a ® Decoder 5.1-Channel Soundfield Generator SSM2005 PIN CONFIGURATIONS FEATURES Generates 5.1-Channel Soundfield from All Stereo Sources No Pre-Encoding Required Excellent Decoding of Pre-Encoded Sources 4- or 5-Speaker Operation Subwoofer Output Full Bandwidth on All Channels Optimized Modes for Video and Music Excellent Surround Image at All Positions Independent Left and Right Surround Steering No Surround Channel Delay Required Built-In White Noise Generator 48-Lead SSOP (RS Suffix) R FILTER IN 1 48 CENTER OUT R FILTER OUT 2 47 LF OUT L FILTER IN 3 46 RF OUT L FILTER OUT 4 45 LS OUT L OUT 5 44 RS OUT L OUT A 6 43 NOISE IN L IN 7 42 NOISE OUT R OUT 8 41 LOAD R OUT A 9 40 RESET R IN 10 39 DATA IN VEE 11 38 VCC ACOM AUDIO GND 12 37 ACOM AUDIO GND GND 13 TOP VIEW 36 (Not to Scale) VCC 14 35 VEE (L+R) OUT 15 34 WRITE (L–R) OUT 16 33 CLOCK IN (L–R) HIGH IN 17 32 FRONT/REAR TC FILTER (L–R) LOW IN 18 31 LOW BAND TC FILTER R HIGH BAND DET. 19 30 HIGH BAND TC FILTER L HIGH BAND DET. 20 29 FRONT/REAR DET. HIGH BAND DET. OUT 21 28 FRONT/REAR (L–R) DET. R LOW BAND DET. 22 27 FRONT/REAR (L+R) DET. L LOW BAND DET. 23 26 AUTOBALANCE LOCKOUT LOW BAND DET. OUT 24 25 AUTOBALANCE TC APPLICATIONS Home Theater Receivers VCD/DVD Players Auto Sound Receivers and Amplifiers Surround Sound Decoders Karaoke Computer Audio Boards Video Games GENERAL DESCRIPTION The SSM2005 Circle Surround® decoder produces true 5.1-channel surround soundfield from any stereo source, including VCD, DVD, VCR, CD and FM stereo broadcasts. The SSM2005 is also compatible with encoded sources, such as Dolby ProLogic® and Circle Surround encoded movies and music. External delays and noise reduction processors are not required for the surround channels. Circle Surround encoded stereo signals will produce a full 360º soundfield when played through the SSM2005. Recording engineers can encode sounds to any of the five speakers surrounding the listener. Left Front, Right Front, Center, and differentiated Left and Right surround channels are generated, providing a realistic ambiance effect with either 4- or 5-speaker configurations. SSM2005 GND INPUTS OUTPUTS LEFT LEFT RIGHT ANALOG SIGNAL PROCESSING RIGHT STEERING MATRIX AND OUTPUT AMPLIFIERS CENTER LEFT SURROUND RIGHT SURROUND L+R FOR SUBWOOFER MODE CONTROL LOGIC AND NOISE GENERATOR RESET The SSM2005 is available from Analog Devices, subject to the License and Royalty requirements as described on the following page of the data sheet. STEERING CONTROL GENERATOR SERIAL BUS Figure 1. Simplified Block Diagram and are registered trademarks of SRS Labs, Inc. and ValenceTechnology Ltd. Circle Surround is a registered trademark of SRS Labs, Inc. and Valence Technology Ltd. Dolby ProLogic is a registered trademark of Dolby Laboratories Licensing Corporation, San Francisco, California. Circle Surround technology is protected under one or more of the following U.S. Patents and corresponding patents worldwide: 5,319,713; 5,333,201; 5,638,452; 5,771,295. REV. 0 Information furnished by Analog Devices is believed to be accurate and reliable. However, no responsibility is assumed by Analog Devices for its use, nor for any infringements of patents or other rights of third parties which may result from its use. No license is granted by implication or otherwise under any patent or patent rights of Analog Devices. One Technology Way, P.O. Box 9106, Norwood, MA 02062-9106, U.S.A. Tel: 781/329-4700 World Wide Web Site: http://www.analog.com Fax: 781/326-8703 © Analog Devices, Inc., 1999 SSM2005–SPECIFICATIONS ELECTRICAL CHARACTERISTICS (VS = ±6.0 V, TA = ⴙ25ⴗC, f = 2 kHz, Modes: Video, 5-2-5, Center On, Sound Spread Off, Autobalance Off, Noise Off) Parameter Symbol Conditions INPUT CHARACTERISTICS␣ Level1 Input Impedance VL, VR ZIN ZSOURCE < 10 Ω L and R Inputs 0 10 dBd kΩ LT = 0 dBd, RT = Off RT = 0 dBd, LT = Off LT = RT = 0 dBd, In Phase, Video Mode LT = RT = 0 dBd, Out of Phase 0 0 dBd dBd +6 +3 dBd dBd LT = RT, In Phase, Video Mode LT = RT, Out of Phase LT = RT, Out of Phase LT = RT, Out of Phase 