/160 second 1/3EV Step ±5EV • Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only Less than 1/250 second 1/3EV step ±3EV • Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Less than 1/320 second 1/3EV step ±3EV • OLED monitor with static touch control, Free-angle 3.0-inch / 3:2 aspect / Wide viewing TFT LCD monitor with static touch control, Free-angle 3.0-inch / 3:2 aspect / Wide angle , Approx. 1036K dots, Approx. 100% Field of view viewing angle, Approx. 1,040k dots, Approx. 100% Field of view TFT LCD with Touch monitor, Free-angle 3.0inch (7.5cm)/ 3:2 Aspect / Wide-viewing angle, 1036K dots, Approx. 100% Field of view TFT LCD monitor with static touch control, Tiltable monitor, 3-inch / 3:2 aspect / Wide viewing angle, Approx. 1040k dots, Field of view 100% OLED Live Viewfinder (2,359K dots) IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode, WPS, Wi-Fi Direct – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Netherlandic OLED Live Viewfinder (2,360K dots) IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Netherlandic OLED Live View Finder (1,440K dots) IEEE 802.11b/g/n, 2412MHz - 2462MHz (11ch), Wi-Fi / WPA / WPA2, Infrastructure mode – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Netherlandic OLED monitor with static touch control, Free-angle 3.0-inch / 3:2 aspect / Wide Tilt Static LCD with Touch Monitor, 3.0inch (7.5cm)/ 3:2 Aspect / Wide-viewing GM5: TFT LCD monitor with static touch control, 3-inch / 16:9 aspect / viewing angle, Approx. 1,040k dots, Approx. 100% Field of view angle, Approx. 1040K dots, Approx. 100% Field of view Wide viewing angle / Field of view 100% GM1: TFT LCD with Touch panel, 3.0inch / 3:2 Aspect / Wide-viewing angle OLED Live Viewfinder (2,360k dots) LCD Live View Finder (2,764K dots equivalent) GM5: Live Viewfinder (1,166K dots) / GM1: – IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b/g/n, 2412MHz - 2462MHz (11ch), Wi-Fi / WPA / WPA2, IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch (GM1:11ch)), Wi-Fi / WPA / Infrastructure mode Infrastructure mode WPA2, Infrastructure mode – – – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian e.g. English, German, French, Italian, Spanish, Polish, Czech e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link, Audio: Stereo, 59.94Hz: Auto / 4K / 1080p / 1080i / 720p / 480p, 50.00Hz: Auto / 4K / 1080p / 1080i / 720p / 576p SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 480p (576p in PAL system); Audio: Stereo SD memory card, SDHC memory card, SDXC memory card USB 2.0 High Speed Multi miniHDMI TypeC ; Video: Auto / 1080i / 720p / 480p (576p in PAL system) Audio: Stereo SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link ; Video: Auto / 4K / 1080p / 1080i / 720p / 576p Audio: Stereo SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link; Video: Auto / 1080p / 1080i / 720p / 480p (576p in PAL system) ; Audio: Stereo • (optional BGGH3) / Ø 2,5 mm / • (for ext. flash) Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5mm - / Ø 2,5 mm / Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5mm - / Ø 2,5 mm / Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5mm - / Ø 2,5 mm / Stereo, Wind-cut: OFF, Standard, High / Monoaural / Ø 2.5mm Li-ion Battery Pack (7.2V, 1860mAh) (Included), Battery Charger Approx. 530 images with H-HS12035, Approx. 530 images with H-FS14140 132.9 x 93.4 x 83.9mm / 5.23 x 3.68 x 3.30 inch (excluding protrusions) Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), Battery Charger Approx. 360 images with H-FS1442A, Approx. 350 images with H-FS14140 Approx. 350 images with H-FS45150 124.9 × 86.2 × 77.4 mm / 4.92 × 3.39 × 3.05 inch (excluding protrusions) Li-ion Battery Pack (7.2V, 1200mAh) (Included), Battery Charger e. g. Approx. 340 images with H-PS14042, Approx. 350 images with H-FS1442A Approx. 330 images with H-FS014042, Approx. 350 images with H-FS45150 122.45 × 84.6 × 71.4 mm / 4.82 × 3.33 × 2.81 inch (excluding protrusions) Approx. 560g / 19.75 oz (SD card, Battery, Body) Approx. 410g / 0.90 lb (SD card, Battery, Body) Approx. 390g / 0.86 lb (SD card, Battery, Body) PHOTOfunSTUDIO 9.5 PE, SILKYPIX® Developer Studio 4.1 SE, LoiLoScope PHOTOfunSTUDIO 9.7 PE, SILKYPIX® Developer Studio 4.3 SE, LoiLoScope (Trial version) PHOTOfunSTUDIO 9.2 PE, SILKYPIX® Developer Studio 3.1 SE, LoiLoScope (trial version), USB Driver Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVD, AC Cable2 Battery pack, Battery Charger, Body Cap, Lens Cap, Lens Hood, Lens Rear Cap, USB Connection Cable, Shoulder Strap, CD-ROM *Lens Hood and Lens Rear Cap of H-PS14042 lens and Body Cap are not included for DMC-G6X kit YOUR PERSONALITY. OUR VARIETY. Standard Accessories included Battery Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, USB TECHNICAL SPECIFICATIONS Connection Cable, Shoulder Strap, DVD Lens Cap*, Lens Hood*, Lens Rear Cap* *Included with DMC-GH4A kit and DMC-GH4H kit. 04 – 13 14 – 17 18 – 35 36 – 39 40 – 53 54 – 55 56 – 57 1990 DSLR Conventional construction with mirror LUMIX G DSLM BENEFITS 2008 The first innovative mirrorless interchangeablelens camera (DSLM) is a LUMIX G SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi miniHDMI TypeC / VIERA Link Video: Auto / 1080p / 1080i / 720p / 480p (576p in PAL system) Audio: Stereo - / Ø 2,5 mm / -. Stereo / Monaural / - + Live Viewfinder for dependable image preview Li-ion Battery Pack (7.2V, 1025mAh) (Included), Battery Charger Approx. 320 images with H-H020A + Autofocus: Approx. 350 images with H-FS1442A 122.60x 70.7 x 54.6and mm / 4.83 x 2.78 x 2.15 inch + Fast Live View autofocus using Viewfinder monitor + Flexible focus points Approx. 487g / 1.07 lb (SD card, Battery, Body) Approx. 402g / 0.89 lb (SD card, Battery, Body) + Precision autofocus for taking videos PHOTOfunSTUDIO 9.7 PE, SILKYPIX Developer Studio 4.3 SE, PHOTOfunSTUDIO 9.2 P, SILKYPIX Developer Studio 3.1 SE, + Silent shooting LoiLoScope (Trial version) LoiLoScope 30 day full trial version + Exceptional picture quality Battery pack, Battery Charger, Body Cap, Lens Cap, Lens Hood, Lens Rear Cap, Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), Battery Charger e. g. Approx. 330 images (rear monitor), 310 images (LVF) with H-HS12035 Approx. 340 images (rear monitor), 320 images (LVF) with H-FS1442A 133.2 × 77.9 × 63.1 mm / 5.24 × 3.07 × 2.48 inch (excluding protrusions) ® Cable, Shoulder Strap, DVD, AC Cable2 ® SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi GM5: microHDMI TypeD / VIERA Link ; Video: Auto / 1080p / 1080i / 720p / 480p (576p in PAL system); Audio: Stereo // GM1: microHDMI TypeD ; Video: Auto / 1080i / 720p / 480p (576p in PAL system); Audio: Stereo GM1: Stereo / Monoaural / GM5: Stereo, Wind-cut: OFF, Standard, High / Monoaural / - Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. Less than 1/50 second 1/3EV step ±2EV – 2015 DSLM Widest range: – IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian - Stereo, Wind-cut: OFF / Low / Standard / High / AUTO Conventional DSLR Monaural / – Optical Viewfinder does not show picture preview or settings Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (Included), Battery Charger Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (Included), Battery Charger Autofocus: GM5: e.–g. Approx. 210 images (rear monitor), 220 images (LVF) with H-FS12032 Approx. 230 images with H-FS12032; Approx. 210 images with H-PS14042 GM1: e. g. Approx. 220 images with H-H020A Approx. 230 images with H-FS35100“ Viewfinder and slow autofocus GM5: 98.5 ×– 59.5No × 36.1Live mm / 3.88 × 2.34 × 1.42 inch 106.5 × 64.6 × 33.3 mm / 4.2 × 2.55 × 1.32 inch (excluding protrusions) GM1: 98.5 × 54.9 × 30.4 mm / 3.88 × 2.16 × 1.20 inch – Fixed focus points GM5: Approx. 211g / 0.46 lb (SD card, Battery, Body) Approx. 266g / 0.59 lb (SD card, Battery, Body) GM1: Approx. 204g / 0.45 lb (SD card, Battery, Body) – Slow autofocus when shooting videos GM5: PHOTOfunSTUDIO 9.6 PE, SILKYPIX be Developer Studio 4.2 SE,off PHOTOfunSTUDIO 9.6 PE, SILKYPIX Developer Studio 4.2 SE, – Sounds cannot switched LoiLoScope (Trial version) //GM1: PHOTOfunSTUDIO 9.2 AE, SILKYPIX® Developer LoiLoScope (Trial-Version) Studio 4.1 SE, LoiLoScope ( Trial version ) + Exceptional picture quality GM5 / GM1: Battery Pack, Battery Charger, USB Connection Cable, Shoulder Battery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVD® USB Connection Cable, Shoulder Strap, CD-ROM, * Lens Hood of H-H020A lens Strap, DVD-ROM, AC Cable2, Lens Cap is not included for DMC-GX7C kit Only GM5: Flash, Flash Storage Bag, Hot Shoe Cover ® ROM, AC Cable2, Lens Cap Page 04 DSLM TECHNOLOGY Page 05 DSLM TECHNOLOGY LIVE-MOS SENSOR THE HEART OF PICTURE QUALITY SYSTEM FIND THE ONE FOR YOU LUMIX G cameras boast extraordinary picture quality and crystal-clear shots. There are many reasons for this, and one of them is the Live MOS sensor. Interacting with high-quality optics and a powerful processor, it lays the foundation for brilliant photographs. The Live MOS sensor can hold its own against slightly bigger APS-C sensors. Size matters? Yes, but not only size. What is crucial is that sensor size, system set-up and image processing all match up. It is this interplay which has been optimised in the LUMIX G models. The result is that the photography press often rates our picture quality above cameras with APS-C sensors. It would be odd if the digital revolution simply passed photography by. And it hasn’t: purely digital and mirrorless interchangeable-lens systems (DSLM) are the stars of the photographic universe, free of the analogue heritage of complicated single lens reflex systems (DSLR). Resolutions of up to 20,3 megapixels guarantee detailed picture quality. Clean colours also speak for themselves, as do balanced transitions without loss of resolution. And colour and luminance noise? It’s effectively prevented even at high ISO ratings. So you can snap away without a care even in low light conditions. Give free rein to your creativity – the Live MOS sensor gives you plenty of leeway and guarantees fantastic shots. Ultrasound dust illumination Dust it down: the fully automatic Supersonic Wave Filter is integrated into LUMIX G models. It utilises 80,000 vibrations per second to sweep away particles such as dust and dirt from the sensor. This means you can change your lens without worrying and still achieve unblemished pictures. Why