NSC LM4546A

LM4546A
July 15, 2009
AC '97 Rev 2 Multi-Channel Audio Codec with Sample Rate
Conversion and National 3D Sound
General Description
Key Specifications
The LM4546A is an audio codec for PC systems which is fully
PC98 compliant and performs the analog intensive functions
of the AC '97 Rev 2 architecture. Using 18-bit Sigma-Delta
ADCs and DACs, the LM4546A provides 90 dB of Dynamic
Range.
The LM4546A was designed specifically to provide a high
quality audio path and provide all analog functionality in a PC
audio system. It features full duplex stereo ADCs and DACs
and analog mixers with access to 2 stereo and 2 mono inputs.
Each mixer input has separate gain, attenuation and mute
control and the mixers drive 1 mono and 1 stereo output, each
with attenuation and mute control. The LM4546A supports
National's 3D Sound stereo enhancement and a comprehensive sample rate conversion capability. The sample rate for
the ADCs and DACs can be programmed separately with a
resolution of 1 Hz to convert any rate in the range 4 kHz –
48 kHz. Sample timing from the ADCs and sample request
timing for the DACs are completely deterministic to ease task
scheduling and application software development. These features together with an extended temperature range also make
the LM4546A suitable for non-PC codec applications.
The LM4546A features the ability to connect several codecs
together using the Extended AC Link configuration of one
dedicated serial data signal to the Controller per codec.
LM4546A systems support up to 8 simultaneous channels of
streaming data on Input Frames (Codec to Controller) while
Output Frames (Controller to Codec) carry 2 streams to multiple codecs. The LM4546A may also be used in systems with
the National LM4550 to support up to 6 simultaneous channels of streaming data on Output Frames.
The AC '97 architecture separates the analog and digital
functions of the PC audio system allowing both for system
design flexibility and increased performance.
■ Analog Mixer Dynamic Range
■ DAC Dynamic Range
■ ADC Dynamic Range
© 2009 National Semiconductor Corporation
Features
■ AC '97 Rev 2 compliant
■ High quality Sample Rate Conversion from 4 kHz to 48
■
■
■
■
■
kHz in 1 Hz increments
Multiple codec support
National's 3D Sound stereo enhancement circuitry
Advanced power management support
Digital 3.3V and 5V supply options
Extended Temperature: −40°C ≤ TA ≤ 85°C
Applications
■ Desktop PC audio systems on PCI cards, AMR cards, or
with motherboard chips sets featuring AC Link
■ Portable PC systems as on MDC cards, or with a chipset
or accelerator featuring AC Link
■ General and Multi-channel audio frequency systems
200308
200308 Version 5 Revision 1
97 dB (typ)
89 dB (typ)
90 dB (typ)
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Print Date/Time: 2009/07/15 15:26:52
LM4546A AC '97 Rev 2 Multi-Channel Audio Codec with Sample Rate Conversion and National
3D Sound
OBSOLETE
20030801
LM4546A
Block Diagram
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If Military/Aerospace specified devices are required,
please contact the National Semiconductor Sales Office/
Distributors for availability and specifications.
Supply Voltage
Storage Temperature
Input Voltage
ESD Susceptibility (Note 2)
pin 3
ESD Susceptibility (Note 3)
pin 3
Junction Temperature
215°C
220°C
θJA (typ) – VBH48A
6.0V
−65°C to +150°C
−0.3V to VDD +0.3V
2000V
750V
200V
100V
150°C
74°C/W
Operating Ratings
Temperature Range
TMIN ≤ TA ≤ TMAX (Note 4)
−40°C ≤ TA ≤ 85°C
4.2V ≤ AVDD ≤ 5.5V
Analog Supply Range
3.0V ≤ DVDD ≤ 5.5V
Digital Supply Range
Electrical Characteristics
(Notes 1, 5) The following specifications apply for AVDD = 5V, DVDD = 5V, Sampling
Frequency (Fs) = 48 kHz, single codec configuration, unless otherwise noted. Limits apply for TA= 25°C. The reference for 0 dB
is 1 Vrms unless otherwise specified.
Symbol
Parameter
Typical
(Note 6)
AVDD
Analog Supply Range
DVDD
Digital Supply Range
DIDD
Digital Quiescent Power Supply
Current
Units
(Limits)
LM4546A
Conditions
Limit
(Note 7)
4.2
V (min)
5.5
V (max)
3.0
V (min)
5.5
V (max)
DVDD = 5 V
43
mA
DVDD = 3.3 V
20
mA
AIDD
Analog Quiescent Power Supply
Current
53
mA
IDSD
Digital Shutdown Current
500
µA
IASD
Analog Shutdown Current
30
µA
VREF
Reference Voltage
PSRR
Power Supply Rejection Ratio
2.23
V
40
dB
Analog Loopthrough Mode (Note 8)
THD
Dynamic Range (Note 9)
CD Input to Line Output, -60 dB Input THD
+N, A-Weighted
Total Harmonic Distortion
VO = -3 dB, f = 1 kHz, RL = 10 kΩ
97
90
dB (min)
0.01
0.02
% (max)
Analog Input Section
LINE_IN, AUX, CD, VIDEO, PC_BEEP,
PHONE
VIN
Line Input Voltage
VIN
Mic Input with 20 dB Gain
VIN
Mic Input with 0 dB Gain
Xtalk
Crosstalk
CD Left to Right
-95
ZIN
Input Impedance (Note 9)
All Analog Inputs
40
CIN
Input Capacitance
15
pF
CD Left to Right
0.01
dB
0 dB to 22.5 dB
1.5
dB
86
dB
1.5
dB
86
dB
Interchannel Gain Mismatch
1
Vrms
0.1
Vrms
1
Vrms
dB
10
kΩ (min)
Record Gain Amplifier - ADC
AS
Step Size
AM
Mute Attenuation (Note 9)
Mixer Section
AS
Step Size
AM
Mute Attenuation
+12 dB to -34.5 dB
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LM4546A
Soldering Information
LQFP Package
Vapor Phase (60 sec.)
Infrared (15 sec.)
Absolute Maximum Ratings (Note 1)
LM4546A
Symbol
Parameter
Units
(Limits)
LM4546A
Conditions
Typical
(Note 6)
Limit
(Note 7)
Analog to Digital Converters
Resolution
18
Dynamic Range (Note 9)
-60 dB Input THD+N, A-Weighted
90
Frequency Response
-1 dB Bandwidth
20
Bits
86
dB (min)
kHz
Digital to Analog Converters
Resolution
THD
18
Dynamic Range (Note 9)
-60 dB Input THD+N, A-Weighted
Total Harmonic Distortion
VIN = -3 dB, f = 1 kHz, RL = 10 kΩ
Frequency Response
89
dB (min)
0.01
%
20 - 21 k
Hz
Group Delay (Note 9)
DT
Bits
85
2
ms (max)
Out of Band Energy (Note 10)
-40
dB
Stop Band Rejection
70
dB
Discrete Tones
-96
dB
1.5
dB
86
dB
TBD
Ω
Analog Output Section
AS
Step Size
AM
Mute Attenuation
ZOUT
Output Impedance (Note 9)
0 dB to -46.5 dB
All Analog Outputs
Digital I/O (Note 9)
VIH
High level input voltage
0.40 x
DVDD
V (min)
VIL
Low level input voltage
0.30 x
DVDD
V (max)
VOH
High level output voltage
0.50 x
DVDD
V (min)
VOL
Low level output voltage
0.20 x
DVDD
V (max)
IL
Input Leakage Current
AC Link inputs
±10
µA
IL
Tri state Leakage Current
High impedance AC Link outputs
±10
µA
IDR
Output drive current
AC Link outputs
5
mA
12.288
MHz
Digital Timing Specifications (Note 9)
FBC
BIT_CLK frequency
TBCP
BIT_CLK period
TCH
BIT_CLK high
FSYNC
SYNC frequency
TSP
SYNC period
TSH
TSL
TDSETUP
Setup Time for codec data input
SDATA_OUT to falling edge of BIT_CLK
15
ns (min)
TDHOLD
Hold Time for codec data input
Hold time of SDATA_OUT from falling edge
of BIT_CLK
5
ns (min)
TSSETUP
Setup Time for codec SYNC input
SYNC to rising edge of BIT_CLK
TBD
ns (min)
TSHOLD
Hold Time for codec SYNC input
Hold time of SYNC from rising edge of
BIT_CLK
TBD
ns (min)
TCO
Output Valid Delay
Output Delay of SDATA_IN from rising
edge of BIT_CLK
15
ns (max)
TRISE
Rise Time
BIT_CLK, SYNC, SDATA_IN or
SDATA_OUT
6
ns (max)
81.4
Variation of BIT_CLK duty cycle from 50%
ns
±20
% (max)
48
kHz
20.8
µs
SYNC high pulse width
1.3
µs
SYNC low pulse width
19.5
µs
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TBD
Parameter
Conditions
Typical
(Note 6)
TFALL
Fall Time
BIT_CLK, SYNC, SDATA_IN or
SDATA_OUT
TRST_LOW
RESET# active low pulse width
For Cold Reset
TRST2CLK
RESET# inactive to BIT_CLK start up For Cold Reset
TSH
SYNC active high pulse width
For Warm Reset
TSYNC2CLK
SYNC inactive to BIT_CLK start up
For Warm Reset
TS2_PDOWN
AC Link Power Down Delay
TSUPPLY2RST
Units
(Limits)
LM4546A
Limit
(Note 7)
6
ns (max)
1.0
µs (min)
162.8
ns (min)
1.3
TBD
µs (min)
TBD
162.8
ns (min)
Delay from end of Slot 2 to BIT_CLK,
SDATA_IN low
1
µs (max)
Power On Reset
Time from minimum valid supply levels to
end of Reset
1
µs (min)
TSU2RST
Setup to trailing edge of RESET#
For ATE Test Mode
15
ns (min)
TRST2HZ
Rising edge of RESET# to Hi-Z
For ATE Test Mode
25
ns (max)
TBD
Note 1: Absolute Maximum Ratings indicate limits beyond which damage to the device may occur. Operating Ratings indicate conditions for which the device is
functional, but do not guarantee specific performance limits. Electrical Characteristics state DC and AC electrical specifications under particular test conditions
which guarantee specific performance limits. This assumes that the device is within the Operating Ratings. Specifications are not guaranteed for parameters
where no limit is given, however, the typical value is a good indication of device performance.