30 40 30 30 10 dBd dBd dBd dBd Ω All Channels Noise Floor to 1% THD All Channels 0.04 88 100 12 % dB dB dB Noise Mode On, A-Weighted All Channels –10 0.5 | VH | – |VL| VL = VR > –10 dBd, |VLEFT – VRIGHT | < 3 dB ±4 dB 5 s OUTPUT CHARACTERISTICS Level Left Front Right Front Center Left Rear, Right Rear Channel Separation Left Front and Right Front / Center Left Rear and Right Rear / Center Left Rear, Left Front Left Rear, Right Rear Output Impedance DYNAMIC PERFORMANCE␣ Total Harmonic Distortion + Noise Signal-to-Noise Ratio Dynamic Range, Output Headroom ZOUT THD+N SNR DR HR NOISE GENERATOR␣ Output Level2 Matching AUTOBALANCE Capture Range Capture Time CONTROL LOGIC␣ Logic Thresholds High (1) Low (0) Input Current Timing Characteristics POWER SUPPLIES␣ Operating Voltage Range3 Current Min Typ Max 1.5 Units dBd dB Logic Levels Referenced to ACOM 2.4 0.8 V V µA +12 ±6 30 V V mA 1 See Timing Diagrams VS +VS , –VS IS Single Supply Dual Supply VL = VR = ACOM, VS = 12 V +10 ±5 18 NOTES 1 0 dBd = 300 mV rms. 2 With filter shown in Figure 8. 3 Specifications apply for V S = ± 6 V. Specifications subject to change without notice. LICENSING INFORMATION The CIRCLE SURROUND® TECHNOLOGY rights incorporated in the SSM2005 are owned by SRS Labs, Inc. and by Valence Technology Ltd., and licensed to Analog Devices, Inc. Users of any SSM2005 Circle Surround decoder must first sign a free use license to purchase OEM quantities for consumer electronics applications which may be granted upon submission of a preproduction sample to, and the satisfactory passing of performance verification tests performed by SRS Labs, Inc. or Valence Technology Ltd. SRS Labs, Inc. and Valence Technology Ltd. reserve the right to decline a use license for any submission that does not pass performance specifications or is not in the consumer electronics classification. All equipment manufactured using any SSM2005 Circle Surround decoder must carry the Circle Surround logo on the front panel in a manner approved in writing by SRS Labs, Inc. or Valence Technology Ltd. If the Circle Surround logo is printed in users manuals, service manuals or advertisements, it must appear in a form approved in writing by SRS Labs, Inc. or Valence Technology Ltd. The rear panel of Circle Surround products, users manuals, service manuals, and all advertisements must all carry the Circle Surround legend as specified in the Circle Surround trademark manual published by SRS Labs, Inc. and Valence Technology Ltd. –2– REV. 0 SSM2005 ABSOLUTE MAXIMUM RATINGS* Supply Voltage, VS . . . . . . . . . . . . . . . . . . . . . . ±8 V or +16 V Logic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VS Storage Temperature Range . . . . . . . . . . . . –65°C to +150°C Operating Temperature Range . . . . . . . . . . . –20°C to +70°C Junction Temperature Range . . . . . . . . . . . . . . . . . . . .+150°C Lead Temperature Range (Soldering, 60 sec) . . . . . . . +300°C Package Type JA1 JC Units 48-Lead SSOP (RS) 100 50 °C/W NOTE 1 θ JA is specified for worst case conditions. *Stresses above those listed under Absolute Maximum Ratings may cause permanent damage to the device. This is a stress rating only; functional operation of the device at these or any other conditions above those listed in the operational sections of this specification is not implied. Exposure to absolute maximum rating conditions for extended periods may affect device reliability. ORDERING GUIDE Model Temperature Range Package Description Package Option SSM2005RS-Reel –20°C to +70°C 48-Lead SSOP RS-48 CAUTION ESD (electrostatic discharge) sensitive device. Electrostatic charges as high as 4000 V readily accumulate on the human body and test equipment and can discharge without detection. Although the SSM2005 features proprietary ESD protection circuitry, permanent damage may occur on devices subjected to high energy electrostatic discharges. Therefore, proper ESD precautions are recommended to avoid performance degradation or loss of functionality. REV. 0 –3– WARNING! ESD SENSITIVE