be an old-fashioned photographer when you can be modern? Discover pioneering photography and find precisely the LUMIX G that suits you. And take a look at our numerous interchangeable lenses. A new level of freedom is within reach. Big sensor with 21.3 mm diameter Page 06 DSLM TECHNOLOGY Page 07 LIVE VIEWFINDER Image effects Selective colour (red) image effect shown in the Viewfinder DSLM TECHNOLOGY DISPLAY FOR TOTAL IMAGE CONTROL FREEDOM FOR NEW WAYS OF LOOKING AT THINGS Don’t care to do things by half? Then you’re in the best company. LUMIX G’s motto is: do it properly, or don’t do it at all. Take the Viewfinder for instance. Because the image comes straight from the sensor, the Viewfinder and display both show precisely the field of view that the lens is currently capturing. They show it properly, in other words. Get a new angle on your pictures. The LUMIX G*, after all, has a flexible a LCD display. While others bend over backwards to get creative shots, you get the perfect image straight in the box. Selfie, floor shot or overhead picture – you can turn the LUMIX G whichever way you want and you’ll always capture the perfect picture. The LUMIX G is a true perfectionist in other ways as well. It displays every image effect and the results of white balance, colour effects, lighting and many other functions. Another benefit: Selfie A pivoting display is a true eye-opener when it comes to the popular selfie format. Because you can move it around the way you want to, you’ll find it easier to put yourself in the picture. No more limits on your creativity. You’re free to do it yourselfie… Unlike single lens reflex, when you focus manually, sections of the image are enlarged in the Viewfinder allowing you to concentrate on what’s important, so you don’t need to take your camera away from your eye to check settings. Floor shot Thanks to a vertically pivoting display you no longer have to go down on your knees to capture something small at eye-level. You’ll soon discover how much fun it can be to take macro photos. 270° 180° TOUCH DISPLAY – GET IN TOUCH WITH INTUITIVE OPERATION Are you of the view that a camera should be complex but not complicated? You’re absolutely right. That’s why every LUMIX G model has a big touchscreen. It gives you a complete overview, and operating it is wonderfully intuitive. Focus on details of your picture or make use of our practical autofocus tracking – this feature follows your subject as it moves. Oh yes, and you can shoot using the display as well. One touch is enough – and click. LUMIX G DSLM BENEFITS + + + + + 100 % field of view All image effects shown The white balance and EL correction are immediately visible Aspect ratios 4:3, 3:2, 1:1, 16:9 can be shown Focus assist when focusing manually Overhead photography For your next overhead shots you won’t have to climb onto a chair or ladder to see the picture in your Viewfinder. Instead you’ve got a folding display. So while you stay firmly on the ground you can see things from a bird’s-eye perspective. Clever, don’t you think? LUMIX G 100 % field of view Conventional DSLR – Field of view often less than 100% – Image effects not shown – White balance and EL correction not visible – Picture format not usually possible to display – Focusing on small objects is problematic LUMIX G DSLM BENEFITS + Focus anywhere in the picture + Focus simply by touching the monitor DISPLAY GUARD – NEVER GET ANOTHER SCRATCH Nothing is more annoying than getting a scratch on your display. Fortunately it won’t happen to you now. After filming or photographing, simply fold in the LUMIX G monitor. Forewarned is forestalled. DSLR <100 % field of view * GH4, G7, G6, GX8 and GF7, GX7 (folding display) Page 08 DSLM TECHNOLOGY Page 09 DSLM TECHNOLOGY AUTOFOCUS FOCUS ON THE TINIEST DETAILS Frame up, focus, shoot – in some situations you’ve got to be quick otherwise you’ll miss the ideal picture. Fortunately, the LUMIX G has the quickest and most precise contrast autofocus on the market. How does it achieve that? While DSLR cameras still work with a separate autofocus sensor – which can easily produce inaccuracies – the LUMIX G sensor performs autofocus as well. That’s how LUMIX G cameras achieve superb results in video and photography. LIVE VIEW AUTOFOCUS – OVERVIEW DEPTH FROM DEFOCUS (DFD) TECHNOLOGY – PRECISION AND CLARITY, ONLY QUICKER The new Depth from Defocus (DFD) technology which many LUMIX G models now carry achieves optimised focus and does so extremely quickly. To achieve this, Panasonic has further developed contrast autofocus: The processor calculates the distance from the subject from two as-yet unfocused images with different depths of focus. Working together with the LUMIX G lens, the camera can then calculate the correct distance, focus on it and perform fine-tuning. Pinpoint AF Select spot autofocus from the menu and tap the area of the image area you want to focus on. Next, enlarge the picture to define exactly where you want to focus. Now all you have to do is shoot. Manual focusing Focusing can be done automatically or manually. Manual fine focusing is also possible in autofocus mode. Either way, a moveable touchscreen focus assist (picture in picture) makes precision focusing easier. AF tracking When this function is active, autofocus will follow the details of the subject which you have touched (the ball in this example). This is especially useful when shooting a video. 1-Area/ 49-Area AF In 1 field mode, the autofocus focuses on an area of the field of view. In 49 field AF, the LUMIX G automatically selects one or more of 49 fields. Face / Eye detection Your LUMIX G doesn’t just recognise faces. With a tap of the finger the camera can also focus on details – now even eye recognition is possible. Focus peaking – the ultimate focus test The new LUMIX G helps you wherever it can – including when you focus manually. The edges of the picture area you have selected are highlighted in colour on the display so that you can see straight away whether the right details are in focus. Now that’s what we call a good photographic assistant… LUMIX G BENEFITS + + + + F ast autofocus with Viewfinder and Live View No shoot delay in Live View Focus anywhere in the image Focus simply by touching the monitor Page 10 DSLM TECHNOLOGY Page 11 4K VIDEO 4K RESOLUTION – THE KEY TO PERFECT VIDEOS Feel for a great documentary? Then why not film one yourself? If you want you can do it in 4K Ultra HD. That means a spectacular 3,840 × 2,160 pixels and up to 25 frames per second. We know that the ultra-clear video quality of the GH4, G7 and GX8 will bowl you over from the very first scene. With its intuitive operation and extraordinary professionalism, the LUMIX G will make you a star director in a flash. 4K isn’t just attractive to filmmakers, this revolutionary quality also offers new possibilities to photographers. Its high-resolution videos allow you to extract 8 megapixel still images and save them as JPEGs. With frame rates of up to 30 frames per second, you can be sure to capture that perfect moment. LUMIX G BENEFITS: 4K VIDEO Choose between formats like MOV, MP4, AVCHD Progressive and AVCHD as well as lots of different frame rates. Pros will love the fact that the GH4 can even show pictures on an external monitor or send them to a hard drive in real time using a Micro HDMI cable while you shoot. LUMIX G CAMERAS WITH FULL HD VIDEO But all the other LUMIX G models are great at shooting movies, too –just like you. Simply press the Direct Video button and they take brilliant Full HD picture quality videos almost by themselves. An intelligent automatic mode immediately recognises the situation and selects a suitable image program. Stop limiting your creativity – the LUMIX G certainly doesn’t. 4K PHOTO TURN VIDEO INTO PHOTO REC + + + + Higher resolution, realistic image on 4K TVs Fantastic picture on Full HD TVs as well Extract 8 megapixel photos (at up to 30 f/s) Video editing with lots of benefits: Full HD cut-out from 4K image, subject tracking, zooming, balancing skew horizons 4K vs. Full HD Whether you watch videos or edit your own, 4K offers the sharpest viewing experience you have ever had. 4K Ultra HD resolution achieves four times the quality of Full HD. That means more details, more colours and more depth of focus. LUMIX G BENEFITS: FULL HD VIDEO + + + + + DSLM TECHNOLOGY Instant shooting using Direct Video button Fast, continuous autofocus on moving subjects Autofocus tracking: focuses the camera on a subject Intuitive operation using touchscreen Economical AVCHD format for long shoots You’re assisted in doing so by our 4K modes. In 4K Burst mode, the cameras shoot without limit in 4K, rather like continuous shooting at full resolution. The 4K Burst (Start / Stop) mode begins shooting when you press the shutter release and stops when you press it again. LUMIX G BENEFITS: 4K PHOTO + Faster than normal continuous shooting + Never miss a magic moment again 4K Pre-Burst Another truly useful function is the Pre-Burst mode. It automatically saves 30 images before and after you pressed the shutter.. This means that when you’re finished you can take your time to select the best picture. As you can see, 4K Photo helps you to capture the perfect image always – and beautifully. Photos fit for a gallery Are your videos so good that you’d like to frame them? Then do so. The 4K resolution produced by LUMIX G cameras is so sharp, you can select individual pictures and then print them out at home in A3 format. Page 12 DSLM TECHNOLOGY Page 13 DSLM TECHNOLOGY TECHNICAL COMPARISON OPERATION GH4 G7 G6 GX8 GX7 GM5 GM1 GF7 16MP 16MP 16MP 20,3MP 16MP 16MP 16MP 16MP SENSOR Live MOS sensor VIEWFINDER Viewfinder OLED VIEWFINDER OLED VIEWFINDER OLED VIEWFINDER OLED VIEWFINDER LCD VIEWFINDER LCD VIEWFINDER DISPLAY SIMPLY SMARTER Rotating/folding display PIVOTING DISPLAY PIVOTING DISPLAY PIVOTING DISPLAY TILTING DISPLAY TILTING DISPLAY TILTING DISPLAY Touch operation INTEGRATED IMAGE STABILISER The LUMIX GX8 and GX7 are as steady as rocks – that’s because they have image stabilisers integrated into their bodies. It means you’re free to choose whatever lens you want and you can still be sure that your picture won’t shake, however turbulent things might get. AUTOFOCUS Autofocus DFD-AF DFD-AF DFD-AF Touchpad autofocus Focus peaking Truly intelligent, the GX8 features the new