Note 2: Human body model, 100 pF discharged through a 1.5 kΩ resistor.
Note 3: Machine Model, 220 pF – 240 pF discharged through all pins.
Note 4: The maximum power dissipation must be derated at elevated temperatures and is dictated by TJMAX, θJA, and the ambient temperature TA. The maximum
allowable power dissipation is PDMAX = (TJMAX– TA)/θJA or the number given in Absolute Maximum Ratings, whichever is lower. For the LM4546A, TJMAX = 150°
C. The typical junction-to-ambient thermal resistance is 74°C/W for package number VBH48A.
Note 5: All voltages are measured with respect to the ground pin, unless otherwise specified.
Note 6: Typicals are measured at 25°C and represent the parametric norm.
Note 7: Limits are guaranteed to National's AOQL (Average Outgoing Quality Level).
Note 8: Loopthrough mode describes a path from an analog input through the analog mixers to an analog output.
Note 9: These specifications are guaranteed by design and characterization; they are not production tested.
Note 10: Out of band energy is measured from 28.8 kHz to 100 kHz relative to a 1 Vrms DAC output.
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LM4546A
Symbol
LM4546A
Timing Diagrams
Clocks
Data Delay, Setup and Hold
20030810
20030811
Digital Rise and Fall
Legend
20030830
20030812
Power On Reset
20030829
Cold Reset
20030813
Warm Reset
20030814
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LM4546A
Typical Application
20030803
FIGURE 1. LM4546A Typical Application Circuit, Single Codec, 1 Vrms inputs
APPLICATION HINTS
•
•
•
•
•
•
The LM4546A must be initialized by using RESET# to perform a Power-On-Reset as shown in the Power On Reset Timing
Diagram
VREF must be pulled high to AVDD with a 10 kΩ resistor to ensure correct operation
Don't leave unused analog inputs floating. Tie all unused inputs together and connect to Analog Ground through a capacitor
(e.g. 0.1 µF)
Do not leave CD_GND floating when using the CD stereo input. CD_GND is the AC signal reference for the CD channels and
should be connected to the CD source ground (Analog Ground may also be acceptable) through a 1 µF capacitor
If using a non-standard AC Link controller take care to keep the SYNC and SDATA_IN signals low during Cold Reset to avoid
entering the ATE or Vendor test modes by mistake
The PC_Beep input should be explicitly muted if not used since it defaults to 0 dB gain on reset, unlike the mute default of the
other analog inputs
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FIGURE 2. LM4546A Reference Design, Typical Application, Single Codec, 1 Vrms and 2 Vrms inputs, EMC output filters
20030825
LM4546A
LM4546A
Connection Diagram
20030802
Top View
Order Number LM4546AVH
See NS Package Number VBH48A
Pin Descriptions
ANALOG I/O
Name
PC_BEEP
PHONE
CD_L
CD_GND
Pin
12
13
18
19
I/O
Functional Description
I
Mono Input
This line level (1 Vrms nominal) mono input is mixed equally into both channels of the Stereo Mix
signal at MIX2 under the control of the PC_Beep Volume control register, 0Ah. The PC_BEEP level
can be muted or adjusted from 0 dB to -45 dB in 3 dB steps. The Stereo Mix signal feeds both the
Line Out and Line Level Out analog outputs and is also selectable at the Record Select Mux.
I
Mono Input
This line level (1 Vrms nominal) mono input is mixed equally into both channels of the Stereo Mix
signal at MIX2 under the control of the Phone Volume register, 0Ch. The PHONE level can be
muted or adjusted from +12 dB to -34.5 dB in 1.5 dB steps. The Stereo Mix signal feeds both the
Line Out and Line Level Out analog stereo outputs and is also selectable at the Record Select Mux.
I
Left Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the left channel of the stereo Input Mux for
conversion by the left channel ADC. It can also be mixed into the left channel of the Stereo Mix 3D
signal at MIX1 under the control of the CD Volume register, 12h. The CD_L level can be muted
(along with CD_R) or adjusted from +12 dB to -34.5 dB in 1.5 dB steps. Stereo Mix 3D is mixed
into the Stereo Mix signal at MIX2 for access to the stereo outputs Line Out and Line Level Out.
I
AC Ground Reference
This input is the reference for the signals on both CD_L and CD_R. CD_GND is NOT a DC ground
and should be AC-coupled to the stereo source ground common to both CD_L and CD_R. The
three inputs CD_GND, CD_L and CD_R act together as a quasi-differential stereo input with
CD_GND providing AC common-mode feedback to reject ground noise. This can improve the input
SNR for a stereo source with a good common ground but precision resistors may be needed in
any external attenuators to achieve the necessary balance between the two channels.
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LM4546A
Name
CD_R
MIC1
MIC2
LINE_IN_L
LINE_IN_R
LINE_OUT_L
Pin
20
21
22
23
24
35
I/O
Functional Description
I
Right Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the right channel of the stereo Input Mux for
conversion by the right channel ADC. It can also be mixed into the right channel of the Stereo Mix
3D signal at MIX1 under the control of the CD Volume register, 12h. The CD_R level can be muted
(along with CD_L) or adjusted from +12 dB to -34.5 dB in 1.5 dB steps. Stereo Mix 3D is combined
into the Stereo Mix signal at MIX2 for access to the stereo outputs Line Out and Line Level Out.
I
Mono microphone input
Either MIC1 or MIC2 can be muxed to a programmable boost amplifier with selection by the MS
bit (bit D8) in the General Purpose register, 20h. The boost amplifier gain (0 dB or 20 dB) is set by
the 20dB bit (D6) in the Mic Volume register, 0Eh. Nominal input levels at the two gain settings are
1 Vrms and 0.1 Vrms respectively. The amplifier output is selectable (Record Select register, 1Ah)
by either the right or left channels of the Record Select Mux for conversion on either or both
channels of the stereo ADCs. The amplifier output can also be accessed at the stereo mixer MIX1
(muting and mixing adjustments via Mic Volume register, 0Eh) where it is mixed equally into both
left and right channels of Stereo Mix 3D for access to the stereo outputs Line Out and Line Level
Out. Access to the Mono analog output is selected by a mux controlled by the MIX bit (D9) in
General Purpose register, 20h.
I
Mono microphone input
Either MIC1 or MIC2 can be muxed to a programmable boost amplifier with selection by the MS
bit (bit D8) in the General Purpose register, 20h. The boost amplifier gain (0 dB or 20 dB) is set by
the 20dB bit (D6) in the Mic Volume register, 0Eh. Nominal input levels at the two gain settings are
1 Vrms and 0.1 Vrms respectively. The amplifier output is selectable (Record Select register, 1Ah)
by either the right or left channels of the Record Select Mux for conversion on either or both
channels of the stereo ADCs. The amplifier output can also be accessed at the stereo mixer MIX1
(muting and mixing adjustments via Mic Volume register, 0Eh) where it is mixed equally into both
left and right channels of Stereo Mix 3D for access to the stereo outputs Line Out and Line Level
Out. Access to the Mono analog output is selected by a mux controlled by the MIX bit (D9) in
General Purpose register, 20h.