DEVICE SSM2005 –Typical Performance Characteristics 10 10 VSY = ±6V VIN = 300mV rms RL = 100kV VSY = ±6V VIN = 1kHz RL = 100kV 0dBr = 300mV rms 1 THD + N – % THD + N – % 1 0.1 LF, RF OUT 0.1 CENTER OUT LF, RF OUT 0.01 20 100 1k FREQUENCY – Hz CENTER OUT 10k 0.01 235 20k Figure 2. THD + N vs. Frequency; Front Channels 225 215 25 AMPLITUDE – dBr A 5 15 Figure 4. THD + N vs. Amplitude; Front Channels 10 10 VSY = ±6V LT = RT = 1kHz; OUT OF PHASE RL = 100kV 0dBr = 300mV rms VSY = ±6V VIN = 300mV rms RL = 100kV 1 THD + N – % THD + N – % 1 0.1 LS, RS OUT 0.1 LS OUT RS OUT 0.01 20 100 1k FREQUENCY – Hz 10k 0.01 235 20k Figure 3. THD + N vs. Frequency; Surround Channels 225 215 25 FREQUENCY – dBr A 5 15 Figure 5. THD + N vs. Frequency; Surround Channels –4– REV. 0 SSM2005 PIN CONFIGURATIONS 48-Lead SSOP (RS Suffix) REV. 0 R FILTER IN 1 48 CENTER OUT R FILTER OUT 2 47 LF OUT L FILTER IN 3 46 RF OUT L FILTER OUT 4 45 LS OUT L OUT 5 44 RS OUT L OUT A 6 43 NOISE IN L IN 7 42 NOISE OUT R OUT 8 41 LOAD R OUT A 9 40 RESET R IN 10 39 DATA IN VEE 11 38 VCC ACOM AUDIO GND 12 37 ACOM AUDIO GND GND 13 TOP VIEW 36 (Not to Scale) VCC 14 35 VEE (L+R) OUT 15 34 WRITE (L–R) OUT 16 33 CLOCK IN (L–R) HIGH IN 17 32 FRONT/REAR TC FILTER (L–R) LOW IN 18 31 LOW BAND TC FILTER R HIGH BAND DET. 19 30 HIGH BAND TC FILTER L HIGH BAND DET. 20 29 FRONT/REAR DET. HIGH BAND DET. OUT 21 28 FRONT/REAR (L–R) DET. R LOW BAND DET. 22 27 FRONT/REAR (L+R) DET. L LOW BAND DET. 23 26 AUTOBALANCE LOCKOUT LOW BAND DET. OUT 24 25 AUTOBALANCE TC SSM2005 –5– GND SSM2005 PIN FUNCTION DESCRIPTION Pin # Name Connected to / Function: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 R Filter In R Filter Out L Filter In L Filter Out L Out L Out A L In R Out R Out A R In VEE ACOM Audio GND GND VCC (L+R) Out (L–R) Out (L–R) High In (L–R) Low In R High Band Det. L High Band Det. High Band Det. Out R Low Band Det. L Low Band Det. Low Band Det. Out Autobalance TC Autobalance Lockout Front/Rear (L+R) Det. Front/Rear (L–R) Det. Front/Rear Det. High Band TC Filter Low Band TC Filter Front/Rear TC Filter Clock In WRITE VEE GND ACOM Audio GND VCC Data In Reset LOAD Noise Out Noise In RS Out LS Out RF Out LF Out Center Out 3-Pole Active Low-Pass Filter Output; used for Center Cancelling Correction 3-Pole Active Low-Pass Filter Input 3-Pole Active Low-Pass Filter Output; used for Center Cancelling Correction 3-Pole Active Low-Pass Filter Input Connect to Pin 6 Connect to Pin 5 Left Stereo Source Line Input; Should be 0 dBd (300 mV rms) Connect to Pin 9 Connect to Pin 8 Right Stereo Source Line Input; Should be 0 dBd (300 mV rms) Negative Supply Audio Ground Power Ground Positive Supply RC to Front/Rear Detector Input RC to Front/Rear Detector Input and Input of Crossover Output of High-Pass Crossover Output of Low-Pass Crossover RC Network Fed by Right Stereo Source Line Input RC Network Fed by Left Stereo Source Line Input Capacitor to ACOM; Controls Rear High Frequency Output Steering Right Input, used for Autobalance and Low Band Steering Left Input, used for Autobalance and Low Band Steering Capacitor to ACOM; Controls Left-to-Right Output Steering RC Network to ACOM RC Network to ACOM RC Network Fed by (L+R) Out (Pin 15) RC Network Fed by (L-R) Out (Pin 16) Capacitor to ACOM; Controls Front-to-Back Output Steering RC Network to ACOM RC Network to ACOM RC Network to ACOM Clock from Serial Bus Chip Select from Serial Bus Negative Supply Power Ground Audio Ground Positive supply Data from Serial Bus Reset from Serial Bus Load from Serial Bus Connect to RC Filter; White Noise Output Connect to RC Filter Output; Filtered White Noise Connect to Right Surround (Rear) Amplifier Input Connect to Left Surround (Rear) Amplifier Input Connect to Right Front Amplifier Input Connect to Left Front Amplifier Input Connect to Center Amplifier Input –6– REV. 0 SSM2005 Table I. Abbreviations and Notations Used in the Text L R LT RT Left Right Surround Encoded Left Input Surround Encoded Right Input LF RF LS RS Left Front Output Right Front Output Left Surround