Dual I.S., which means a body stabiliser and lens stabiliser collaborate together. PICTURE QUALITY INTELLIGENTLY AUTOMATIC They say the first step is always the hardest, but it isn’t with the LUMIX G. Its intelligent automatic mode (iA) relieves beginners of every complicated camera setting. Full HD Video 4K Video 4K Photo WI-FI AND NFC – WIRELESSLY CONNECTED LUMIX G cameras are smart devices which suit your networked lifestyle perfectly. With integrated Wi-Fi they offer some great features and make photography wonderfully flexible. For example, you can control your LUMIX G fully using your mobile device. That means face recognition, ISO control, contrast and autofocus tracking of moving subjects are all regulated by the LUMIX G on its own. If you just want to take things step by step, you can change functions such as depth of field, brightness and colour using the touchscreen or the menu cross. As you can see, professional photography can be child’s play. OPERATION Wi-Fi NFC Intelligent automatic mode Upload your holiday images straight onto social networks or archive them on your mobile phone. Your LUMIX G also masters NFC – Near Field Communication, which means you simply have to hold your camera next to your smartphone and the two devices begin to interact. It doesn’t get much smarter than that. Silent shutter The LUMIX G is a silent partner when you want it to be. Every model has a Silent Shutter function, which his brilliant if you don’t want to disturb things with your clicking or attract unwanted attention to yourself. Creative modes Silent shutter Image Stabiliser Hot shoe * Built-in flash * External flash supplied Page 14 A COMMUNITY THAT CAPTURES HAPPINESS Best Pictures Page 15 The LUMIX G Experience is where LUMIX G fans meet. You’ll find photographic news and advice, everything worth knowing about the LUMIX G models, lots of competitions and of course photo galleries. Discover the community’s pictures here. Mere moments in time – that may last for eternity. And you can see many more at lumixgexperience.panasonic.de. LUMIX G6 Thomas Oesterle LUMIX G6 Sylvia Matzkowiak LUMIX GX7 Alexander Winkler LUMIX GX7 Henrik Spranz Best Pictures Page 16 Best Pictures Page 17 LUMIX G5 Thorsten Kiene LUMIX GH4 Marian Simon LUMIX GM1 Sebastian Spasic Best Pictures Page 18 GH4 DSLM MODELS Page 19 DSLM MODELS GX7 THE ONE FOR 4K PROFESSIONALS THE ONE WITH A DIFFERENT PERSPECTIVE PAGE 20 – 21 PAGE 28 – 29 G7 GM5 THE ONE INTRODUCING 4K TO EVERYONE THE ONE WITH VISONARY STYLE PAGE 22 – 23 PAGE 30 – 31 G6 GM1 THE ONE THAT COMBINES ALL THE ONE WITH STYLE AND SUBSTANCE PAGE 24 – 25 PAGE 32 – 33 GX8 GF7 THE ONE TAKING INCREDIBLE IMAGES THE ONE THAT‘S GOT THE LOOK PAGE 26 – 27 PAGE 34 – 35 Page 20 GH4 Page 21 GH4 GH4 FOR PROFESSIONAL 4K VIDEO AND PHOTO REQUIREMENTS The LUMIX GH4 is a favourite among photo enthusiasts, and it’s especially appealing to filmmakers as well. 4K resolution produces outstanding video quality. The camera’s features are abundant and it’s toughly built. YOUR AMBITION. OUR HIGH-END ANSWER. 4K video and connectors Unmatched autofocus (DFD) The GH4 really gets going with its Depth from Defocus (DFD) technology. This contrast autofocus system determines the distance from a subject by evaluating two images which have not yet been focused. Working with the lens, the camera can then calculate the distance in a flash and perform fine-tuning. This reduces response times dramatically, so you’ll always be ahead when it comes to focusing and shooting. The GH4 is big on making connections. Microphone, headphones, external monitor – this camera is ready for everything. Like every true professional it uses SD memory cards of the new UHS speed category 3 for 4K video recording. And by the way, you can fulfil the highest video requirements by connecting to a Panasonic Video Interface*. It seems that photo and video experts have finally met their match in the GH4. TECHNICAL HIGHLIGHTS OF THE LUMIX GH4 Tough magnesium alloy Hard shell, soft core – an apt description of the GH4. The LUMIX G can take all sorts of knocks from the outside because of its tough magnesium alloy frame, making it a match for any shooting scenario. The GH4 is also safe from dust and water splash because of its excellent seals. As you can see, this top camera is ready for all kinds of action. The LUMIX GH4 in brief Available in the following colours 16MP Live MOS Sensor and ultra-fast autofocus – for outstanding picture quality 4K video – shoot professionally in MOV or MP4 format Professional connectors – flash synchronisation, battery grip, HDMI live output and much more OLED Viewfinder & pivoting OLED touch monitor – for a stunning overview Magnesium alloy – dust- and splash-proof Further highlights: RAW processing, focus peaking, burst shooting 12 f/s, Wi-Fi functionality and NFC 1 2 3 4 5 6 7 8 1: Synchronising connector for flash systems; 2: Ultra-sharp, quick-responding OLED Viewfinder; 3: Freely rotating and pivoting OLED monitor with practical touch function; 4: First dial for settings such as aperture/shutter speed; 5: Stereo mic with Dolby Stereo Sound; 6: Second dial for settings such as aperture/shutter speed; 7: Wi-Fi access indicator; 8: Direct access button for white balance, ISO setting and exposure compensation * DMW-YAGH. Page 22 G7 Page 23 G7 G7 FOR A NEW ALLIANCE BETWEEN PHOTO AND VIDEO The LUMIX G7 takes photography a step further. It combines photo and video at a new level of quality. And with its 4K resolution it offers the stuff that photographic dreams are made of. Discover the LUMIX G family’s multi-talented member today. YOUR PROGRESS. OUR 4K MULTI-TALENT. 4K Photo and Video OLED Viewfinder and touchscreen monitor Fast autofocus (DFD) Like a bit of clarity? 2.4 million pixels in the G7’s Viewfinder will help you get it. This is enabled by OLED technology. The monitor on the back ensures that when you seek, you also find. The reproduced image automatically switches between the Viewfinder and display by means of an eye sensor. As you can see, the G7 adjusts itself to you in every sense. Now you’ll never miss a perfect shot again – because the new 4K Photo feature captures moving images in exceptional detail and then allows you to extract pictures from every film sequence. That means you’re accessing a wealth of pictures taken at 30 images per second – any of which could make a dazzling 8 megapixel image for your photo album. Fast and accurate – that’s how we all want autofocus to be. But the hybrid contrast autofocus is even quicker and more precise. This is because of Depth from Defocus (DFD) Defocus, which reduces focusing time and achieves a shooting delay of no more than 0.07 seconds. The G7’s speed is of course especially useful when your aperture goes up. The LUMIX G7 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX G7 4K Photo and Video – for the very best detailed clarity Extremely fast Depth from Defocus AF – even faster focus times 16 MP Live MOS sensor – for brilliant picture quality OLED Viewfinder – natural colour reproduction and more flexibility Burst Shooting at 8 f/s and full resolution – for faster shots Wi-Fi functionality – smart control via your smartphone or tablet 1 2 3 4 5 6 6 7 1: External microphone input 2: OLED Viewfinder 3: Rotating/pivoting touch LCD 4: Accessory shoe 5: Focus switch (choose between AFS/AFF/AFC/MF) 6: Mode dials 7: Multi control dials 7 Page 24 G6 Page 25 G6 G6 FOR DEMANDING, APPEALING PHOTOGRAPHY The LUMIX G6 boasts exceptional picture quality and is bursting with features. With Wi-Fi and NFC (Near Field Communication) it connects quickly and easily – and could soon be connecting to you. YOUR MOMENTS. OUR ALL-ROUNDER. Wi-Fi control and NFC technology Wi-Fi and NFC make many things possible – and simpler, too. They’re what help turn the G6 into a wireless source for your smartphone and other devices. A single touch is enough to send your pictures to your mobile device in an instant transfer. You can also monitor pictures and control the camera remotely. Photos and videos can be sent to your computer by Wi-Fi and stored there. Now it’s up to you to make use of this newfound freedom… Continuous shooting Full HD with stereo sound The LUMIX G6 misses nothing, even when filming. Every detail is crystal clear in your Full HD movies. That’s thanks to the autofocus. Our contrast autofocus system, which works using the image sensor, guarantees ultimate precision. Sound also plays an important role in videos which is why you can utilise an external microphone instead of the integrated stereo mic if you wish. Sounds good, doesn’t it? Do you like to capture moving subjects, but you’re afraid that everything will be blurry? You needn’t worry. The G6’s continuous shooting function means no subject will be too quick for you. With 7 images per second at full resolution and a minimal shot delay, the G6 helps you capture activities like sports brilliantly. The LUMIX G6 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX G6 High-speed autofocus – with focus peaking and only 0.5 sec. start-up time 16 MP Live MOS sensor – maximum picture quality even in weak light OLED Viewfinder – with 100% field of view and automatic eye sensor Rotating and tilting LCD display – with practical touch function 50p Full HD video – with continuous autofocus, focus peaking and mic input Fast continuous shooting – 7 f/s at full resolution (max. 40 f/s at 4 MP) 1 2 3 4 5 6 7 1: External mic input; 2: OLED Viewfinder with eye sensor and dioptre compensation; 3: Optional digital level in display; 4: Freely rotating and pivoting touch LCD; 5: Accessory shoe for accessories such as external flash; 6: Big, grippy mode dial; 7: Zoom lever for PZ lens Page 26 GX8 Page 27 GX8 GX8 NEW FOR 4K EXCELLENCE AND CONSTANT READINESS You don’t get a second chance to make a first impression. Not that the GX8 needs a second chance: its appealing retro look quickly gets heads turning. Thanks to its new 20 megapixel sensor and dual image stabilisers, what begins with fascination will quickly turn to delight once you’ve taken your first photographs. THE ONE TAKING INCREDIBLE IMAGES Dual I.S. image stabiliser 20,3 megapixel sensor Stability means strength – and that applies to photography as well. The Dual I.S. image stabiliser means that an unsteady camera doesn’t impact the shot negatively. This is the first time that an image stabiliser has been united in the lens and sensor-shift so as to better compensate for wobbling. The GX8’s picture quality is breathtaking. A new 20,3 megapixel MOS sensor will have in you raptures. And together with our newly developed Venus Engine processor, it forms a genuine dream team, achieving exceptionally true colours and enormously detailed clarity. In short: moving pictures. 