I
Left Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the left channel of the stereo Record Select
Mux for conversion by the left channel ADC. It can also be mixed into the left channel of the Stereo
Mix 3D signal at MIX1 under the control of the Line In Volume register, 10h. The LINE_IN_L level
can be muted (along with LINE_IN_R) or adjusted from +12 dB to -34.5 dB in 1.5 dB steps. Stereo
Mix 3D is combined into the Stereo Mix signal at MIX2 for access to the stereo outputs Line Out
and Line Level Out.
I
Right Stereo Channel Input
This line level input (1 Vrms nominal) is selectable at the right channel of the stereo Input Mux for
conversion by the right channel ADC. It can also be mixed into the right channel of the Stereo Mix
3D signal at MIX1 under the control of the Line In Volume register, 10h. The LINE_IN_R level can
be muted (along with LINE_IN_L) or adjusted from +12 dB to -34.5 dB in 1.5 dB steps. Stereo Mix
3D is combined into the Stereo Mix signal at MIX2 for access to the stereo outputs Line Out and
Line Level Out.
O
Left Stereo Channel Output
This line level output (1 Vrms nominal) is fed from the left channel of the Stereo Mix signal from
MIX2 via the Master Volume register, 02h. The LINE_OUT_L amplitude can be muted (along with
LINE_OUT_R) or adjusted from 0 dB to -46.5 dB in 1.5 dB steps.
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LINE_OUT_R
MONO_OUT
Pin
36
37
I/O
Functional Description
O
Right Stereo Channel Output
This line level output (1 Vrms nominal) is fed from the right channel of the Stereo Mix signal from
MIX2 via the Master Volume register, 02h. The LINE_OUT_R amplitude can be muted (along with
LINE_OUT_L) or adjusted from 0 dB to -46.5 dB in 1.5 dB steps.
O
Mono Output
This mono line level output (1 Vrms nominal) is fed from either a microphone input (MIC1 or MIC2,
after boost amplifier) or from the mono sum of the left and right Stereo Mix 3D channels from MIX1.
The optional National 3D Sound enhancement can be disabled (default) by the 3D bit (bit D13) in
the General Purpose register, 20h. Choice of input is by the MIX bit (D9) in the same register.
MIX=0 selects a microphone input. Output level can be muted or adjusted from 0 dB to -46.5 dB
in 1.5 dB steps via the Mono Volume register, 06h.
DIGITAL I/O AND CLOCKING
Name
XTL_IN
XTL_OUT
SDATA_OUT
BIT_CLK
SDATA_IN
SYNC
Pin
2
3
5
6
8
10
I/O
Functional Description
I
24.576 MHz crystal or oscillator input
To complete the oscillator circuit use a fundamental mode crystal operating in parallel resonance
and connect a 1MΩ resistor across pins 2 and 3. Choose the load capacitors (Figure 2, C1, C2) to
suit the load capacitance required by the crystal (e.g. C1 = C2 = 33 pF for a 20 pF crystal Assumes
that each 'Input + trace' capacitance = 7 pF).
This pin may also be used as the input for an external oscillator (24.576 MHz nominal) at standard
logic levels (VIH, VIL).
This pin is only used when the codec is in Primary mode. It may be left open (NC) for any Secondary
mode.
O
24.576 MHz crystal output
Used with XTAL_IN to configure a crystal oscillator.
When the codec is used with an external oscillator this pin should be left open (NC).
When the codec is configured in a Secondary mode this pin is not used and may be left open (NC).
I
Input to codec
This is the input for AC Link Output Frames from an AC '97 Digital Audio Controller to the LM4546A
codec. These frames can contain both control data and DAC PCM audio data. This input is sampled
by the LM4546A on the falling edge of BIT_CLK.
I/O
AC Link clock
An OUTPUT when in Primary Codec mode. This pin provides a 12.288 MHz clock for the AC Link.
The clock is derived (internally divided by two) from the 24.576 MHz signal at the crystal input
(XTL_IN).
This pin is an INPUT when the codec is configured in any of the Secondary Codec modes and
would normally use the AC Link clock generated by a Primary Codec.
O
Output from codec
This is the output for AC Link Input Frames from the LM4546A codec to an AC '97 Digital Audio
Controller. These frames can contain both codec status data and PCM audio data from the ADCs.
The LM4546A clocks data from this output on the rising edge of BIT_CLK.
I
AC Link frame marker and Warm Reset
This input defines the boundaries of AC Link frames. Each frame lasts 256 periods of BIT_CLK. In
normal operation SYNC is a 48 kHz positive pulse with a duty cycle of 6.25% (16/256). SYNC is
sampled on the rising edge of BIT_CLK and the codec takes the first positive sample of SYNC as
defining the start of a new AC Link frame. If a subsequent SYNC pulse occurs within 255 BIT_CLK
periods of the frame start it will be ignored.
SYNC is also used as an active high input to perform an (asynchronous) Warm Reset. Warm Reset
is used to clear a power down state on the codec AC Link interface.
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LM4546A
Name
LM4546A
Name
RESET#
ID0#
ID1#
Pin
11
45
46
I/O
Functional Description
I
Cold Reset
This active low signal causes a hardware reset which returns the control registers and all internal
circuits to their default conditions. RESET# MUST be used to initialize the LM4546A after Power
On when the supplies have stabilized. Cold Reset also clears the codec from both ATE and Vendor
test modes. In addition, while active, it switches the PC_BEEP mono input directly to both channels
of the LINE_OUT stereo output.
I
Codec Identity
ID1# and ID0# determine the Codec Identity for multiple codec use. The Codec Identity configures
the codec in either Primary or one of three Secondary Codec modes. These Identity pins have the
same polarity as the Codec Identity bits ID1, ID0 (bits D15, D14) in the read-only Extended Audio
ID register, 28h. If the ID0# pin (pin 45) is connected to ground then the ID0 bit (D14, reg 28h) will
be set to “1”. Similarly, connection to DVDD will set the ID0 bit to “0”. If left open (NC), ID0# is pulled
high by an internal pull-up resistor.
I
Codec Identity
ID1# and ID0# determine the codec address for multiple codec use. The Codec Identity configures
the codec in either Primary or one of three Secondary Codec modes. These Identity pins have the
same polarity as the Codec Identity bits ID1, ID0 (bits D15, D14) in the read-only Extended Audio
ID register, 28h. If the ID1# pin (pin 46) is connected to ground then the ID1 bit (D15, reg 28h) will
be set to “1”. Similarly, connection to DVDD will set the ID1 bit to “0”. If left open (NC), ID1# is pulled
high by an internal pull-up resistor.
POWER SUPPLIES AND REFERENCES
Name
Pin
I/O
AVDD
Functional Description
25
I
Analog supply
AVSS
26
I
Analog ground
DVDD1
1
I
Digital supply
DVDD2
9
I
Digital supply
DVSS1
4
I
Digital ground
DVSS2
7
I
Digital ground
VREF
27
O
Nominal 2.2 V internal reference
Not intended to sink or source current. Use short traces to bypass (3.3 µF, 0.1 µF) this pin to
maximize codec performance. This pin must be tied to AVDD with a 10 kΩ pull-up resistor.
VREF_OUT
28
O
Nominal 2.2 V reference output
Can source up to 5 mA of current and can be used to bias a microphone.
3D SOUND AND NO-CONNECTS (NC)
Name
Pin
I/O
Functional Description
These pins are used to complete the National 3D Sound stereo enhancement circuit. Connect a
0.022 µF capacitor between pins 3DP and 3DN. National 3D Sound can be turned on and off via
the 3D bit (D13) in the General Purpose register, 20h. National 3D Sound uses a fixed-depth type
stereo enhancement circuit hence the 3D Control register, 22h is read-only and is not
programmable. If National 3D Sound is not needed, these pins should be left open (NC).
3DP, 3DN
33,34
O
NC
14–17
29–32
38–44
47, 48
NC
These pins are not used and should be left open (NC).
For second source applications these pins may be connected to a noise-free supply or ground
(e.g. AVDD or AVSS), either directly or through a capacitor.