Output Right Surround Output SIMPLIFIED THEORY OF OPERATION General Center Output 0 dBd = 300 mV rms Quality Audio Ground Voltage Controlled Amplifier Output Amplifier The Output Amplifiers receive signals from the VCAs and the internal Noise Generator. Each amplifier has a multiplexer switch which will enable it to output a white noise waveform under control of the Serial Bus. This simplifies balancing of the listening system. The output amplifiers provide load drive capability with typically 12 dBd of headroom. The overall gain from L and R inputs to Circle Surround Outputs is unity; the Noise Generator gives an output level of –10 dBd (100 mV rms). The SSM2005 Circle Surround decoder processes stereo input signals, and outputs 5 channels of surround sound, plus an L+R output for a subwoofer low-pass filter. The SSM2005 provides signal processing, steering control, input autobalance, and a digital interface for mode control. This device uses analog circuits such as amplifiers, rms detectors, VCAs and digital logic to carry out the circle surround algorithm in real time. No artificial reverberation or delay effects are used, preserving the natural sound of the original stereo recording. Mode Control Logic The various SSM2005 modes are shown in Figure 7. There are modes for different types of source material, such as video sound tracks or music. Other modes include 5.2.5/4.2.4, Sound Spread, Phantom Center mode, autobalance, and Noise Generation. Each mode’s status is stored in the Mode Control Logic, as determined by the data sent via the serial bus. Refer to the Typical Outputs In Various Modes section for a more detailed explanation of the various modes. The SSM2005 can decode any existing media including CD, VCD, DVD, cassette tapes, VHS, FM radio and television stereo broadcasts. For convenience in balancing the system, an on-chip digital noise generator is available. The net result is outstanding 5.1 channel surround sound from all stereo sources, which reveals the hidden ambiance already contained in existing music and cinematic recordings. The listening experience is greatly enhanced and made more enjoyable when compared to ordinary stereo. In the following description, please refer to Figure 6. Applying a logic low to the Reset input will override the Mode Control Logic and put the SSM2005 into its Default mode. Default modes for the device are video/5.2.5/center active/sound spread on/autobalance on/noise off. See Figure 9 for logic timing diagrams. Input Signal Processing Stereo inputs L and R are fed to both the Steering Control Generator, and the Autobalance circuitry. The balanced signals are passed through the Center Channel Cancel circuitry to the Channel Steering VCAs. Autobalance Feature The autobalance circuitry is activated when the SSM2005 is placed into autobalance On Mode. In this mode, the device will adjust the gains of its input amplifiers to balance the stereo inputs to equal loudness. With a mono input signal, the autobalance circuitry will typically balance L and R to within ± 0.5 dB. A 22 µF external capacitor connected to Pin 25 sets a 5 second averaging period for comparing the levels between the stereo inputs. The autobalance output signals also feed the Precision Sum and Difference Amplifiers. The sum (L+R) and difference (L–R) signals form the basis for the center and surround channels, respectively. The center channel signal is fed to the center channel cancel circuitry, and to the channel steering VCAs. The surround channel signal is separated by an external Crossover Network into the Surround High and Surround Low bands and fed to the channel steering VCAs. Using autobalance will slightly degrade the maximum channel separation from the SSM2005. The autobalance mode can be left off without fear of degrading the soundfield, unless the stereo input signal is expected to be off balance by more than ± 1.5 dB. Most CD, VCD and DVD player outputs are specified to within ± 0.25 dB balance. Steering Control Generator The purpose of the steering