4K Photos and Videos 4K resolution produces pictures of a completely new quality. But this camera’s photo and video features are also pioneering. You can choose from various continuous shooting modes, depending on the subject. And better still, shoot in video mode then extract your dream photo from the movie. The LUMIX GX8 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX GX8 20 MP Live MOS sensor – for the very best picture quality Dual I.S. – Image stabiliser in body and lens 4K Photo and Video – for the very best detailed clarity Extremely fast hybrid contrast AF – even faster focus times Large OLED Viewfinder (tiltable) Dust and splash proof – uncompromising in every situation 1 2 3 4 5 6 7 8 9 1: HDMI, AV OUT/DIGITAL, remote/mic socket; 2: Freely rotating/pivoting OLED touch monitors; 3: Large tiltable OLED Viewfinder with eye sensor; 4: Focus switch; 5: Hot shoe; 6: Double function dial: mode selection and exposure control; 7: Rear adjustment dial; 8: Front adjustment dial and shutter release; 9: Shutter release for video Page 28 GX7 Page 29 GX7 GX7 FOR COMPACT QUALITY IN PRIZEWINNING RETRO LOOK Big performance, little load – that’s the LUMIX GX7. Its elegant retro look turns heads everywhere. A stabilised image sensor ensures outstanding picture quality. Are you after lots of features without lots of baggage? Take a look at the GX7. YOUR DESIGN STANDARDS. OUR EYE-CATCHER. Live Viewfinder and LCD display Integrated image stabiliser The GX7 will make you a millionaire – in pixels terms at least. Its electronic Viewfinder with 2,76 million pixel resolution is more than ample. An integrated, pivoting tiltable Live Viewfinder makes it really easy to select variable perspectives and is complemented by a monitor that folds upwards by 80° and downwards by 45°. Image stabilisers have until now been a feature of lenses. The LUMIX GX7 has integrated this technology into its body for the first time. That’s especially useful if you want to take photographs using lenses that don’t have their own image stabilisers. Whatever lens you use you can banish wobbly pictures from your photo album forever. Wi-Fi control and NFC technology Smartphone or tablet as a photo assistant? Of course – thanks to Wi-Fi module and NFC technology (Near Field Communication). Put the devices together and they talk. You can make settings such as aperture, shutter speed, focusing, exposure compensation and more using your mobile device – or you can send photos. The LUMIX GX7 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX GX7 High-speed autofocus – with focus peaking and just 0.5 sec. start-up time 16 MP Live MOS sensor – for the very best picture quality even in weak light Tiltable Live Viewfinder – 2.76 MP, also folds upwards Flexible touchscreen – 3-inch display with 1.04 megapixels 50p Full HD video recording – continuous autofocus and focus peaking Further highlights: image stabiliser, flash, hot shoe and remote release connector 1 2 3 4 5 6 78 9 10 11 12 1: Mini HDMI connector; 2: Remote release connector; 3: Audio/video output; 4: Tiltable Viewfinder; 5: Touch LCD, tilting; 6: User-defined function button; 7: Wi-Fi access indicator; 8: Rotary clicking dial for settings such as aperture and shutter speed; 9: Hot shoe; 10: Integrated popup flash; 11: Video button; 12: Grippy mode dial Page 30 GM5 Page 31 GM5 GM5 LOTS OF PERFORMANCE IN A SMALL PACKAGE Can a very small body produce outstanding picture quality? The LUMIX GM5 proves it can. It also boasts extraordinary features in a very small space. It’s perfect for photographers who are looking for a constant companion for their jacket pockets. YOUR VERSATILITY. OUR PREMIUM COMPACTS. Big image sensor Built-in Live Viewfinder Some like sunshine, others like dusk and candlelight. But the GM5 likes every kind of light. A 16 megapixel image sensor and advanced Venus Engine processor keeps track of every single detail – even when you’re filming. It’s a revelation for high-end photography. With more than 1.17 million pixels, the built-in Live Viewfinder is of course high resolution. Its colour reproduction is absolutely true to nature. Thanks to its eye sensor, the Viewfinder automatically activates when you put your eye up to it. Even if the sun’s shining you’ll see everything clearly and in optimum brightness. Expandable hot shoe Although it’s built compactly, the LUMIX GM5 won’t deprive you of any of the features you love. For example, the camera features a hot shoe to which you can quickly attach the supplied compact flash unit. Other accessories can also be attached there. The LUMIX GM5 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX GM5 High-speed autofocus – with focus peaking and selectable silent mode 16 MP Live MOS Sensor & fast autofocus – for excellent picture quality Ultra-compact magnesium alloy – with Viewfinder and 3“ touch display Full HD video recording – with fast autofocus, stereo sound and PASM modes Hot shoe – for extended use with external flash (FL70 supplied) LCD display – 3-inch monitor with practical touch function 1 2 3 4 1: Live Viewfinder; 2: Touch LCD; 3: Quick-setting dial for shutter speed; 4: Video button; 5: Quick-setting dial for exposure compensation 5 Page 32 GM1 Page 33 GM1 GM1 FOR A PHOTOGRAPHIC LIFESTYLE AND CONCENTRATED PERFORMANCE If you’re looking for exceptional picture quality combined with very small dimensions, you’ll find it in the LUMIX GM1. This is a stylish camera but also a powerful one. The perfect match for you perhaps? YOUR STYLE. OUR TRENDSETTER. Design Small format, big performance Silent shutter You don’t have to be a giant to achieve great things. The GM1 is proof of that. With its powerful 16 megapixel MOS sensor and ultra-fast Venus Engine picture processing, it’s even a match for the heavyweights of photographic worlds. Its features and technology will also make it easy for you to opt for the GM1. David on the outside, Goliath on the inside. The LUMIX GM1 combines two worlds, and that is what makes it ultra-compact, slim and simply stylish. It’s almost a work of art, and it certainly will attract attention. You’ve never photographed in so much style. The click of the shutter release can sometimes scare subjects away. Not with the GM1 – in silent mode you can shoot without any sound at all and without attracting any attention. So you can capture your images creatively, even if the subject is camera-shy. The LUMIX GM1 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX GM1 High-speed autofocus – with focus peaking and selectable silent mode 16 MP Live MOS sensor – for brilliant picture quality even in weak light Fine magnesium alloy – in compact and super-handy design Wide-angle zoom kit lens – ideally combined thanks to 12–32 mm (35 mm equivalent: 24–64 mm) Full HD video recording – with fast autofocus, stereo sound and PASM modes Wi-Fi integrated – for more flexibility and comprehensive features 1 2 3 4 5 1: HDMI, AV OUT/DIGITAL; 2: Touch LCD; 3: Shutter release for video; 4: Built-in flash; 5: Focus switch; 6: Shutter release; 7: Mode dial 6 7 Page 34 GF7 Page 35 GF7 GF7 EFFORTLESS CONVENIENCE AND PERFECT TECHNOLOGY The LUMIX GF7 is picture-perfect in a dual sense. It boasts exceptional clarity, low noise and lots of details. And it’s great to look at. With a folding display, you can take selfies, too. YOUR CONVENIENCE. OUR LITTLE HERO. Wi-Fi control & NFC technology 180° tilt display Smartphone or tablet as a photo assistant? Of course – thanks to its Wi-Fi module and NFC technology (Near Field Communication). Put the devices together and they talk. You can make settings such as aperture, shutter speed, focusing, exposure compensation and more using your mobile device – and you can send photos, too. Built-in pop-up flash A large LCD display lets you keep tabs of everything. It shows you the entire image you’re shooting, and with 1.04 million pixels it boasts top resolution. Because it can fold 180° upwards and 45° downwards, you can take in any direction you like – including perfect selfies any time and any place. There are numerous technical features behind the compact exterior of the LUMIX GF7. That includes a foldout flash which only appears when you want it to and gives you scope for creative photographs. The LUMIX GF7 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX GF7 High-speed autofocus – with 0.06 sec. shot delay and silent mode 16 MP Live MOS sensor – for excellent picture quality Touchscreen display – folds through 180°, 7.5 cm size, 1 MP 50p Full HD video recording – with continuous autofocus 1 2 3 4 5 6 7 Wi-Fi and NFC – for comprehensive functionality Even faster Burst Shooting – 5.8 f/s at full resolution (40 f/s at 4 MP) 1: Touch LCD, tilting; 2: Flash release button; 3: Menu dial; 4: Video button; 5: User-defined function button; 6: Button for intelligent automatic; 7: Mode dial Page 36 LENS TECHNOLOGY Page 37 LENS TECHNOLOGY LENSES LENSES AND THEIR FOCAL LENGTHS – A COMPARISON To help you find your way around, here is a list of all our lenses and their focal lengths. Take your time to compare them. 20 30 40 50 60 70 80 90 FOCAL LENGTH (35mm camera equivalent) ULTRA WIDE-ANGLE H-F007014 7–14 mm F4.0 ASPH. 14–140 mm F3.5–5.6 ASPH. POWER O.I.S. H-FS12032 12–32 mm F3.5–5.6 ASPH. MEGA O.I.S. H-HS12035 12–35 mm F2.8 ASPH. POWER O.I.S. H-PS14042 14–42 mm F3.5–5.6 ASPH. POWER O.I.S. H-FS1442A 14–42 mm F3.5–5.5 II ASPH. MEGA O.I.S. H-FS014045 14–45 mm F3.5–5.6 ASPH. MEGA O.I.S. H-FS35100 35–100 mm F4.0–5.6 ASPH. MEGA O.I.S. H-HS35100 35–100 mm F2.8 ASPH. POWER O.I.S. H-FS45150 45–150 mm F4.0–5.6 ASPH. MEGA O.I.S. H-PS45175 45–175 mm F4.0–5.6 ASPH. POWER O.I.S. H-FS045200 45–200 mm F4.0–5.6 MEGA O.I.S. H-FS100300 100–300 mm F4.0–5.6 MEGA O.I.S. H-X015 15 mm F1.7 ASPH. H-H025 25 mm F1.7 ASPH. H-X025 25 mm F1.4 ASPH. H-NS043 43 mm F1.2 ASPH. POWER O.I.S. H-HS043 43 mm F1.7 ASPH. POWER O.I.S. H-H014A 14 mm F2.5 ASPH. H-H020A 20 mm F1.7 II ASPH. H-HS030 30 mm F2.8 ASPH. MEGA O.I.S. H-ES045 