Typical Performance Characteristics
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LM4546A
ADC Frequency
Response
DAC Frequency
Response
20030819
20030820
ADC Noise Floor
DAC Noise Floor
20030815
20030816
Line Out Noise Floor
(Analog Loopthrough)
20030818
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X
0
0
7Ah Vendor Reserved 3
7Ch Vendor ID1
7Eh Vendor ID2
X
X
SR15
32h PCM ADC Rate
X
SR15
2Ch PCM DAC Rate
74h Vendor Reserved 2
X
Extended Audio
2Ah
Control/Status
5Ah Vendor Reserved 1
ID1
28h Extended Audio ID
X
PR7
X
X
Powerdown Control/
26h
Status
24h Reserved
3D Control
22h
(Read Only)
X
X
Mute
18h PCM Out Volume
POP
Mute
12h CD Volume
20h General Purpose
Mute
10h Line In Volume
Mute
Mute
0Eh Mic Volume
1Ch Record Gain
Mute
X
Mute
0Ah PC_Beep Volume
0Ch Phone Volume
1Ah Record Select
Mute
06h Mono Volume
X
D15
Mute
Name
02h Master Volume
00h Reset
REG
LM4546A Register Map
Output Volume
Input Volume
ADC Sources
1
1
X
X
X
SR14
SR14
X
ID0
PR6
X
0
X
X
X
X
X
X
X
X
X
X
X
0
D14
0
0
X
X
X
SR13
SR13
X
X
PR5
X
0
3D
X
X
X
X
X
X
X
X
X
X
0
D13
0
0
X
X
X
SR12
SR12
X
X
PR4
X
0
X
X
X
GL4
GL4
GL4
X
X
X
X
ML4
0
D12
0
1
X
X
X
SR11
SR11
X
X
PR3
X
0
X
GL3
X
GL3
GL3
GL3
X
X
X
X
ML3
1
D11
0
1
X
X
X
SR10
SR10
X
X
PR2
X
0
X
GL2
SL2
GL2
GL2
GL2
X
X
X
X
ML2
1
D10
1
1
X
X
X
SR9
SR9
X
0
PR1
X
0
MIX
GL1
SL1
GL1
GL1
GL1
X
X
X
X
ML1
0
D9
1
0
X
X
X
SR8
SR8
X
0
PR0
X
1
MS
GL0
SL0
GL0
GL0
GL0
X
X
X
X
ML0
1
D8
0
0
X
X
X
SR7
SR7
X
0
X
X
0
LPBK
X
X
X
X
X
X
X
X
X
X
0
D7
1
1
X
X
X
SR6
SR6
X
0
X
X
0
X
X
X
X
X
X
20dB
X
X
X
X
1
D6
0
0
X
X
X
SR5
SR5
X
X
X
X
0
X
X
X
X
X
X
X
X
X
X
X
0
D5
0
1
X
X
X
SR4
SR4
X
X
X
X
0
X
X
X
GR4
GR4
GR4
GN4
GN4
PV3
MM4
MR4
0
D4
0
0
X
X
X
SR3
SR3
X
0
REF
X
0
X
GR3
X
GR3
GR3
GR3
GN3
GN3
PV2
MM3
MR3
0
D3
1
0
X
X
X
SR2
SR2
X
X
ANL
X
0
X
GR2
SR2
GR2
GR2
GR2
GN2
GN2
PV1
MM2
MR2
0
D2
1
1
X
X
X
SR1
SR1
X
0
DAC
X
0
X
GR1
SR1
GR1
GR1
GR1
GN1
GN1
PV0
MM1
MR1
0
D1
0
1
X
X
X
SR0
SR0
VRA
VRA
ADC
X
1
X
GR0
SR0
GR0
GR0
GR0
GN0
GN0
X
MM0
MR0
0
D0
4346h
4E53h
0000h
0000h
0000h
BB80h
BB80h
0000h
X001h
000Xh
0000h
0101h
0000h
8000h
0000h
8808h
8808h
8808h
8008h
8008h
0000h
8000h
8000h
0D40h
Default
LM4546A
eral Purpose register, 20h, and is a fixed depth implementation. The 3D Control register, 22h, is therefore not programmable (read-only). The 3D Sound circuitry defaults to
disabled after reset.
GENERAL
The LM4546A codec can mix, process and convert among
analog (stereo and mono) and digital (AC Link format) inputs
and outputs. There are two stereo and four mono analog inputs and one stereo and one mono analog outputs. A single
codec supports data streaming on two input and two output
channels of the AC Link digital interface simultaneously.
ANALOG MIXING: MIX2
MIX2 combines the output of MIX1 (Stereo Mix 3D) with the
two mono analog inputs, PHONE and PC_BEEP, these each
level-adjusted by the input control registers Phone Volume
(0Ch) and PC_Beep Volume (0Ah) respectively. If selected
by the POP bit (D15, reg 20h), the DAC output is also summed
into MIX2.
ADC INPUTS AND OUTPUTS
Both stereo analog inputs and three of the mono analog inputs
can be selected for conversion by the 18-bit stereo ADC. Digital output from the left and right channel ADCs is always
located in AC Link Input Frame slots 3 and 4 respectively.
Input level to either ADC channel can be muted or adjusted
from the Record Gain register, 1Ch. Adjustments are in 1.5
dB steps over a gain range of 0 dB to +22.5 dB and both
channels mute together (D15). Input selection for the ADC is
through the Record Select Mux controlled from the Record
Select register, 1Ah, together with microphone selection controlled by the MS bit (D8) in the General Purpose register, 20h.
The stereo input, CD_IN, uses a quasi-differential 3-pin interface where both stereo channel inputs are referenced to the
third pin, CD_GND. CD_GND should be AC coupled to the
source ground and provides common-mode feedback to cancel ground noise. It is not a DC ground. The other stereo input,
LINE_IN, is a 2-pin interface, single-ended for each stereo
channel with analog ground (AVSS) as the signals' reference.
Either of the two mono microphone inputs can be muxed to a
programmable boost amplifier before selection for either
channel of the ADC. The Microphone Mux is controlled by the
Microphone Selection (MS) bit (D8) in the General Purpose
register 20h and the 20 dB programmable boost is enabled
by the 20dB bit (D6) in register 0Eh. The other selectable
mono input, coupled directly to the Record Select Mux, is
PHONE.
STEREO MIX
The output of MIX2 is the signal, Stereo Mix. Stereo Mix is
used to drive the Line output (LINE_OUT) and can also be
selected as the input to the ADC by the Record Select Mux.
In addition, the two channels of Stereo Mix are summed to
form a mono signal (Mono Mix) also selectable by the Record
Select Mux as an input to either channel of the ADC.
STEREO OUTPUT
The output volume from LINE_OUT can be muted or adjusted
by 0 dB to 45 dB in nominal 3 dB steps under the control of
the Master Volume register, 02h. As with the input volume
registers, adjustments to the levels of the two stereo channels
can be made independently but both left and right channels
share a mute bit (D15).
MONO OUTPUT
The mono output (MONO_OUT) is driven by one of two signals selected by the MIX bit (D9) in the General Purpose
register, 20h. The signal selected by default (MIX = 0) is the
mono summation of the two channels of Stereo Mix 3D, the
stereo output of the mixer MIX1. Setting the control bit MIX =
1, selects a microphone input, MIC1 or MIC2. The choice of
microphone is controlled by the Microphone Select (MS) bit
(D8) also in the General Purpose register, 20h.
ANALOG MIXING: MIX1
Three analog inputs are available for mixing at the stereo
mixer, MIX1 – both stereo and one mono, namely the microphone input selected by MS (D8, reg 20h). Digital input to the
codec can be directed to either MIX1 or to MIX2 after conversion by the 18-bit stereo DAC and level adjustment by the
PCM Out Volume control register (18h). Each input to MIX1
may be muted or level adjusted using the appropriate Mixer
Input Volume Register: Mic Volume (0Eh), Line_In Volume
(10h), CD Volume (12h) and PCM Out Volume (18h). The
mono microphone input is mixed equally into left and right
stereo channels but stereo mixing is orthogonal, i.e. left channels are only mixed with other left channels and right with
right. The left and right amplitudes of any stereo input may be
adjusted independently however mute for a stereo input acts
on both left and right channels.
ANALOG LOOPTHROUGH AND DIGITAL LOOPBACK
Analog Loopthrough refers to an all-analog signal path from
an analog input through the mixers to an analog output. Digital
Loopback refers to a mixed-mode analog and digital signal
path from an analog input through the ADC, looped-back (LPBK bit – D7, 20h) through the DAC and mixers to an analog
output.
RESETS
COLD RESET is performed when RESET# (pin 11) is pulled
low for > 1 µs. It is a complete reset. All registers and internal
circuits are reset to their default state. It is the only reset which
clears the ATE and Vendor Test Modes.
WARM RESET is performed when SYNC (pin 10) is held high
for > 1 µs and the codec AC Link digital interface is in powerdown (PR4 = 1, Powerdown Control / Status register, 26h).
It is used to clear PR4 and power up the AC Link digital interface but otherwise does not change the contents of any
registers nor reset any internal circuitry.
REGISTER RESET is performed when any value is written to
the RESET register, 00h. It resets all registers to their default
state and will modify circuit configurations accordingly but
does not reset any other internal circuits.