control generator is to analyze the dynamic characteristics of music, dialog, or special effects, using proprietary high speed analog computing circuits. Control voltages for all VCAs are then computed, and the soundfield expansion performed in accordance with the circle surround decoding algorithm. The control signals depend upon the SSM2005 modes selected, and will differ for video mode vs. music mode, 5.2.5 mode vs. 4.2.4 mode, etc. Noise Generator When the noise mode is selected, the audio inputs are muted. Noise will be available from the output of the channel determined by the mode control logic. The noise generator uses a feedback shift register that generates a pseudo-random digital output waveform with a repeat time of three seconds. This digital noise waveform is band-pass filtered externally to approximate white noise. Channel Steering VCAs Command signals from the steering control generator are fed to the channel steering VCAs, which control the amplitude of the five output channels. High performance, low distortion VCAs with typically 12 dBd headroom are used for all channels. REV. 0 C dBd ACOM VCA Power Supplies The SSM2005 may be operated from regulated ± 5 V to ±6 V supplies that can supply 45 mA each. The recommended operating voltage is ± 6 V, which will give a typical headroom of 12 dBd. –7– SSM2005 The shift register clock at CLOCK IN is enabled when the WRITE input is low. The WRITE pin can therefore be used as a chip select input. However, the shift register contents are not transferred into the register banks until the rising edge of LOAD. For a traditional 3-wire serial interface, WRITE and LOAD should be tied together. Figure 7 shows the timing diagram and minimum timing requirements for the digital interface. Power-Up The SSM2005 will be in an undefined mode on power-up. Reset should be applied to the SSM2005, or the mode control logic should be loaded to put the device into a definite mode state. Serial Data Control Inputs The SSM2005 provides a simple 3- or 4-wire serial interface to control the mode settings for the device. Data is input on the DATA IN pin, while CLOCK IN is the serial clock. Data can be shifted into the SSM2005 at clock rates up to 1 MHz. To enable a data transfer, the WRITE and LOAD inputs are driven low. The 8-bit serial data, formatted MSB first, should be fed to DATA IN and clocked into the shift register on the rising edge of CLOCK IN. The new mode setting will then activate on the rising edge of WRITE and LOAD. CIRCLE SURROUND OUTPUTS STEREO INPUTS LEFT L R CENTER CHANNEL CANCEL AUTO BALANCE AND MUTE L RIGHT R AMPLIFIERS CENTER PRECISION SUM AND DIFFERENCE AMPLIFIERS L+R = CENTER SURROUND HIGH BAND L–R = SURROUND OUTPUT AMPLIFIERS CHANNEL STEERING VCAs C LS CROSSOVER NETWORK RS SURROUND LOW BAND STEERING CONTROL GENERATOR 7X MODE CONTROL LOGIC NOISE GENERATOR RESET CLOCK DATA TO SUBWOOFER FILTER SERIAL BUS +V SELECT LOAD GND 2V ACOM INPUT POWER Figure 6. Block Diagram Table II. Modes List Modes Effect Video Music Center Channel Cancellation Active Center Cancel Cancellation Off; Center Reduced by –4 dB. 5-2-5 4-2-4 5-Channel Circle Surround Enabled 4-Channel Matrix Enabled Center On Phantom Center Center Channel Output On Center Channel Output Off; Divided and Added to LF and RF Sound Spread On Sound Spread Off Hard Panned Input Steered to Front and Rear Side Hard Panned Input Steered to Front Side Only Autobalance On Autobalance Off Balances L and R to ± 1 dB Autobalance Disabled Noise Off Noise On Noise Generator Disabled Noise Generator On; Inputs Muted –8– REV. 0 SSM2005 Table III. Data Decoding Truth Table Reset MSB D0 D1 D2 D3 D4 D5 D6 LSB D7 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 1 1 0 1 0 1 1 1 1 1 1 1 1 1 1 X 0 0 1 1 0 0 1 1 1 1 1 1 1 1 1 1 X 1 1 0 0 0 0 1 1 1 1 1 1 1 1 1 1 X X X X X X X 1 0 X X X X X X X X X X X X X X X X X 1 0 X X X X X X X X X X X X X X X X X 1 0 X X X X X X X X X X X X X X X X X 1 0 X X X X X X X X X X X X X X X X X 1 0 X REV. 0 –9– Mode C Noise On LF Noise On RF Noise On LS Noise