45 mm F2.8 ASPH. MEGA O.I.S. 8 mm F3.5 12 mm F12 HIGH ZOOM H-FS14140 STANDARD ZOOM TELE ZOOM Taken using a LUMIX G VARIO 7–14 mm F4.0 YOUR FREEDOM. OUR LENSES. There’s no such a thing as one single lens for every occasion. But there are lenses for every kind of application. LUMIX G has precisely the lens you need. Conventional LEICA DG or compact LUMIX G ‘X’ lenses – you’re sure to find what you are looking for. The MICRO FOURTHIRDS standard makes things much easier. These lenses weigh very little indeed but they don’t impair light intensity or quality. Free of burden, you can enjoy everything professional photography has to offer. You can completely redefine what flexibility means to you. That special moment has arrived, the time is just right – so capture it with a LUMIX G lens. Discover the thrilling vicissitudes of photography and the ideal LUMIX G companion to deal with them. PORTRAIT PANCAKE MACRO FISHEYE H-F008 3D H-FT012 100 200 300 600 Page 38 LENS TECHNOLOGY Page 39 LENS TECHNOLOGY PERFORMANCE LIES IN THE DETAILS LENS TECHNOLOGY HIGH-END LENSES FOR PICTURE-PERFECT RESULTS When you develop a lens, the smallest of details matter. That’s why the very highest quality standards are applied in the production of LUMIX G and LEICA lenses. All of our lenses are manufactured using a production system developed by Panasonic. From manufacture, to quality control, to packaging, we work exclusively in clean-room environments to guarantee absolute flawlessness. We have also developed a dedicated instrument for final approval: the ‘UA3P’ conducts objective and numerical assessments with extreme precision. This allows us to check the lenses for criteria such as colour coating and flaring effects. Three steps to the outstanding LUMIX G lens IF YOU’RE LOOKING FOR LENS DIVERSITY, YOU’LL LOVE PANASONIC LUMIX G has got what you’re looking for. We offer a total of 24 lenses, ranging from the traditional LEICA DG lenses, to our, super-compact LUMIX G ‘X’ lenses, all the way to standard lenses. Whatever equipment you need, we can offer it to you. LEICA DG LENSES If you’re looking for ultimate quality then you’ll opt for LEICA. Their aspherical lenses and specialised, multi-treated surfaces comply with the rigorous standards of LEICA Camera AG. The sophisticated design of these lenses produces brilliant clarity all the way to the edges, while reproducing lines with precision and avoiding the kind of distortions that usually occur in wide-angle photography. That means ideal conditions for top-level images without reflections or scatter-losses. Multi-coating The multi-coating process functions like a sealant. In a multi-coating procedure, nanostructures which suppress the formation of shadows and glare are applied to the lens. This is especially useful on lenses with pronounced curvature (such as wide-angle lenses) whose curved exterior is subject to incident light from all kinds of angles. The coating simply screens out such interference. Nano surface coating Put an end to troublesome reflections – the nano surface coating developed by Panasonic applies a special, ultra-thin film to the lens. This reduces bothersome reflections across the entire light spectrum and eliminates effects such as ghosting. That means crystal-clear pictures even if you’re photographing a light source in the dark. POWERZOOM LENSES – LITTLE POWERHOUSES LUMIX G Powerzoom lenses are ahead of their time – the Pancake and Tele Powerzoom lens have a fully automatic motor incorporated into drive the zoom, and the Tele Powerzoom has manual zoom as well. Because the lever for operating the Powerzoom is located on the lens itself, zooming is almost automatic. IMAGE STABILISER – BRINGING BALANCE TO YOUR PHOTOGRAPHY LUMIX G lenses have a good sense of balance because of their built-in image stabilisers. They immediately eliminate the kind of minor movements and vibrations that can so easily happen in photography. But you won’t notice any of it happening. In the end, you will be able to enjoy levelled horizons and wonderfully crisp images. You and your LUMIX G will have everything in a steady hand. This has benefits, especially when filming: for example you can determine the speed of the zoom so that you can capture subjects precisely even when zooming slowly. Or you can use the step-by-step zoom function to close in elegantly on the position you require. Now you can also focus quickly using a lever on the Pancake Powerzoom, and using the ring on the Tele Powerzoom. And you can monitor all of this in full size on your LCD display. 26,8 mm POWER ON POWER OFF 90 mm Zoom lever Aspherical lenses Panasonic lenses offer outstanding picture quality in a small format. The secret lies in their aspherical design. A single aspherical lens has the same effect as multiple spherical lenses, but requires less space and weighs less as well. Panasonic has perfected this sophisticated production process and applies it in a wide range of lenses. Manual zoom ring Page 40 LENSES Page 41 LENSES ULTRA WIDE-ANGLE FIXED FOCAL LENGTH PAGE 42 PAGE 49 HIGH-ZOOM PORTRAIT PAGE 43 PAGE 50 STANDARD ZOOM MACRO PAGE 44 – 45 PAGE 51 TELE ZOOM FISHEYE PAGE 46 – 47 PAGE 52 PANCAKE 3D PAGE 48 PAGE 53 Page 42 LENSES Page 43 LENSES Taken using a LUMIX G VARIO 7-14 mm F4.0 SUPER WIDE ANGLE HIGH ZOOM When you find yourself in a breathtaking landscape and wish to capture the moment, this compact lens will enable you to do so. A picture angle of 114° diagonal maximum facilitates fantastic shots. Creativity requires freedom. That’s what the Superzoom lens offers you. Its 28 to 280 mm range (35 mm equivalent) will inspire your creativity and is complemented perfectly by an ultra-fast, high-precision autofocus system. Taken using a LUMIX G VARIO 14–140 mm F4.0 H-F007014 | LUMIX G VARIO | 7–14 MM | F4.0 ASPH. H-FS14140 | LUMIX G VARIO | 14–140 MM | F3.5–5.6 ASPH. | POWER O.I.S. Picture angle: 114°–75° Picture angle: 75°–8,8° Closest focusing distance: 0,25 m Closest focusing distance: 0,3 m Max. enlargement: 0,08× (= 0,15× equivalent) Max. enlargement: 0,25× (= 0,5× equivalent) Lens construction: 16 lenses in 12 groups Available in the following colours Dimensions: ø 70 × 83,1 mm Weight: 300g Lens construction: 14 lenses in 12 groups Available in the following colours Filter size: 58 mm Dimensions: ø 67 × 75 mm; Weight: 265g Page 44 LENSES Page 45 LENSES STANDARD ZOOM These lenses are fantastic for experimenting with angle of view, focal length, perspective and depth of focus. They offer enormous flexibility. Taken using a LUMIX G VARIO 12–35 mm F2.8 H-HS12035 | LUMIX G X VARIO | 12–35 MM | F2.8 ASPH. | POWER O.I.S. H-FS1442A | LUMIX G VARIO | 14–42 MM | F3.5–5.6 II ASPH. | MEGA O.I.S. Picture angle: 84°–34° Picture angle: 75°–29° Closest focusing distance: 0,25 m Closest focusing distance: 0,2 m Max. enlargement: ca. 0,17× (= 0,34× equivalent) Max. enlargement: 0,17× (= 0,34× equivalent) Lens construction: 14 lenses in 9 groups Available in the following colours Dust- and spray-proof Lens construction: 9 lenses in 8 groups Available in the following colours Filter size: 58 mm Filter size: 46 mm Dimensions: ø 56 × 49 mm; Weight: 110g Dimensions: ø 67,6 × 73,8 mm; Weight: 305g Available in the following colours H-FS12032 | LUMIX G VARIO | 12–32 MM | F3.5–5.6 ASPH. | O.I.S. H-FS014045 | LUMIX G VARIO | 14–45 MM | F3.5–5.6 ASPH. | O.I.S. Picture angle: 84°–37° Picture angle: 75°–27° Closest focusing distance: 0,2 m Closest focusing distance: 0,3 m Max. enlargement: ca. 0,13× (= 0,26× equivalent) Max. enlargement: 0,17× (= 0,34× equivalent) Lens construction: 8 lenses in 7 groups Filter size: 37 mm Dimensions: ø 55,5 × 24 mm; Weight: 70g H-PS14042 | LUMIX G X VARIO PZ | 14–42 MM | F3.5–5.6 ASPH. | POWER O.I.S. Picture angle: 75°–29° Closest focusing distance: 0,2 m Max. enlargement: ca. 0,17× (= 0,34× equivalent) Lens construction: 9 lenses in 8 groups Available in the following colours Filter size: 37 mm Dimensions: ø 61 × 26,8* mm; Weight: 95g * Lens retracted. Available in the following colours Lens construction: 12 lenses in 9 groups Filter size: 52 mm Dimensions: ø 60 × 60 mm; Weight: 195g Page 46 LENSES Page 47 LENSES TELE ZOOM Sports journalism, wildlife shots, people photography… With their wide focal length range and low weight, these lenses offer the full package. Taken using a LUMIX G VARIO 35–100 mm F2.8 Available in the following colours Available in the following colours Taken using a LUMIX G VARIO 45-150 mm F4.0-5.6 H-HS35100 | LUMIX G X VARIO | 35–100 MM | F2.8 ASPH. | POWER O.I.S. H-PS45175 | LUMIX G X VARIO PZ | 45–175 MM | F4.0–5.6 ASPH. | POWER O.I.S. Picture angle: 34°–12° Picture angle: 27°–7,1° Closest focusing distance: 0,85 m Closest focusing distance: 0,9 m Max. enlargement: 0,1× (= 0,35× equivalent) Max. enlargement: ca. 0,2× (= 0,40× equivalent) Lens construction: 18 lenses in 13 groups Filter size: 58 mm Available in the following colours Lens construction: 14 lenses in 10 groups Filter size: 46 mm Dimensions: ø 67,4 × 99,9 mm; Weight: 360g Dimensions: ø 61,6 × 90 mm; Weight: 210g H-FS35100 | LUMIX G VARIO | 35–100 MM | F4.0-5.6 ASPH. | O.I.S. H-FS045200 | LUMIX G VARIO | 45–200 MM | F4.0–5.6 | O.I.S. Picture angle: 34°–12° Picture angle: 27°–6,2° Closest focusing distance: 0,9 m Closest focusing distance: 1,0 m Max. enlargement: 0,11× (= 0,22× equivalent) Max. enlargement: 0,19× (= 0,38× equivalent) Lens construction: 12 lenses in 9 groups Filter size: 46 mm Available in the following colours Taken using a LUMIX G VARIO 45–150 mm F4.0-5.6 Lens construction: 16 lenses in 13 groups Available in the following colours Filter size: 52 mm Dimensions: ø 55,5 × 50 mm Weight: 135g Dimensions: ø 70 × 100 mm; Weight: 380g H-FS45150 | LUMIX G VARIO | 45–150 MM | F4.0–5.6 ASPH. | O.I.S. H-FS100300 | LUMIX G VARIO | 100–300 MM | F4.0–5.6 | O.I.S. Picture angle: 27°–8,2° Picture angle: 12°–4,1° Closest focusing distance: 0,9 m Closest focusing distance: 1,5 m Max. enlargement: 0,17× (= 0,34× equivalent) Max. enlargement: 0,21× (= 0,42× equivalent) Lens construction: 12 lenses in 9 groups Filter size: 52 mm Dimensions: ø 62 × 73 mm; Weight: 200g Lens construction: 17 lenses in 12 groups Available in the following colours Filter size: 67 mm Dimensions: ø 73,6 × 126 mm; Weight: 520g Page 48 LENSES Page 49 LENSES FIXED FOCAL LENGTH With their high luminosity fixed focal