DAC MIXING AND 3D PROCESSING
Control of routing the DAC output to MIX1 or MIX2 is by the
POP bit (D15) in the General Purpose register, 20h. If MIX1
is selected (default, POP=0) then the DAC output is available
for processing by the National 3D Sound circuitry. If MIX2 is
selected, the DAC output will bypass the 3D processing. This
allows analog inputs to be enhanced by the analog 3D Sound
circuitry prior to mixing with digital audio. The digital audio
may then use alternative digital 3D enhancements. National
3D Sound circuitry is enabled by the 3D bit (D13) in the Gen-
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LM4546A
Functional Description
LM4546A
AC Link Serial Interface Protocol
20030804
FIGURE 3. AC Link Bidirectional Audio Frame
20030806
FIGURE 4. AC Link Output Frame
AC LINK OUTPUT FRAME:
SDATA_OUT, CONTROLLER OUTPUT TO LM4546A INPUT
The AC Link Output Frame carries control and PCM data to
the LM4546A control registers and stereo DAC. Output
Frames are carried on the SDATA_OUT signal which is an
output from the AC '97 Digital Controller and an input to the
LM4546A codec. As shown in Figure 3, Output Frames are
constructed from thirteen time slots: one Tag Slot followed by
twelve Data Slots. Each Frame consists of 256 bits with each
of the twelve Data Slots containing 20 bits. Input and Output
Frames are aligned to the same SYNC transition. Note that
since the LM4546A is a two channel codec, it only accepts
data in 4 of the twelve Data Slots – 2 for control, one each for
PCM data to the left and right channel DACs. Data Slot 3 & 4
are used to stream data to the stereo DAC for all modes selected by the Identity pins ID1#, ID0#.
A new Output Frame is signaled with a low-to-high transition
of SYNC. SYNC should be clocked from the controller on a
rising edge of BIT_CLK and, as shown in Figure 4 and Figure
5, the first tag bit in the Frame (“Valid Frame”) should be
clocked from the controller by the next rising edge of BIT_CLK
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and sampled by the LM4546A on the following falling edge.
The AC '97 Controller should always clock data to
SDATA_OUT on a rising edge of BIT_CLK and the LM4546A
always samples SDATA_OUT on the next falling edge. SYNC
is sampled with the rising edge of BIT_CLK.
The LM4546A checks each Frame to ensure 256 bits are received. If a new Frame is detected (a low-to-high transition on
SYNC) before 256 bits are received from the old Frame then
the new Frame is ignored i.e. the data on SDATA_OUT is
discarded until a valid new Frame is detected.
The LM4546A expects to receive data MSB first, in an MSB
justified format.
SDATA_OUT: Slot 0 – Tag Phase
The first bit of Slot 0 is designated the "Valid Frame" bit. If this
bit is 1, it indicates that the current Output Frame contains at
least one slot of valid data and the LM4546A will check further
tag bits for valid data in the expected Data Slots. With the
codec in Primary mode, a controller will indicate valid data in
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Bit
Description
10:2
Not Used
Controller should stuff these
slots with “0”s
Codec ID
(ID1, ID0)
The codec ID is used in a multicodec system to identify the
target Secondary codec for the
Control Register address and/or
data sent in the Output Frame
1,0
Comment
SDATA_OUT: Slot 1 – Read/Write, Control Address
Slot 1 is used by a controller to indicate both the address of
a target register in the LM4546A and whether the access operation is a register read or register write. The MSB of slot 1
(bit 19) is set to 1 to indicate that the current access operation
is 'read'. Bits 18 through 12 are used to specify the 7-bit register address of the read or write operation. The least significant twelve bits are reserved and should be stuffed with zeros
by the AC '97 controller.
SLOT 1, OUTPUT FRAME
Bits
Description
Comment
19
Read/Write
18:12
Register
Address
Identifies the Status/Command
register for read/write
11:0
Reserved
Controller should set to "0"
1 = Read
0 = Write
SDATA_OUT: Slot 2 – Control Data
Slot 2 is used to transmit 16-bit control data to the LM4546A
when the access operation is 'write'. The least significant four
bits should be stuffed with zeros by the AC '97 controller. If
the access operation is a register read, the entire slot, bits 19
through 0 should be stuffed with zeros.
20030805
SLOT 2, OUTPUT FRAME
FIGURE 5. Start of AC Link Output Frame
Bits
SLOT 0, OUTPUT FRAME
Bit
Description
Comment
15
Valid Frame
1 = Valid data in at least one
slot.
14
Control register
address
1 = Valid Control Address in
Slot 1 (Primary codec only)
13
Control register
data
1 = Valid Control Data in Slot 2
(Primary codec only)
12
Left DAC data in
Slot 3
1 = Valid PCM Data in Slot 3
(Primary & all Secondary
modes)
11
1 = Valid PCM Data in Slot 4
Right DAC data
(Primary & all Secondary
in Slot 4
modes)
Description
Comment
Control Register Controller should stuff with zeros
19:4
Write Data
if operation is “read”
3:0
Reserved
Set to "0"
SDATA_OUT: Slots 3 & 4 – PCM Playback Left/Right
Channels
Slots 3 and 4 are 20-bit fields used to transmit PCM data to
the left and right channels of the stereo DAC for all codec
Primary and Secondary modes. Any unused bits should be
stuffed with zeros. The LM4546A DACs have 18-bit resolution
and will therefore use the 18 MSBs of the 20-bit PCM data
(MSB justified).
SLOTS 3 & 4, OUTPUT FRAME
Bits
Description
Comment
Slots used to stream data to
PCM DAC Data
DACs for all Primary or
19:0
(Left /Right
Secondary modes.
Channels)
Set unused bits to "0"
SDATA_OUT: Slots 5 to 12 – Reserved
These slots are not used by the LM4546A and should all be
stuffed with zeros by the AC '97 Controller.
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LM4546A
a slot by setting the associated tag bit equal to 1. Since it is a
two channel codec the LM4546A can only receive data from
four slots in a given frame and so only checks the valid-data
bits for 4 slots. In Primary mode these tag bits are for: slot 1
(Command Address), slot 2 (Command Data), slot 3 (PCM
data for left DAC) and slot 4 (PCM data for right DAC).
The last two bits in the Tag contain the Codec ID used to select the target codec to receive the frame in multiple codec
systems. When the frame is being sent to a codec in one of
the Secondary modes the controller does not use bits 14 and
13 to indicate valid Command Address and Data in slots 1
and 2. Instead, this role is performed by the Codec ID bits –
operation of the Extended AC Link assumes that the controller
would not access a secondary codec unless it was providing
valid Command Address and/or Data. When in one of the
secondary modes the LM4546A only checks the tag bits for
the Codec ID and for valid data in the two audio data slots 3
& 4.
When sending an Output Frame to a Secondary mode codec,
a controller should set tag bits 14 and 13 to zero.
LM4546A
20030808
FIGURE 6. AC Link Input Frame
AC LINK INPUT FRAME:
SDATA_IN, CONTROLLER INPUT FROM LM4546A OUTPUT
The AC Link Input Frame contains status and PCM data from
the LM4546A control registers and stereo ADC. Input Frames
are carried on the SDATA_IN signal which is an input to the
AC '97 Digital Audio Controller and an output from the
LM4546A codec. As shown in Figure 3, Input Frames are
constructed from thirteen time slots: one Tag Slot followed by
twelve Data Slots. The Tag Slot, Slot 0, contains 16 bits of
which 5 are used by the LM4546A. One is used to indicate
that the AC Link interface is fully operational and the other 4
to indicate the validity of the data in the four of the twelve
following Data Slots that are used by the LM4546A. Each
Frame consists of 256 bits with each of the twelve data slots
containing 20 bits.
A new Input Frame is signaled with a low-to-high transition of
SYNC. SYNC should be clocked from the controller on a rising
edge of BIT_CLK and, as shown in Figure 6 and Figure 7, the
first tag bit in the Frame (“Codec Ready”) is clocked from the
LM4546A by the next rising edge of BIT_CLK. The LM4546A
always clocks data to SDATA_IN on a rising edge of BIT_CLK
and the controller is expected to sample SDATA_IN on the
next falling edge. The LM4546A samples SYNC on the rising
edge of BIT_CLK.
Input and Output Frames are aligned to the same SYNC transition.
The LM4546A checks each Frame to ensure 256 bits are received. If a new Frame is detected (a low-to-high transition on
SYNC) before 256 bits are received from an old Frame then
the new Frame is ignored i.e. no valid data is sent on
SDATA_IN until a valid new Frame is detected.
The LM4546A transmits data MSB first, in a MSB justified
format. All reserved bits and slots are stuffed with "0"s by the
LM4546A.