On RS Noise On All Mute Autobalance On Autobalance Off Center Active Phantom Center Sound Spread On Sound Spread Off 5.2.5 Mode 4.2.4 Mode Video Mode Music Mode Noise Off, Autobalance On, Center Active, Sound Spread On, 5.2.5 Mode, Video Mode SSM2005 Table IV. Timing Description Timing Symbol Description Min tCL tCH tDS tDH tCW tWC tLW tWL tL tW3 Input Clock Pulsewidth Input Clock Pulsewidth Data Setup Time Data Hold Time Positive CLK Edge to End of Write Write to Clock Setup Time End of Load Pulse to Next Write (4-Wire Mode) End of Write to Start of Load (4-Wire Mode) Load Pulsewidth (4-Wire Mode) Load Pulsewidth (3-Wire Mode) 50 50 25 35 25 35 20 20 250 250 Typ Max Units ns ns ns ns ns ns ns ns ns ns NOTES: 1. An idle HI (CLK-HI) or idle LO (CLK-LO) clock may be used. Data is latched on the positive edge. 2. For SPI TM or MICROWIRETM 3-wire bus operation, tie LD to WRITE and use WRITE pulse to drive both pins. (This generates an automatic internal LD signal.) 3. If an idle HI clock is used, t CW and tWL are measured from the final negative transition to the idle state. 4. The first data byte selects an address (MSB HI), and subsequent MSB LO states set gain levels. Refer to the Address/Data Decoding Truth Table. 5. Data must be sent MSB first. 1 CLK 0 1 D7 DATA D6 D5 D4 D3 D2 D1 D0 0 1 WRITE & LOAD 0 tCL tCH 1 CLK 0 tDS tDH 1 DATA 0 tCW tW3 tWC 1 WRITE & LOAD 0 Figure 7. Logic Timing Diagram SPI is a trademark of Motorola, Inc. MICROWIRE is a trademark of National Semiconductor Corporation. –10– REV. 0 SSM2005 TYPICAL OUTPUTS IN VARIOUS MODES Table VI. Video/5.2.5/Sound Spread ON/Center ON The SSM2005 Circle Surround decoder uses ambiance and directional information already present in a stereo signal, and does not require the audio signal to be encoded. The device requires no delay generators or noise reduction. Fully differentiated rear channels provide rear stereo separation for enhanced spatial perception, a feature unique to Circle Surround. Video mode provides the highest degree of channel separation between the front and center speakers. Video mode cancels common center channel material from the left and right front channels. This restores a wide stereo image to matrix encoded sound tracks, while maintaining a solid center channel for dialogue and mono information. Input |LT| – |RT| Output (dB) dB ⬔ φ |LF| |RF| |C| |LS| |RS| 0 ⬔ 0° 0 ⬔ 180° LT Only RT Only –6 ⬔ 0° –6 ⬔ 180° – 30 –35 0 –60 0 –30 –30 –35 –60 0 –15 –36 +6 –45 –30 –30 –4 –26 –40 +6 0 –30 0 0 –40 +6 –30 0 –25 –15 Table VII. Music/5.2.5/Sound Spread ON/Center ON The Music mode is optimized for unencoded stereo music reproduction, with full bandwidth on all channels. The steering for the LF and RF channels is deactivated to prevent any stereo image wandering. The independent two-band rear channel steering provides excellent surround imaging, even in car audio applications. Well balanced sound is obtained everywhere within a 4- or 5-speaker setup. The 5.2.5 mode provides the maximum channel separation to the surround channels, and should be used with any encoded stereo input signal. The 4.2.4 mode can be used to reduce the dynamic steering of the surround channels, allowing the SSM2005 to simulate a 4-channel surround sound decoder. Input |LT| – |RT| Output (dB) dB ⬔ φ |LF| |RF| |C| |LS| |RS| 0 ⬔ 0° 0 ⬔ 180° LT Only RT Only –6 ⬔ 0° –6 ⬔ 180° 0 0 0 –60 0 0 0 0 –60 0 –6 –6 +2 –45 –30 –30 –4 –26 –40 +6 0 –30 0 0 –40 +6 –30 0 –25 –15 Sound Spread OFF allows the maximum channel separation between the surround and front speakers. With Sound Spread OFF, a hard panned left input signal will produce an output only in the left front output. In Sound Spread ON mode, a hard panned left input signal will produce equal output from the left front and left surround outputs. Input |LT| – |RT| Output (dB) dB ⬔ φ |LF| |RF| |C| |LS| |RS| The following tables demonstrate the differences between the modes of the SSM2005 under various input conditions. The LT and RT inputs are at 2 kHz, and are shown in terms of their differences