lengths, accurate focusing and high contrast, these lenses will unlock a universe of visual creativity to you and achieve professional illustration quality at the same time. Taken using a LUMIX G 20 mm F1.7 Taken using a LEICA DG SUMMILUX 15 mm F1.7 PANCAKE H-H025 | LUMIX G | 25 MM | F1.7 ASPH. Narrow in stature, broad in application. With a slight wide- angle, these Pancake lenses are suited to diverse scenarios such as street photography, landscapes and interior shoots. Picture angle: 47° Closest focusing distance: 0,25 m Max. enlargement: ca. 0,14× (= 0,28× equivalent) Available in the following colours Lens construction: 8 lenses in 7 groups Filter size: 46 mm Dimensions: ø 60,8 × 52 mm; Weight: 125g H-H014A | LUMIX G | 14 MM | F2.5 ASPH. H-X015 | LEICA DG SUMMILUX | 15 MM | F1.7 ASPH. Picture angle: 75° Picture angle: 72° Closest focusing distance: 0,18 m Closest focusing distance: 0,2 m Max. enlargement: 0,10× (= 0,20× equivalent) Available in the following colours Available in the following colours Lens construction: 6 lenses in 5 groups Max. enlargement: 0,1× (= 0,2× equivalent) Available in the following colours Lens construction: 9 lenses in 7 groups Filter size: 46 mm Filter size: 46 mm Dimensions: ø 55,5 ×20,5 mm; Weight: 55g Dimensions: ø 57,5 × 36 mm; Weight: 115g H-H020A | LUMIX G | 20 MM | F1.7 II ASPH H-X025 | LEICA DG SUMMILUX | 25 MM | F1.4 ASPH. Picture angle: 57° Picture angle: 47° Closest focusing distance: 0,2 m Closest focusing distance: 0,3 m Max. enlargement: 0,13× (= 0,25× equivalent) Max. enlargement: 0,11× (= 0,22× equivalent) Lens construction: 7 lenses in 5 groups Filter size: 46 mm Dimensions: ø 63 × 25,5 mm; Weight: 87g Lens construction: 9 lenses in 7 groups Available in the following colours Filter size: 46 mm Dimensions: ø 63 × 54,5 mm; Weight: 200g LEICA is a registered trademark of LEICA Microsystems IR GmbH. ELMARIT is a registered brand name of LEICA Camera AG. LEICA DG lenses are manufactured in compliance with quality standards certified by LEICA Camera AG, and using LEICA measurement instruments and quality assurance systems. Page 50 LENSES Page 51 LENSES PORTRAIT MACRO These portrait lenses have the focal length, luminosity and optical design needed to capture people perfectly. These macro lenses bring outstanding image results within reach, even if your subject is very close at hand and theycan cope with image ratios of up to 1:1. Taken using a LEICA DG NOCTICRON 42,5 mm F1.2 Taken using a LUMIX G MACRO 30 mm F2.8 H-NS043 | LEICA DG NOCTICRON | 42,5 MM | F1.2 ASPH. | POWER O.I.S. H-ES045 | LEICA DG MACRO-ELMARIT | 45 MM | F2.8 ASPH. | O.I.S. Picture angle: 29° Picture angle: 27° Closest focusing distance: 0,5 m Closest focusing distance: 0,15 m Max. enlargement: 0,1× (= 2,0× equivalent) Max. enlargement: 1,0× (= 2,0× equivalent) Lens construction: 14 lenses in 11 groups Available in the following colours Available in the following colours Filter size: 67 mm Lens construction: 14 lenses in 10 groups Available in the following colours Filter size: 46 mm Dimensions: ø 74 × 76,8 mm; Weight: 425g Dimensions: ø 63 × 62,5 mm; Weight: 225g H-HS043 | LUMIX G | 42,5 MM | F1.7 ASPH. | POWER O.I.S. H-HS030 | LUMIX G MACRO | 30 MM | F2.8 ASPH. | O.I.S. Picture angle: 29° Picture angle: 40° Closest focusing distance: 0,31 m Closest focusing distance: 0,105 m Max. enlargement: 0,2× (= 0,4× equivalent) Max. enlargement: 1,0× (= 2,0× equivalent) Lens construction: 10 lenses in 8 groups Filter size: 37 mm Dimensions: ø 74 × 50 mm; Weight: 130g Lens construction: 9 lenses in 9 groups Available in the following colours Filter size: 46 mm Dimensions: ø 63 × 63,5 mm; Weight: 180g LEICA is a registered trademark of LEICA Microsystems IR GmbH. ELMARIT is a registered brand name of LEICA Camera AG. LEICA DG lenses are manufactured in compliance with quality standards certified by LEICA Camera AG, and using LEICA measurement instruments and quality assurance systems. Page 52 LENSES Page 53 LENSES Taken using a LUMIX G FISHEYE 8 mm F3.5 FISHEYE 3D Just 10 cm away from the subject – can you get everything in? Welcome to the fisheye lens. With an outstanding picture angle of 180 degrees there’s plenty of scope for your creative ideas. Big images, little lens. The 3D lens guarantees a new dimension of photographic fun. Just 2.5 cm long, it’s always at hand when you wish for a bit of depth. H-F008 | LUMIX G FISHEYE | 8 MM | F3.5 H-FT012 | LUMIX G | 12,5 MM | F12 Picture angle: 180° Picture angle: 37°* Closest focusing distance: 0,1 m Closest focusing distance: 0,6 m Max. enlargement: 0,20× (= 0,40× equivalent) Max. enlargement: 0,02× (= 0,1×* equivalent) Lens construction: 10 lenses in 9 groups Available in the following colours Filter: filter film holder on the back 22 × 22 mm Dimensions: ø 60,7 × 51,7 mm; Weight: 165g Available in the following colours Lens construction: 2× 4 lenses in 3 groups Dimensions: ø 57 × 20,5 mm; Weight: 45g * Taken in 16:9 format with a GH3. Page 54 ACCESSORIES Page 55 ACCESSORIES ACCESSORIES Genuine Panasonic LUMIX G accessories offer you everything you need to complete your photographic equipment, from external flashes, to extra batteries, to cable releases. DMW-FL580L Wireless control DMW-FL360L Wireless control DMW-FL220 EXTERNAL FLASH UNITS MEMORY CARDS Provide the perfect lighting, even when shooting close-up subjects in the dark. NOTHING HAPPENS without them – Panasonic SD cards are the memory of your LUMIX G camera. Choose from 16, 32 and 64 GB. 16 GB (SDUC) 4K video (100 Mbps): approximately 21 minutes VW-LED1 LED video light 32 GB (SDUD) 4K video (100 Mbps): approximately 42 minutes 64 GB (SDUD) 4K video (100 Mbps): approximately 84 minutes 128 GB (SDUD) 4K video (100 Mbps): approximately 168 minutes BAGS Our neoprene and nylon bags are functional and very stylish. FILTERS DMW-LPL46E Polarising filter available as DMW-LPLA37, DMW-LPL46E, DMW-LPL52E and DMW-LPL62E DMW-LND46E ND filter available as DMW-LND46E and DMW-LND52E DMW-LMC46E MC filter available as DMW-LMC46E, DMW-LMC52E and DMW-LMCH62E Protect your lenses and accentuate the visual impression of your images with Panasonic filters. DMW-PGH68 Neoprene bag DMW-HGR1GU Available for GM5 and GM1 in black and silver DMW-PZH76 Soft bag with rain guard GRIP BATTERY GRIP Our optional grip helps you to hold everything together – the perfect way of controlling every photographic situation. Our battery grip with shutter release for the LUMIX GH4 offers improved control in portrait mode as well as more staying power. DMW-BGGH3 for GH4 MICROPHONE DMW-MS2E Stereo Shtogun Microphone DMW-MS1E Stereo directional microphone VW-VMS10 Stereo microphone Microphones allow you to record ambient sound in much higher quality and from a greater distance away. DMW-RSL1 DMW-BLF19E (GH4) DMW-BLC12E (GX8 / G7 / G6) DMW-BLG10E (GX7) DMW-BLH7E (GM5 / GM1 / GF7) CABLE RELEASE VIDEO INTERFACE If you want to take long exposure shots on a tripod, a cable release helps guarantee that your images won’t blur. If you’ve got it, flaunt it – especially if it’s the Video Interface. For professional connectivity you’ve got SDI and HDMI output, XLR audio, time code and an external power supply. DMW-YAGH for GH4 BATTERIES EYECUP ZOOM LEVER Panasonic batteries simply provide better performance and safety. Discover them for yourself. We’ve got it covered – with the eyecup you’ll always enjoy a perfect view of your subject. Zoom in and out easily and smoothly when shooting videos – it’s child’s play with our optional zoom lever. DMW-EC1 for GX7 DMW-EC3 for GX8 DMW-ZL1 PagePage 2 56 NTRO TECHNICAL SPECIFICATIONS Page 57 TECHNICAL SPECIFICATIONS TECHNICAL SPECIFICATIONS IMAGE SENSOR Total pixels / Effective pixels Body Image Stabiliser Dust reduction system RECORDING SYSTEM Recording file file format Aspect ratio Colour space Still image size Motion image size MOV AVCHD LUMIX DMC-GH4 LUMIX DMC-G7 LUMIX DMC-G6 LUMIX DMC-GX8 LUMIX DMC-GX7 LUMIX DMC-GM5 DMC-GM5 / GM1 / GM1 LUMIX DMC-GF7 17.20 / 16.05 Megapixels 17.20 / 16.05 – Supersonic wave filter filter 16.84 / 16.00 Megapixels 16.84 / 16.00 – Supersonic wave filter filter 18.31 / 16.05 Megapixels 18.31 / 16.05 – Supersonic wave filter filter 21.77 / 20.30 Megapixels • (4-axis), DUAL I.S. Supersonic wave filter filter 16.84 16.84 / 16.0 / 16.0 Megapixels • (2-axis) Supersonic wave filter filter 16.84 16.84 / 16.00 / 16.00 Megapixels – Supersonic wave filter filter 16.84 16.84 / 16.00 / 16.00 Megapixels – Supersonic wave filter filter Still Image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion picture: MOV (Audio format LPCM), MP4 (Audio format AAC 2ch), AVCHD (Audio format: Dolby Digital 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4608 × 3456 (L) / 3264 × 2448 (M) / 2336 × 1752 (S) / 1824 × 136811 [3:2] 4608 × 3072 (L) / 3264 × 2176 (M) / 2336 × 1560 (S) / 1824 × 121611 [16:9] 4608 × 2592 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 102411 [1:1] 3456 × 3456 (L) / 2448 × 2448 (M) / 1744 ×1744 (S) / 1712 × 171211 e. g. [4K] 3840 × 2160, 29.97p, 100Mbps (IPB) (LPCM) [Full HD] 1920 × 1080, 59.94p, 200Mbps (ALL-Intra) (LPCM) / 100Mbps (IPB) (LPCM) e. g. [Full HD] 1920 × 1080, 59.94p, 28Mbps (IPB) (Dolby) [Full HD] 1920 × 1080 50.00p, 28Mbps (IPB) (Dolby) Still Image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch, MP4 (Audio format: AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 136811 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 121611 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 102411 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 171211 – Still Image: JPEG(DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4608 × 3456 (L) / 3264 × 2448 (M) / 2336 × 1752 (S) / 1824 × 13681 [3:2] 4608 × 3072 (L) / 3264 × 2176 (M) / 2336 × 1560 (S) / 1824 × 12161 [16:9] 4608 × 2592 (L) / 3264 × 1840 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3456 × 3456 (L) / 2448 × 2448 (M) / 1744 × 1744 (S) / 1712 × 17121 – Still Image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format: AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 5184 × 3888 (L) / 3712 × 2784 (M) / 2624 × 1968 (S) / 1824 × 13681 [3:2] 5184 × 3456 (L) / 3712 × 2480 (M) / 2624 × 1752 (S) / 1824 × 12161 [16:9] 5184 × 2920 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3888 × 3888 (L) / 2784 × 2784 (M) / 1968 × 1968 (S) / 1712 × 17121 – Still Image: JPEG (DCF, Exif 