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20030807
FIGURE 7. Start of AC Link Input Frame
SDATA_IN: Slot 0 – Codec/Slot Status Bits
The first bit (bit 15, “Codec Ready”) of slot 0 in the AC Link
Input Frame indicates when the codec's AC Link digital interface and its status/control registers are fully operational. The
digital controller is then able to read the LSBs from the Powerdown Control/Stat register (26h) to determine the status of
the four main analog subsections. It is important to check the
status of these subsections after Initialization, Cold Reset or
the use of the powerdown modes in order to minimize the risk
of distorting analog signals passed before the subsections are
ready.
The 4 bits 14, 13, 12 and 11 indicate that the data in slots 1,
2, 3 and 4, respectively, are valid.
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Description
Comment
15
Codec Ready
Bit
1 = AC Link Interface Ready
14
Slot 1 data valid
1 = Valid Status Address or
Slot Request
13
Slot 2 data valid
1 = Valid Status Data
12
Slot 3 data valid
1 = Valid PCM Data
(Left ADC)
11
Slot 4 data valid
1 = Valid PCM Data
(Right ADC)
SDATA_IN: Slot 1 – Status Address / Slot Request Bits
This slot echoes (in bits 18 – 12) the 7-bit address of the codec
control/status register received from the controller as part of
a read-request in the previous frame. If no read-request was
received, the codec stuffs these bits with zeros.
Bits 11, 10 are Slot Request bits that support the Variable
Rate Audio (VRA) capabilities of the LM4546A. For all codec
Primary and Secondary modes, the left and right channels of
the DAC take PCM data from slots 3 and 4 in the Output
Frame respectively. The codec will therefore use bits 11 and
10 to request DAC data from these two slots. If bits 11 and 10
are set to 0, the controller should respond with valid PCM data
in slots 3 and 4 of the next Output Frame. If bits 11 and 10
are set to 1, the controller should not send data.
The codec has full control of the slot request bits. By default,
data is requested in every frame, corresponding to a sample
rate equal to the frame rate (SYNC frequency) – 48 kHz when
XTAL_IN = 24.576 MHz. To send samples at a rate below the
frame rate, a controller should set VRA = 1 (bit 0 in the Extended Audio Control/Status register, 2Ah) and program the
desired rate into the PCM DAC Rate register, 2Ch. Both DAC
channels operate at the same sample rate. Values for common sample rates are given in the Register Description section (Sample Rate Control Registers, 2Ch, 32h) but any rate
between 4 kHz and 48 kHz (to a resolution of 1 Hz) is supported. Slot Requests from the LM4546A are issued completely deterministically. For example if a sample rate of 8000
Hz is programmed into 2Ch then the LM4546A will always
issue a slot request in every sixth frame. A frequency of 9600
Hz will result in a request every fifth frame while a frequency
of 8800 Hz will cause slot requests to be spaced alternately
five and six frames apart. This determinism makes it easy to
plan task scheduling on a system controller and simplifies
application software development.
The LM4546A will ignore data in Output Frame slots that do
not follow an Input Frame with a Slot Request. For example,
if the LM4546A is expecting data at a 8000 Hz rate yet the AC
'97 Digital Audio Controller continues to send data at 48000
Hz, then only those one-in-six audio samples that follow a Slot
Request will be used by the DAC. The rest will be discarded.
Bits 9 – 2 are request bits for slots not used by the LM4546A
and are stuffed with zeros. Bits 1 and 0 are reserved and are
also stuffed with zeros.
Description
19
Reserved
18:12
Description
Comment
11
Slot 3 Request
bit
(For left DAC
PCM data)
0 = Controller should send
valid data in Slot 3 of the
next Output Frame.
1 = Controller should not send
Slot 3 data.
10
Slot 4 Request
bit
(For right DAC
PCM data)
0 = Controller should send
valid data in Slot 4 of the
next Output Frame.
1 = Controller should not send
Slot 4 data.
9:2
Unused Slot
Request bits
Stuffed with "0"s by LM4546A
1,0
Reserved
Stuffed with "0"s by LM4546A
SDATA_IN: Slot 2 – Status Data
This slot returns 16-bit status data read from a codec control/
status register. The codec sends the data in the frame following a read-request by the controller (bit 15, slot 1 of the Output
Frame). If no read-request was made in the previous frame
the codec will stuff this slot with zeros.
SLOT 2, INPUT FRAME
Bits
Description
Comment
19:4
Status Data
Data read from a codec control/
status register.
Stuffed with “0”s if no readrequest in previous frame.
3:0
Reserved
Stuffed with "0"s by LM4546A
SDATA_IN: Slot 3 – PCM Record Left Channel
This slot contains sampled data from the left channel of the
stereo ADC. The signal to be digitized is selected using the
Record Select register (1Ah) and subsequently routed
through the Record Select Mux and the Record Gain amplifier
to the ADC.
This is a 20-bit slot and the digitized 18-bit PCM data is transmitted in an MSB justified format. The remaining 2 LSBs are
stuffed with zeros.
SLOT 3, INPUT FRAME
Bits
Description
Comment
PCM Record
Left Channel
data
18-bit PCM sample from left ADC
19:2
1:0
Reserved
Stuffed with "0"s by LM4546A
SDATA_IN: Slot 4 – PCM Record Right Channel
This slot contains sampled data from the right channel of the
stereo ADC. The signal to be digitized is selected using the
Record Select register (1Ah) and subsequently routed
through the Record Select Mux and the Record Gain amplifier
to the ADC.
This is a 20-bit slot and the digitized 18-bit PCM data is transmitted in an MSB justified format. The remaining 2 LSBs are
stuffed with zeros.
SLOT 1, INPUT FRAME
Bits
Bits
Comment
Stuffed with "0" by LM4546A
Status Register Echo of the requested Status
Index
Register address
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LM4546A
SLOT 0, INPUT FRAME
Bit
LM4546A
SLOT 4, INPUT FRAME
Bits
19:2
1:0
Description
SDATA_IN: Slots 5 to 12 – Reserved
Slots 5 – 12 of the AC Link Input Frame are not used for data
by the LM4546A and are always stuffed with zeros.
Comment
PCM Record 18-bit PCM audio sample from
Right Channel right ADC
data
Reserved
Stuffed with "0"s by LM4546A
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Default settings are indicated by *.
RESET REGISTER (00h)
Writing any value to this register causes a Register Reset
which changes all registers back to their default values. If a
read is performed on this register, the LM4546A will return a
value of 0D40h. This value can be interpreted in accordance
with the AC '97 specification to indicate that National 3D
Sound is implemented and 18-bit data is supported for both
the ADCs and DACs.
Mx4:Mx0
Gx4:Gx0
0
0 0000
+12dB gain
0
0 1000
0dB gain
0
1 1111
34.5dB attenuation
1
X XXXX
*mute
Default:
Function
8008h (mono registers)
8808h (stereo registers)
RECORD SELECT REGISTER (1Ah)
This register independently controls the sources for the right
and left channels of the stereo ADC. The default value of
0000h corresponds to selecting the (mono) Mic input for both
channels.
MASTER VOLUME REGISTER (02h)
This output register allows the output level from either channel
of the stereo LINE_OUT to be muted or attenuated over the
range 0 dB – 46.5 dB in nominal 1.5 dB steps. There are 5
bits of volume control for each channel and both stereo channels can be individually attenuated. The mute bit (D15) acts
simultaneously on both stereo channels of LINE_OUT.
Mute
Mute
SL2:SL0
Function
Source for Left Channel ADC
0
*Mic input
1
CD input (L)
VIDEO input (L)
0
0 0000
0dB attenuation
2
0
1 1111
46.5dB attenuation
3
AUX input (L)
*mute
4
LINE_IN input (L)
5
Stereo Mix (L)
6
Mono Mix
7
PHONE input
1
X XXXX
Default: 8000h
MONO VOLUME REGISTER (06h)
This output register allows the level from MONO_OUT to be
muted or attenuated over the range 0 dB – 46.5 dB in nominal
1.5 dB steps. There are 5 bits of volume control and one mute
bit (D15).
SR2:SR0
Function
Source for Right Channel ADC
0
*Mic input
1
CD input (R)
2
VIDEO input (R)
Mute
MM4:MM0
0
0 0000
0dB attenuation
3
AUX input (R)
0
1 1111
46.5dB attenuation
4
LINE_IN input (R)
1
X XXXX
*mute
5
Stereo Mix (R)
6
Mono Mix
7
PHONE input
Default: 8000h
PC BEEP VOLUME REGISTER (0Ah)
This input register adjusts the level of the mono PC_BEEP
input to the stereo mixer MIX2 where it is summed equally into
both channels of the Stereo Mix signal. PC_BEEP can be both
muted and attenuated over a range of 0 dB to 45 dB in nominal
3 dB steps. Note that the default setting for the PC_Beep Volume register is 0 dB attenuation rather than mute.
Mute
PV3:PV0
0
0000
*0dB attenuation
0
1111
45dB attenuation
1
XXXX
mute
Default: 0000h
RECORD GAIN REGISTER (1Ch)
This register controls the input levels for both channels of the
stereo ADC. The inputs come from the Record Select Mux
and are selected via the Record Select Control register, 1Ah.