in magnitude (in dB) and phase (in degrees). For example, a 0␣ ⬔ 180° input means LT is exactly equal in magnitude, but opposite in phase to RT. 0 ⬔ 0° 0 ⬔ 180° LT Only RT Only –6 ⬔ 0° –6 ⬔ 180° +3 –35 0 –60 0 –30 +3 –35 –60 0 –15 –36 Off Off Off Off Off Off –40 +6 0 –30 0 0 –40 +6 –30 0 –25 –15 Table VIII. Video/5.2.5/Sound Spread ON/Phantom Center Table V. Video/5.2.5/Sound Spread OFF/Center ON Input |LT| – |RT| Output (dB) dB ⬔ φ |LF| |RF| |C| |LS| 0 ⬔ 0° 0 ⬔ 180° LT Only RT Only –6 ⬔ 0° –6 ⬔ 180° – 30 –35 0 –60 0 –30 –30 –35 –60 0 –15 –36 +6 –45 –30 –30 –4 –26 –40 +6 –30 –35 –25 0 REV. 0 Table IX. Video/4.2.4/Sound Spread OFF/Center ON Input |LT| – |RT| Output (dB) |RS| dB ⬔ φ |LF| |RF| |C| |LS| |RS| –40 +6 –35 –30 –30 –15 0 ⬔ 0° 0 ⬔ 180° LT Only RT Only –6 ⬔ 0° –6 ⬔ 180° – 30 –35 0 –60 0 –30 –30 –35 –60 0 –15 –36 +6 –45 –30 –30 –4 –26 –40 +6 –32 –32 –26 0 –40 +6 –32 –32 –26 –2 –11– SSM2005 0.01mF 5.9kV 48.7kV 105kV 0.1mF 10mF SSM2275-A 4.7nF + 5.9kV + 105kV 0.1mF 48 COUT 2 47 LFOUT 3 46 RFOUT 4 45 LSOUT 5 44 10mF 0.01mF 48.7kV 1 SSM2275-B 4.7nF 100V 0.1mF RSOUT 0.47mF 10mF + LEFT IN 43 7 42 8 41 LOAD 9 40 RESET 10 39 DATA 38 16V 3.82kV 100V 1mF 0.1mF 10mF + RIGHT IN 6 26V 11 33.2kV 0.1mF 12 SSM2005 37 13 36 14 35 26V 15 34 WRITE 16 33 CLK IN 16V 0.1mF 40.2kV 0.1mF 1nF 787V 10mF + 1nF 162kV 0.01mF SSM2275-A 10mF + 17 32 18 31 19 30 20 29 21 28 22 27 23 26 24 25 1mF 0.1mF 787kV SSM2275-B 100pF 1mF 1mF 274kV 0.1mF 0.22mF 1kV 0.1mF 909V 0.1mF 909V 453V 0.1mF 0.22mF 100kV 1mF 787V 7.87kV 274kV 0.1mF 1mF 453V 0.1mF 453V 453V 1mF 1mF + 0.1mF 1kV 22mF DENOTES CONTROL GROUND 4.7MV 1mF 1mF 10kV DENOTES SIGNAL GROUND DENOTES CONNECTION L 1 R OUT TO SUBWOOFER FILTER (OPTIONAL) Figure 8. Typical Application Schematic –12– REV. 0 SSM2005 APPLICATION NOTES SSM2005* 10mF Figure 8 shows a typical SSM2005 application schematic. The stereo source signal is connected to the SSM2005 audio signal inputs at Pins 7 and 10, as well as the Left/Right level detectors at Pins 19, 20, 22, and 23. The input signal goes through the autobalance circuitry and can be accessed at Pins 6 and 9. A sum (L+R) and difference (L–R) signal is available at Pins 15 and 16, respectively. These signals are fed into the Front/Rear level detector at Pins 27 and 28. LEFT IN 7 10mF RIGHT IN 10 OUTPUTS 48 CENTER 47 LF 46 RF 45 LS 44 RS SUBWOOFER 39 1mF The L+R signal is also fed internally to the center channel VCA to produce the center channel output at Pin 48. In addition, the L–R signal is fed into two external filters, creating a low-band and high-band signal with a crossover frequency of 2 kHz. The crossover filters are both 3rd order Bessel filters, providing a minimum group delay to the surround channels. The L–R high-band signal is connected to Pin 17, and the L–R low-band signal is connected to Pin 18. These two pins provide the multiband steering to the two surround outputs. Low-pass filters are inserted between Pins 1 and 2, and Pins 3 and 4. These filters are used for the center-canceling circuitry, which removes center channel information from the left front and right front outputs. This circuitry is only active in Video mode, providing maximum channel separation between the center and front outputs. In an application that will only use Music mode, these active filters can be removed and replaced with a 1 µF capacitor between Pins 1 and 2, and Pins 3 and 4. The capacitors and resistors connected to Pins 21, 24, 25, 26, 29, 30, 31 and 32 are used to create the time constants for the steering circuitry. The values shown in Figure 8 are strongly recommended. Variation from these values will result in improper operation of the Circle Surround decoder, and may result in the assembled unit failing SRS Labs approval. 