2.3), RAW, MPO Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format: AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 – Still Image: JPEG(DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2 ch), MP4 (Audio format AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 GM5: [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 – JPEG (DCF, Exif 2.3), RAW, MPO1 Motion Image: AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format AAC 2ch) 4:3, 3:2, 16:9, 1:1 sRGB, Adobe RGB [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 – [Full HD] 1920x1080 FHD/50p: 28Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/25p: 24Mbps [Full HD] 1920x1080 FHD/25p: 24Mbps [Full HD] 1920×1080 FHD/50p: 28Mbps [Full HD]1920x1080 FHD/25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [HD] 1280 x 720 HD/50p: 17Mbps [Full HD] 1920x1080 FHD/50p: 28Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/25p: 24Mbps [Full HD] 1920×1080 FHD/50p: 28Mbps [Full HD]1920x1080 FHD/25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [4K] 3840 × 2160, 4K/25p: 100Mbps, 4K/24p: 100Mbps [Full HD] 1920 × 1080, FHD/50p: 28Mbps, FHD/25p: 20Mbps [HD] 1280 × 720, HD/25p: 10Mbps [VGA] 640 ×480, VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/50i: 24Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [HD] 1280 x 720, HD/50p: 17Mbps [Full HD] 1920×1080 FHD/50p: 28Mbps [Full HD]1920x1080 FHD/25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50p: 28Mbps (GM5) [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/50i: 24Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [Full HD] 1920×1080 FHD/ 50p: 28Mbps (GM5) [Full HD] 1920×1080 FHD/ 25p: 20Mbps [HD] 1280x720 HD/25p: 10Mbps [VGA] 640x480 VGA/25p: 4Mbps [Full HD] 1920x1080 FHD/50p: 28Mbps [Full HD] 1920x1080 FHD/50i: 17Mbps [Full HD] 1920x1080 FHD/50i: 24Mbps [Full HD] 1920x1080 FHD/24p: 24Mbps [Full HD] 1920×1080, FHD/50p: 28Mbps [Full HD] 1920×1080, FHD/25p: 20Mbps [HD] 1280×720, HD/25p: 10Mbps [VGA] 640x480, VGA/25p: 4Mbps Contrast AF system (DFD) AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) Contrast AF system (DFD) AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) Contrast AF system AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint Contrast AF system (DFD) AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) Contrast AF system AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint Contrast AF system AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF GM5: Face/Eye Detection / Tracking / 23-Area / 1-Area / Pinpoint (Full area touch is available) Contrast AF system AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF Face/Eye Detection / Tracking / 23-Area / 1-Area / Pinpoint (Full area touch is available) Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Intelligent Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Multiple / Center Weighted / Spot Program AE, Aperture Priority AE, Shutter Priority AE, Manual Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) 1/3 EV step ±5EV (±3EV for motion picture) Yes (AF/AE LOCK button) 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) 1/3 EV step ±5EV (±3EV for motion picture) Yes (AF/AE LOCK button) 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst Auto / Intelligent ISO / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600(Extended) (Changeable to 1/3 EV step) Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) Auto / Intelligent ISO / 100 (Extended) (GM1: 125) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) step) 1/3EV step ±5EV Set the Fn button in custom menu to AE lock 3,5,7 frame, in 1/3 or 2/3 or 1EV Step, Max.±3 EV Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) 1/3 EV step ±5EV (±3EV for motion picture) Yes (AF/AE LOCK button) 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst 1/3 EV step ±5EV Set the Fn button in custom menu to AE lock 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV 1/3EV Step ±5EV Set the Fn button in custom menu to AE (GM1: AF) lock 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) (Up to ISO3200 in motion picture recording) 1/3 EV step ±5EV (±3EV for motion picture) Set the Fn button in custom menu to AE lock 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1,2,3,4 Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Blue / Amber bias, Magenta / Green bias e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Still image: Bulb (Max. 60 minutes), 1/8,000 ~ 60 ; Motion picture: 59.94Hz: 1/16,000 ~ Still image: Bulb (Max. 2 minutes), 1/4,000 ~ 60 ; Motion picture: 1/16,000 ~ 1/25 1/30, 50.00Hz: 1/16,000 ~ 1/25, 23.98Hz: 1/16,000 ~ 1/24 (When using Synchro Scan) Electronic shutter: 1/16,000 ~ 1 Remote control with Bulb function by DMW-RSL1 (Optional) Remote control with Bulb function by DMW-RSL1 (Optional) Still Images: Bulb (Max.120), 1/4000 ~ 60 Motion image: 1/16000 ~ 1/30 (NTSC), 1/16000 ~ 1/25 (PAL) – Still image: Bulb (Max. 30 minutes), 1/8,000 ~ 60 Motion picture: 1/16,000 ~ 1/25, Electronic shutter: 1/16,000 ~ 1 Remote control with Bulb function by DMW-RSL1 (Optional) Still Images: Bulb (Max. 2min), 1/8000 ~ 60 Motion image: 1/16000 ~ 1/25 (NTSC area/PAL area) – Still image: Time (Max. 60 second), 1/16,000 ~ 60 Motion picture: 1/16,000 ~ 1/25 – Still image: Time (Max. 60 second), 1/16,000 ~ 60 Motion picture: 1/16,000 ~ 1/25 – Mechanical shutter: H: 12 frames/sec (with AFS), 7 frames/sec (with AFC), M: 7 frames/ Mechanical shutter: H: 8 frames/sec (with AFS), 6 frames/sec (with AFC), M: 6 frames/ sec, (with Liveview) L: 2 frames/sec (with Liveview); Electronic shutter: SH: 40 frames/ sec (with Liveview), L: 2 frames/sec (with Liveview) sec, H: 12 frames/sec (with Liveview), M: 7 frames/sec, L: 2 frames/sec (with Liveview) Electronic shutter: SH: 40 frames/sec, H: 10 frames/sec, M: 6 frames/sec (with Liveview), L: 2 frames/sec (with Liveview) Liveview) Approx. 40 images (when there are RAW files More than 13 images (when there are RAW files files with the particular speed) files with the particular speed) Approx. 100 images (when there are no RAW files) More than 100 images (when there are no RAW files) files) files) Approx. 120 images (when using electronic shutter) (depending on memory card type, aspect, picture size and compression) (depending on memory card size, battery power, picture size, and compression) SH : 40.0 frames/sec, H: 7.0 frames/sec(with AFS), 5.0 frames/sec (with AFC, In 1-areafocusing AF mode), M: 4.0 frames/sec (with Liveview), L: 2.0 frames/sec (with Liveview) Mechanical shutter: AFS: H: 8 frames/sec, M: 5.5 frames/sec , L: 2 frames/sec, AFC: H: 6 frames/sec, M: 6 frames/sec, L: 2 frames/sec; (all with Liveview) Electronic shutter: AFS: H: 10 frames/sec, M: 6 frames/sec, L: 2 frames/sec AFC: H: 6 frames/sec, M: 6 frames/sec, L: 2 frames/sec; (all with Liveview) More than 30 images (when there are RAW files files with the particular speed) More than 100 images (when there are no RAW files) files) (depending on memory card type, aspect, picture size and compression) Mechanical Shutter - H: 5.0 frames/sec(with AFS), 4.3 frames/sec(with AFC, In 1-area-focusing AF mode), M: 4.0 frames/sec, L: 2.0 frames/sec; (all with Liveview); Electronic Shutter - SH: 40.0 frames/sec, H: 10.0 frames/sec, M: 4.0 frames/sec, L: 2.0 frames/sec; (all with Liveview) 9 images (when there are RAW files files with the particular speed) Unlimited consecutive shooting (when there are no RAW files) files) (depending on aspect ratio, memory card size, picture size, and the setting for the quality) GM5: Mechanical shutter: H: 5.8 frames/sec (with AFS), 5 frames/sec (with AFC, in 1-area-focusing AF mode), M: 4 frames/sec, L: 2 frames/sec (all with Liveview); Electronic shutter: SH: 40 frames/sec, H: 10 frames/sec, M: 4 frames/sec, L: 2 frames/sec (all with Liveview) GM5: 7 images (When there are RAW files files with the particular speed) ; Unlimited consecutive shooting (Except for the SH mode. When there are no RAW files. files. Depending on the capacity of the memory card.) ; 39 images (SH mode. When there are no RAW files.); files.); (depending on memory card size, battery power, picture size, and compression) – Mechanical shutter: H: 5.8 frames/sec (with AFS), 5 frames/sec (with AFC, in 1-area-focusing AF mode), M: 4 frames/sec, L: 2 frames/sec (all with Liveview) Electronic shutter: SH: 40 frames/sec, H: 10 frames/sec, M: 4 frames/sec, L: 2 frames/sec (all with Liveview) 7 images (When there are RAW files files with the particular speed.); Unlimited consecutive shooting (Except for the SH mode. When there are no RAW files. files. Depending on the capacity of the memory card.); 39 images (SH mode. When there are no RAW files.) files.) (depending on memory card size, battery power, picture size, and compression) – GM5: TTL external flash flash (Bundled), GN10.0 equivalent (ISO 200·m) , GN7.0 equivalent (ISO 100·m) GM1: TTL Built-in-Flash, GN5.6 equivalent (ISO 200·m) , GN4.0 equivalent (ISO 100·m), Built-in Pop-up Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. Less than 1/50 second GM5: 1/3EV step ±3EV / GM1: – •/– TTL Built-in-Flash, GN5.6 equivalent (ISO 200·m), GN4.0 equivalent (ISO 100·m), Built-in Pop-up Pop-up MP4 / / MP4 e. g. [4K] 3840 × 2160, 29.97p, 100Mbps (IPB) (LPCM) / 100Mbps (IPB) (AAC) MOTION-JPEG [Full HD] 1920 × 1080, 23,98p, 200Mbps (ALL-Intra) (LPCM) / 100Mbps (IPB) (LPCM) / 50Mbps (IPB) (LPCM); [HD] 1280 × 720, 29.97p, 10Mbps (IPB) (AAC) [VGA] 640 × 480, 29.97p, 4Mbps (IPB) (AAC) FOCUS Type Focus Mode AF Mode EXPOSURE CONTROL Light metering mode Exposure mode ISO sensitivity Exposure compensation AE lock AE bracket WHITE BALANCE White balance settings White balance adjustment Creative modes SHUTTER Shutter Speed Remote Control BURST SHOOTING Burst speed Number of recordable images 4K Photo mode 4K Burst (S/S): 30 frames/sec, max. 29 minutes 59 seconds 4K Pre-Burst: 30 frames/sec, approx. 2 seconds 4K Burst: 30 frames/sec, max. 29 minutes 59 seconds 4K Burst (S/S): 30 frames/sec, max. 29 minutes 59 seconds – 4K Pre-Burst: 30 frames/sec, approx. 