The gain of each channel can be individually programmed
from 0dB to +22.5dB in 1.5dB steps. Both channels can also
be muted by setting the MSB to 1.
Function
Record Gain Register (1Ch)
Default: 0000h
MIXER INPUT VOLUME REGISTERS (Index 0Ch - 18h)
These input registers adjust the volume levels into the stereo
mixers MIX1 and MIX2. Each channel may be adjusted over
a range of +12dB gain to 34.5dB attenuation in 1.5dB steps.
For stereo ports, volumes of the left and right channels can
be independently adjusted. Muting a given port is accomplished by setting the MSB to 1. Setting the MSB to 1 for
stereo ports mutes both the left and right channel. The Mic
Volume register (0Eh) controls an additional 20dB boost for
the selected microphone input by setting the 20dB bit (D6).
Mute
Gx3:Gx0
0
1111
22.5dB gain
0
0000
0dB gain
1
XXXX
*mute
Default: 8000h
GENERAL PURPOSE REGISTER (20h)
This register controls many miscellaneous functions implemented on the LM4546A. The miscellaneous control bits
include POP which allows the DAC output to bypass the National 3D Sound circuitry, 3D which enables or disables the
National 3D Sound circuitry, MIX which selects the
MONO_OUT source, MS which controls the Microphone Se21
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Function
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www.national.com
LM4546A
Register Descriptions
LM4546A
lection mux and LPBK which connects the output of the stereo
ADC to the input of the stereo DAC. LPBK provides a mixedmode analog and digital loopback path between analog inputs
and analog outputs.
BIT
POP
3D
MIX
MS
LPBK
Function
PCM Out Path:
National 3D Sound:
*0 = 3D allowed
1 = 3D bypassed
*0 = off
1 = on
BIT#
BIT
Function: Status
0
ADC
1 = ADC section ready to
transmit data
1
DAC
1 = DAC section ready to accept
data
2
ANL
1 = Analog mixers ready
3
REF
1 = VREF is up to nominal level
BIT#
BIT
Function: Powerdown
Mono output select:
*0 = Mix
1 = Mic
8
PR0
1 = Powerdown ADCs and
Record Select Mux
Mic select:
*0 = MIC1
1 = MIC2
9
PR1
1 = Powerdown DACs
10
PR2
*0 = No Loopback
1 = Loopback
1 = Powerdown Analog Mixer
(VREF still on)
11
PR3
1 = Powerdown Analog Mixer
(VREF off)
12
PR4
1 = Powerdown AC Link digital
interface (BIT_CLK off)
13
PR5
14
PR6
Not Used
15
PR7
Not Used
ADC/DAC Loopback:
Default: 0000h
3D CONTROL REGISTER (22h)
This read-only (0101h) register indicates, in accordance with
the AC '97 Rev 2.1 Specification, the fixed depth and center
characteristics of the National 3D Sound stereo enhancement.
POWERDOWN CONTROL / STATUS REGISTER (26h)
This read/write register is used both to monitor subsystem
readiness and also to program the LM4546A powerdown
states. The 4 LSBs indicate status and 6 of the 8 MSBs control
powerdown.
The 4 LSBs of this register indicate the status of the 4 audio
subsections of the codec: Reference voltage, Analog mixers
and amplifiers, DAC section, ADC section. When the "Codec
Ready" indicator bit in the AC Link Input Frame (SDATA_IN:
slot 0, bit 15) is a "1", it indicates that the AC Link and AC '97
registers are in a fully operational state and that control and
status information can be transferred. It does not indicate that
the codec is ready to send or receive audio PCM data or to
pass signals through the analog I/O and mixers. To determine
that readiness, the Controller must check that the 4 LSBs of
this register are set to “1” indicating that the appropriate audio
subsections are ready.
The powerdown bits PR0 – PR5 control internal subsections
of the codec. They are implemented in compliance with AC
'97 Rev 2 to support the standard device power management
states D0 – D3 as defined in the ACPI and PCI Bus Power
Management specification.
PR0 controls the powerdown state of the ADC and associated
sampling rate conversion circuitry. PR1 controls powerdown
for the DAC and the DAC sampling rate conversion circuitry.
PR2 powers down the mixer circuits (MIX1, MIX2, National
3D Sound, Mono Out, Line Out). PR3 powers down VREF in
addition to all the same mixer circuits as PR2. PR4 powers
down the AC Link digital interface – see Figure 8 for signal
powerdown timing. PR5 disables internal clocks. PR6 and
PR7 are not used.
1 = Disable Internal Clock
Default: 000Xh
EXTENDED AUDIO ID REGISTER (28h)
This read-only register identifies which AC '97 Extended Audio features are supported. The LM4546A features VRA
(Variable Rate Audio) and ID1, ID0 (Multiple Codec support).
VRA is indicated by a "1" in bit 0. The two MSBs, ID1 and ID0,
show the current Codec Identity as defined by the Identity pins
ID1#, ID0# (pins 46 and 45). Note that the external logic connections to ID1#, ID0# (pins 46 and 45) are inverse in polarity
to the value of the Codec Identity (ID1, ID0) held in bits D15,
D14. Codec mode selections are shown in the table below.
Pin 46
(ID1#)
Pin 45
(ID0#)
D15,28h D14,28h Codec Identity
(ID1)
(ID0)
Mode
NC/DVDD NC/DVDD
0
0
Primary
NC/DVDD
GND
0
1
Secondary 1
GND
NC/DVDD
1
0
Secondary 2
GND
GND
1
1
Secondary 3
EXTENDED AUDIO STATUS/CONTROL REGISTER (2Ah)
This read/write register provides status and control of the
variable sample rate capabilities in the LM4546A. Setting the
LSB of this register to "1" enables Variable Rate Audio (VRA)
mode and allows DAC and ADC sample rates to be programmed via registers 2Ch and 32h respectively.
BIT
VRA
Function
*0 = VRA off (Frame-rate sampling)
1 = VRA on
Default: 0000h
SAMPLE RATE CONTROL REGISTERS (2Ch, 32h)
These read/write registers are used to set the sample rate for
the left and right channels of the DAC (PCM DAC Rate, 2Ch)
and the ADC (PCM ADC Rate, 32h). When Variable Rate
Audio is enabled via bit 0 of the Extended Audio Control/Status register (2Ah), the sample rates can be programmed, in 1
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22
200308 Version 5 Revision 1
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designation. The first 24 bits (4Eh, 53h, 43h) represent the
three ASCII characters “NSC” which is National's Vendor ID
for Microsoft's Plug and Play. The last 8 bits are the two binary
coded decimal characters, 4, 6 and identify the codec to be
an LM4546A.
Common Sample Rates
SR15:SR0
RESERVED REGISTERS
Do not write to reserved registers. In particular, do not write
to registers 24h, 5Ah, 74h and 7Ah. All registers not listed in
the LM4546A Register Map are reserved. Reserved Registers will return 0000h if read.
Sample Rate (Hz)
1F40h
8000
2B11h
11025
3E80h
16000
5622h
22050
AC44h
44100
*BB80h
*48000
VENDOR ID REGISTERS (7Ch – 7Eh)
These two read-only (4E53h, 4350h) registers contain
National's Vendor ID and National's LM45xx codec version
register (26h) must be polled to confirm readiness. In particular the startup time of the VREF circuitry depends on the value
of the decoupling capacitors on pin 27 (3.3 µF, 0.1 µF in parallel is recommended) and this dependency is behind the
requirement for both PR2 and PR3 functionality in AC '97 Rev
2.
When the AC Link Digital Interface is powered down the
codec output signals SDATA_IN and BIT_CLK (Primary
mode) are cleared to zero and no control data can be passed
between controller and codec(s). This powerdown state can
be cleared in two ways: Cold Reset (RESET# = 0) or Warm
Reset (SYNC = 1, no BIT_CLK). Cold Reset sets all registers
back to their default values (including clearing PR4) whereas
Warm Reset only clears the PR4 bit and restarts the AC Link
Digital Interface leaving all register contents otherwise unaffected. For Warm Reset (see Timing Diagrams), the SYNC
input is used asynchronously. The LM4546A codec allows the
AC Link digital interface powerdown state to be cleared immediately so that its duration can be essentially as short as
TSH, the Warm Reset pulse width. However for conformance
with AC '97 Rev 2, Warm Reset should not be applied within
4 frame times of powerdown i.e. the AC Link powerdown state
should be allowed to last at least 82.8 µs.
Low Power Modes
The LM4546A provides 6 bits to control the powerdown state
of internal analog and digital subsections and clocks. These
6 bits (PR0 – PR5) are located in the 8 MSBs of the Powerdown Control/Status register, 26h. The status of the four main
analog subsections is given by the 4 LSBs in the same register, 26h.