2.05kV 4.23kV 0.47mF SSM2275 *ADDITIONAL PINS OMITTED FOR CLARITY fC = 100Hz Figure 9. Adding a Subwoofer Output Implementing a Stereo Bypass Mode Figure 10 shows a schematic for implementing a clickless stereo bypass around the SSM2005. The stereo bypass mode allows the user to defeat the Circle Surround decoding and listen to two-channel stereo from the left front and right front speakers. The SSM2402 is a clickless dual audio single-pole single-throw (SPST) switch. When the control voltage, VBYP, is low (below +0.8 V) the switch is open, and the five channel outputs are connected to the outputs of the SSM2005. When VBYP goes high (above +2.0 V) the SSM2402 switch closes, connecting the LF and RF outputs to Left In and Right In respectively. At the same time, a data byte should be loaded into the SSM2005, placing the Circle Surround decoder into Mute Mode. The data byte required for Mute Mode can be found in Table III, and the logic timing diagrams can be found in Figure 7. The noise generator output is at Pin 42, and the input to the noise steering circuit is at Pin 43. The R-C network connected between Pins 42 and 43 is used to remove dc voltage and high frequencies, which could damage speakers. Other noise-shaping circuitry could be used here to create noise patterns other than white, or to further attenuate the noise output with a resistor divider. Adding a Subwoofer Output The SSM2005 provides an output of the summed Left In and Right In signals. This L+R signal is used to drive the center channel output, and it can also be used to provide a subwoofer channel by connecting the output from Pin 15 to a low-pass filter. The schematic for such a configuration is shown in Figure 9. VBYP VBYP HIGH = STEREO MODE VBYP LOW = CIRCLE SURROUND MODE 1 14 2 13 3 12 4 11 5 10 6 9 7 8 26V 10mF Here, Pin 15 is connected to a 2nd order Bessel low-pass filter. The circuit uses the SSM2275, a low noise audio op amp that can run from the same ±6 V that power the SSM2005. Using the component values shown in Figure 9, the filter’s cutoff frequency is 100 Hz. +6V SSM2402 LEFT IN SSM2005* 7 10mF RIGHT IN 10 OUTPUTS 48 CENTER 47 LF 46 RF 45 LS 44 RS 39 DATA IN VBYP LOW = CS MODE 0 0 0 x x x xx *ADDITIONAL PINS OMITTED FOR CLARITY x DENOTES A DON'T CARE BIT Figure 10. Implementing a Clickless Stereo Bypass Mode REV. 0 –13– SSM2005 Using the SSM2005 for Karaoke 10kV +6V In Video mode, the SSM2005 removes centered vocal information from the LF and RF speakers. This allows the device to be used in Karaoke applications, where the user can sing along with any music recording. Figure 11 shows a circuit diagram for such an application. 2.2kV +6V 0.1mF 1kV MIC OP179 26V The OP179 is the microphone preamplifier with a gain of +20 dB. A 2.2 kΩ resistor connects the microphone to the +6 V supply rail, providing proper biasing for an electret microphone. KARAOKE MODE The SSM2402 is used as a clickless switch, connecting the center output to either the center out from the SSM2005 or the microphone. In Circle Surround mode, the control voltages to the SSM2402 connect the output from the SSM2005 to the center output. In Karaoke Mode, this connection is opened, and the microphone is directed to the center output. At the same time, the SSM2005 should be loaded with data byte (MSB first): 1␣ 1␣ 1␣ 0␣ 1␣ 0␣ 1␣ 1. This activates the center canceling circuitry in the SSM2005, removing centered vocal information from the left front and right front speakers. SW-2 SSM2005* 10mF LEFT IN 7 10mF RIGHT IN The overall result is the microphone output comes out of the center speaker, with the vocals-removed music coming from the remaining speakers. +6V SSM2402 CIRCLE +5V SURROUND MODE 10 1 14 2 13 3 12 4 11 5 10 6 9 7 8 26V 7404 OUTPUTS 48 CENTER 47 LF 46 RF 45 LS 44 RS 39 FOR KARAOKE, LOAD DATA BYTE: 1 1 1 0 1 0 1 1 *ADDITIONAL PINS OMITTED FOR CLARITY Figure 11. Using the SSM2005 for Karaoke –14– REV. 0 SSM2005 OUTLINE DIMENSIONS Dimensions shown in inches and (mm). C3628–8–7/99 48-Lead SSOP (RS Suffix) 0.630 (16.00) 0.620 (15.75) 25 48 0.299 (7.59) 0.292 (7.42) 0.410 (10.41) 0.400 (10.16) 1 24 PIN 1 0.110 (2.79) 0.095 (2.41) 0.092 (2.34) 0.088 (2.24) 0.025 (0.635) BSC 0.0135 (0.343) SEATING 0.008 (0.203) PLANE 0.010 (0.254) 0.005 (0.127) 88 08 0.040 (1.02) 0.024 (0.61) PRINTED IN U.S.A. 0.016 (0.41) 0.008 (0.20) REV. 0 –15–