2 seconds 4K Burst: 30 frames/sec, max. 29 minutes 59 seconds 4K Burst (S/S): 30 frames/sec, max. 29 minutes 59 seconds – TTL Built-in-Flash, GN12 equivalent (ISO100·m) / GN17 equivalent (ISO200·m), Built-in Pop-up (Reference), Lighting angle: 24mm (35mm camera equivalent) TTL Built-in-Flash, GN9.3 equivalent (ISO200·m) / GN6.6 equivalent (ISO100·m), Built-in Pop-up (Reference) TTL Built-in-Flash, GN10.5 equivalent (ISO 160·m), GN8.3 equivalent (ISO 100·m), Built-in Pop-up TTL External Flash (Optional) TTL Built-in Flash, GN7.0 equivalent (ISO 200 ·m), GN5.0 equivalent (ISO 100 ·m), Built-in Pop-up Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. Less than 1/250 second 1/3EV step ±3EV • Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only Less than 1/160 second 1/3EV step ±3EV • Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Less than 1/160 second 1/3EV Step ±5EV • Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only Less than 1/250 second 1/3EV step ±3EV • Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Less than 1/320 second 1/3EV step ±3EV • OLED monitor with static touch control, Free-angle 3.0-inch / 3:2 aspect / Wide viewing TFT LCD monitor with static touch control, Free-angle 3.0-inch / 3:2 aspect / Wide angle , Approx. 1036K dots, Approx. 100% Field of view viewing angle, Approx. 1,040k dots, Approx. 100% Field of view angle view view TFT LCD with Touch monitor, Free-angle 3.0inch (7.5cm)/ 3:2 Aspect / Wide-viewing angle, 1036K dots, Approx. 100% Field of view Viewfinder (2,359K dots) OLED Live Viewfinder IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode, WPS, Wi-Fi Direct – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Netherlandic Viewfinder (2,360K dots) OLED Live Viewfinder IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Netherlandic OLED Live View Finder (1,440K dots) IEEE 802.11b/g/n, 2412MHz - 2462MHz (11ch), Wi-Fi / WPA / WPA2, Infrastructure mode – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Netherlandic OLED monitor with static touch control, Free-angle 3.0-inch / 3:2 aspect / Wide Tilt Static LCD with Touch Monitor, 3.0inch (7.5cm)/ 3:2 Aspect / Wide-viewing GM5: TFT LCD monitor with static touch control, 3-inch / 16:9 aspect / viewing angle, Approx. 1,040k dots, Approx. 100% Field of view angle, Approx. 1040K dots, Approx. 100% Field of view Wide viewing angle / Field of view 100% view GM1: TFT LCD with Touch panel, 3.0inch / 3:2 Aspect / Wide-viewing angle Viewfinder (2,360k dots) Viewfinder (1,166K dots) / GM1: – OLED Live Viewfinder LCD Live View Finder (2,764K dots equivalent) GM5: Live Viewfinder IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b/g/n, 2412MHz - 2462MHz (11ch), Wi-Fi / WPA / WPA2, IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch (GM1:11ch)), Wi-Fi / WPA / Infrastructure mode Infrastructure mode WPA2, Infrastructure mode – – – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian e.g. English, German, French, Italian, Spanish, Polish, Czech e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian – IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode – e.g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link, Audio: Stereo, 59.94Hz: Auto / 4K / 1080p / 1080i / 720p / 480p, 50.00Hz: Auto / 4K / 1080p / 1080i / 720p / 576p SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 480p (576p in PAL system); Audio: Stereo SD memory card, SDHC memory card, SDXC memory card USB 2.0 High Speed Multi miniHDMI TypeC ; Video: Auto / 1080i / 720p / 480p (576p in PAL system) Audio: Stereo SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link ; Video: Auto / 4K / 1080p / 1080i / 720p / 576p Audio: Stereo SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi microHDMI TypeD / VIERA Link; Video: Auto / 1080p / 1080i / 720p / 480p (576p in PAL system) ; Audio: Stereo • (optional BGGH3) / Ø 2,5 mm / • (for ext. flash) flash) Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5mm - / Ø 2,5 mm / Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5mm - / Ø 2,5 mm / Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5mm Li-ion Battery Pack (7.2V, 1860mAh) (Included), Battery Charger Approx. 530 images with H-HS12035, Approx. 530 images with H-FS14140 132.9 x 93.4 x 83.9mm / 5.23 x 3.68 x 3.30 inch (excluding protrusions) Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), Battery Charger Approx. 360 images with H-FS1442A, Approx. 350 images with H-FS14140 Approx. 350 images with H-FS45150 124.9 × 86.2 × 77.4 mm / 4.92 × 3.39 × 3.05 inc inch (excluding protrusions) Approx. 560g / 19.75 oz (SD card, Battery, Body) PHOTOfunSTUDIO 9.5 PE, SILKYPIX® Developer Studio 4.1 SE, LoiLoScope YOUR PERSONALITY. OUR VARIETY. FLASH Flash type Flash mode Synchronisation speed Flash output adjustment Hot shoe OPERATION Rear monitor Viewfinder Viewfinder Wi-Fi Dust- / Splashproof / Magnesium alloy DSLM TECHNOLOGY OSD language INTERFACE Recording media USB HDMI BEST P CTURES DSLM MODELS Battery Grip / Remote Input / Flash Sync. Built-in Mic / Built-in Speaker / Audio Jack POWER LENS Battery TECHNOLOGY Battery life (CIPA standard)** Dimensions (W x H x D) LENSES W Weight ACCESSOR ES Software Standard Accessories included Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, USB TECHN CAL SPEC F CATBattery ONS Connection Cable, Shoulder Strap, DVD Lens Cap*, Lens Hood*, Lens Rear Cap* *Included with DMC-GH4A kit and DMC-GH4H kit. M M 1 04 – 13 14 – 17 - / Ø 2,5 mm / Stereo, Wind-cut: OFF, Standard, High / Monoaural / Ø 2.5mm SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi miniHDMI TypeC / VIERA Link Video: Auto / 1080p / 1080i / 720p / 480p (576p in PAL system) Audio: Stereo - / Ø 2,5 mm / -. Stereo / Monaural / - SD Memory Card, SDHC Memory Card, SDXC Memory Card USB 2.0 High Speed Multi GM5: microHDMI TypeD / VIERA Link ; Video: Auto / 1080p / 1080i / 720p / 480p (576p in PAL system); Audio: Stereo // GM1: microHDMI TypeD ; Video: Auto / 1080i / 720p / 480p (576p in PAL system); Audio: Stereo GM1: Stereo / Monoaural / GM5: Stereo, Wind-cut: OFF, Standard, High / Monoaural / - Li-ion Battery Pack (7.2V, 1200mAh) (Included), Battery Charger e. g. Approx. 340 images with H-PS14042, Approx. 350 images with H-FS1442A Approx. 330 images with H-FS014042, Approx. 350 images with H-FS45150 122.45 × 84.6 × 71.4 mm / 4.82 × 3.33 × 2.81 inch (excluding protrusions) Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), Battery Charger e. g. Approx. 330 images (rear monitor), 310 images (LVF) with H-HS12035 Approx. 340 images (rear monitor), 320 images (LVF) with H-FS1442A 133.2 × 77.9 × 63.1 mm / 5.24 × 3.07 × 2.48 inch (excluding protrusions) Li-ion Battery Pack (7.2V, 1025mAh) (Included), Battery Charger Approx. 320 images with H-H020A Approx. 350 images with H-FS1442A 122.60x 70.7 x 54.6 mm / 4.83 x 2.78 x 2.15 inch Approx. 410g / 0.90 lb (SD card, Battery, Body) Approx. 390g / 0.86 lb (SD card, Battery, Body) Approx. 487g / 1.07 lb (SD card, Battery, Body) Approx. 402g / 0.89 lb (SD card, Battery, Body) Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (Included), Battery Charger GM5: e. g. Approx. 210 images (rear monitor), 220 images (LVF) with H-FS12032 GM1: e. g. Approx. 220 images with H-H020A GM5: M 98.5 × 59.5 × 36.1 mm / 3.88 × 2.34 × 1.42 inch GM1: M 98.5 × 54.9 × 30.4 mm / 3.88 × 2.16 × 1.20 inch M Approx. 211g / 0.46 lb (SD card, Battery, Body) GM5: M Approx. 204g / 0.45 lb (SD card, Battery, Body) GM1: PHOTOfunSTUDIO 9.7 PE, SILKYPIX® Developer Studio 4.3 SE, LoiLoScope (Trial version) PHOTOfunSTUDIO 9.2 PE, SILKYPIX® Developer Studio 3.1 SE, LoiLoScope (trial version), USB Driver PHOTOfunSTUDIO 9.7 PE, SILKYPIX® Developer Studio 4.3 SE, LoiLoScope (Trial version) PHOTOfunSTUDIO 9.2 P, SILKYPIX® Developer Studio 3.1 SE, LoiLoScope 30 day full trial version Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVD, AC Cable2 Battery pack, Battery Charger, Body Cap, Lens Cap, Lens Hood, Lens Rear Cap, USB Connection Cable, Shoulder Strap, CD-ROM M *Lens Hood and Lens Rear Cap of H-PS14042 lens and Body Cap are not included for DMC-G6X M kit Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVD, AC Cable2 Battery pack, Battery Charger, Body Cap, Lens Cap, Lens Hood, Lens Rear Cap, GM5 / GM1: M M Battery Pack, Battery Charger, USB Connection Cable, Shoulder USB Connection Cable, Shoulder Strap, CD-ROM, M * Lens Hood of H-H020A lens Strap, DVD-ROM, M AC Cable2, Lens Cap is not included for DMC-GX7C M kit Only GM5: M Flash, Flash Storage Bag, Hot Shoe Cover STANDARD ACCESSORIES * About motion picture recording 9 images (when there are RAW files files with the particular speed) Unlimited consecutive shooting (when there are no RAW files) files) (depending on memory card size, battery power, picture size, and compression) 18 – 35 36 – 39 40 – 53 54 – 55 56 – 57 When attaching 3D lens in Micro Four Third system standard 2 Depends on the country or region ** Shooting conditions: 23 °C at 50% air humidity; LCD on; with SD card; shooting begins 30 sec. after switching on the camera; shot taken every 30 sec., every other shot with flash, change between wide angle and telephoto after each shot; camera switched off after every ten shots (long enough for battery temperature to drop). GM5: PHOTOfunSTUDIO 9.6 PE, SILKYPIX® Developer Studio 4.2 SE, LoiLoScope (Trial version) //GM1: PHOTOfunSTUDIO 9.2 AE, SILKYPIX® Developer Studio 4.1 SE, LoiLoScope (Trial version) Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. Less than 1/50 second 1/3EV step ±2EV – TFT LCD monitor with static touch control, Tiltable monitor, 3-inch / 3:2 aspect / Wide viewing angle, Approx. 1040k dots, Field of view 100% Stereo, Wind-cut: OFF / Low / Standard / High / AUTO Monaural / Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (Included), Battery Charger Approx. 230 images with H-FS12032; Approx. 210 images with H-PS14042 Approx. 230 images with H-FS35100“ H-FS35100“ 106.5 × 64.6 × 33.3 mm / 4.2 × 2.55 × 1.32 inch (excluding protrusions) Approx. 266g / 0.59 lb (SD card, Battery, Body) PHOTOfunSTUDIO 9.6 PE, SILKYPIX® Developer Studio 4.2 SE, LoiLoScope (Trial-Version) Battery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVDROM, M AC Cable2, Lens Cap Panasonic Marketing Europe GmbH. LUMIX G is a brand name of Panasonic Corporation. The design and specification of products are constantly changing in the interest of improvement. Whilst every care has been taken in the preparation of this catalogue, some changes may not have been indicated and may have occurred after publication. Please check with your Panasonic dealer for details. Panasonic Marketing Europe GmbH cannot accept responsibility for any errors and omissions. WWW.PANASONIC.COM