The powerdown bits are implemented in compliance with AC
'97 Rev 2 to support the standard device power management
states D0 – D3 as defined in the ACPI and PCI Bus Power
Management specification.
PR0 controls the powerdown state of the ADC and associated
sampling rate conversion circuitry. PR1 controls powerdown
for the DAC and the DAC sampling rate conversion circuitry.
PR2 powers down the mixer circuits (MIX1, MIX2, National
3D Sound, Mono Out, Line Out). PR3 powers down VREF in
addition to all the same mixer circuits as PR2. PR4 powers
down the AC Link Digital Interface – see Figure 8 for signal
powerdown timing. PR5 disables internal clocks but leaves
the crystal oscillator and BIT_CLK running (needed for minimum Primary mode powerdown dissipation in multi-codec
systems). PR6 and PR7 are not used.
After a subsection has undergone a powerdown cycle, the
appropriate status bit(s) in the Powerdown Control/Status
20030809
FIGURE 8. AC Link Powerdown Timing
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www.national.com
LM4546A
Hz increments, to be any value from 4 kHz to 48 kHz. The
value required is the hexadecimal representation of the desired sample rate, e.g. 800010 = 1F40h. Below is a list of the
most common sample rates and the corresponding register
(hex) values.
LM4546A
Output Frames for Command/Status register access. For a
timing source, a Primary codec divides down by 2 the frequency of the signal on XTAL_IN and also generates this as
the BIT_CLK output for the use of the controller and any Secondary codecs. Secondary codecs use BIT_CLK as an input
and as their timing source and do not use XTAL_IN or
XTAL_OUT. The use of Tag Bits is described below.
Improving System Performance
The audio codec is capable of dynamic range performance in
excess of 90 db., but the user must pay careful attention to
several factors to achieve this. A primary consideration is
keeping analog and digital grounds separate, and connecting
them together in only one place. Some designers show the
connection as a zero ohm resistor, which allows naming the
nets separately. Although it is possible to use a two layer
board, it is recommended that a minimum of four layers be
used, with the two inside layers being analog ground and digital ground. If EMI is a system consideration, then as many as
eight layers have been successfully used. The 12 and 25
MHz. clocks can have significant harmonic content depending on the rise and fall times. With the exception of the digital
VDD pins, (covered later) bypass capacitors should be very
close to the package. The analog VDD pins should be supplied from a separate regulator to reduce noise. By operating
the digital portion on 3.3V instead of 5V, an additional 0.5-0.7
db improvement can be obtained.
Depending on power supply layout, routing, and capacitor
ESR, a device instability can occur, resulting in increased
noise on the outputs. This can be eliminated by adding an
inductor in the digital supply line between the supply bypass
capacitors and the DVDD pins, which increases the high frequency impedance of the supply as seen by the part. This
“current starving” technique slows down internal rise and fall
times, which will improve the signal to noise ratio, especially
at low temperatures. In addition, the EMI radiated from the
board is also reduced.
SECONDARY CODEC REGISTER ACCESS
For Secondary Codec access, the controller must set the tag
bits for Command Address and Data in the Output Frame as
invalid (i.e. equal to 0). The Command Address and Data tag
bits are in slot 0, bits 14 and 13 and Output Frames are those
in the SDATA_OUT signal from controller to codec. The controller must also place the non-zero value (01, 10, or 11)
corresponding to the Identity (ID1, ID0) of the target Secondary Codec into the Codec ID field (slot 0, bits 1 and 0) in
that same Output Frame. The value set in the Codec ID field
determines which of the three possible Secondary Codecs is
accessed. Unlike a Primary Codec, a Secondary Codec will
disregard the Command Address and Data tag bits when
there is a match between the 2-bit Codec ID value (slot 0, bits
1 and 0) and the Codec Identity (ID1, ID0). Instead it uses the
Codec-ID/Identity match to indicate that the Command Address in slot 1 and (if a “write”) the Command Data in slot 2
are valid.
When reading from a Secondary Codec, the controller must
send the correct Codec ID bits (i.e. the target Codec Identity
in slot 0, bits 1 and 0) along with the read-request bit (slot 1,
bit 19) and target register address (slot 1, bits 18 – 12). To
write to a Secondary Codec, a controller must send the correct Codec ID bits when slot 1 contains a valid target register
address and “write” indicator bit and slot 2 contains valid target register data. A write operation is only valid if the register
address and data are both valid and sent within the same
frame. When accessing the Primary Codec, the Codec ID bits
are cleared and the tag bits 14 and 13 resume their role indicating the validity of Command Address and Data in slots 1
and 2.
The use of the tag bits in Input Frames (carried by the
SDATA_IN signal) is the same for Primary and Secondary
Codecs.
The Codec Identity is determined by the inverting input pins
ID1#, ID0# (pins 46 and 45) and can be read as the value of
the ID1, ID0 bits (D15, D14) in the Extended Audio ID register,
28h of the target codec.
Slots in the AC Link Output Frame are always mapped to carry
data to the left DAC channel in slot 3 and data to the right DAC
channel in slot 4. Similarly, slots in AC Link Input Frames are
always mapped such that PCM data from the left ADC channel is carried by slot 3 and PCM data from the right ADC
channel by slot 4. Output Frames are those carried by the
SDATA_OUT signal from the controller to the codec while Input Frames are those carried by the SDATA_IN signal from
the codec to the controller.
Multiple Codecs
EXTENDED AC LINK
Up to four codecs can be supported on the extended AC Link.
These multiple codec implementations should run off a common BIT_CLK generated by the Primary Codec. All codecs
share the AC '97 Digital Controller output signals, SYNC,
SDATA_OUT, and RESET#. Each codec, however, supplies
its own SDATA_IN signal back to the controller, with the result
that the controller requires one dedicated input pin per codec
(Figure 9).
By definition there can be one Primary Codec and up to three
Secondary Codecs on an extended AC Link. The Primary
Codec has a Codec Identity = (ID1, ID0) = ID = 00 while Secondary Codecs take identities equal to 01, 10 or 11. The
Codec Identity is used as a chip select function. This allows
the Command and Status registers in any of the codecs to be
individually addressed although the access mechanism for
Secondary Codecs differs slightly from that for a Primary.
The Identity control pins, ID1#, ID0# (pins 46 and 45) are internally pulled up to DVDD. The Codec may therefore be
configured as 'Primary' either by leaving ID1#, ID0# open
(NC) or by strapping them externally to DVDD (Digital Supply).
The difference between Primary and Secondary codec
modes is in their timing source and in the Tag Bit handling in
SLOT 0: TAG bits in Output Frames (controller to codec)
Bit 15
14
Valid Slot 1
Frame Valid
13
12
11
Slot 2 Slot 3 Slot 4
Valid Valid Valid
10
9
8
7
6
5
4
3
2
1
0
X
X
X
X
X
X
X
X
X
ID1
ID0
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24
200308 Version 5 Revision 1
Print Date/Time: 2009/07/15 15:26:52
Reg
Name
28h
Extended
Audio ID
D15 D14 D13 D12 D11 D10
ID1
ID0
X
X
X
X
D9
D8
D7
D6
D5
D4
D3
D2
D1
D0
Default
X
X
X
X
X
X
X
X
X
VRA
X001h
20030823
FIGURE 9. Multiple Codecs using Extended AC Link
face for controller testing. ATE test mode timing parameters
are given in the Electrical Characteristics table. The Vendor
test mode is entered if SYNC is sampled high by the zero-toone transition of RESET#. Neither of these entry conditions
can occur in normal AC Link operation but care must be taken
to avoid mistaken activation of the test modes when using non
standard controllers.
Test Modes
AC '97 Rev 2 defines two test modes: ATE test mode and
Vendor test mode. Cold Reset is the only way to exit either of
them. The ATE test mode is activated if SDATA_OUT is sampled high by the trailing edge (zero-to-one transition) of RESET#. In ATE test mode the codec AC Link outputs
SDATA_IN and BIT_CLK are then configured to a high
impedance state to allow tester control of the AC Link inter-
25
200308 Version 5 Revision 1
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www.national.com
LM4546A
Extended Audio ID register (28h): Support for Multiple Codecs
LM4546A
Physical Dimensions inches (millimeters) unless otherwise noted
48-Lead , LQFP, 7 X 7 X 1.4mm, JEDEC (M)
Order Number LM4546AVH
NS Package Number VBH48A
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200308 Version 5 Revision 1
Print Date/Time: 2009/07/15 15:26:52
LM4546A
Notes
27
200308 Version 5 Revision 1
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LM4546A AC '97 Rev 2 Multi-Channel Audio Codec with Sample Rate Conversion and National
3D Sound
Notes
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